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Pop Rock Nation

Tag: Rod Stewart

  • The Sunday Seven: Owe Me Back Like You Owe Your Tax

    This week’s seven is being brought to you during commercial breaks for the Emmy Awards, which is surprisingly funny and entertaining this year.

    Ah, and if anyone would like to do a Guest Sunday Seven, please let me know. Let’s get busy.

    Track 1: “The Blast (live)” by Talib Kweli & Erykah Badu

    This is a live version of Kweli’s hit taken from “Dave Chappelle’s Block Party”, a show I actually had an invite to and skipped. Because it was raining and I’m a lazy bastard. I regretted going for a while, and then while sitting in the movie theater watching the movie version, I realized I had a much better view of what was going on at the show than I would have had I actually gone to the show.

    This version has more energy than Kweli’s studio version on “Reflection Eternal”, and Badu is a nice touch on the chorus. He’s a little husky here, but he sounds energetic, something he didn’t when I saw him in an underwhelming performance opening for the Beastie Boys three years ago.

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  • Sunday Shuffle: Do You Feel Me?

    I just bought a USB turntable and fell in love with it immediately. I’ve also found a local record store called “In Your Ear” that has tons upon tons of vinyl, most of which is 3 bucks or less. I went there last week and wound up with 31 albums, all of which are slowly making their way onto my iPod. Among the choices: “Still Crazy After All These Years” by Paul Simon, a ton of DeBarge (and El DeBarge solo stuff) and Marlon Jackson’s solo album. Yes, Marlon made a record. More on that some other time.

    We are now up to 16,939 songs (show-off). Here’s today’s seven:

    Track 1: “Baby Jane” by Rod Stewart: I can see how “serious” music fans would take everything Rod Stewart made after the mid Seventies and uniformly say “crap”, but damn it, my two favorite Rod songs are “Da Ya Think I’m Sexy” and “Love Touch” (Mr. Cass, you’ve got to have my back here!). So bite me. “Baby Jane” was a hit single in 1983 or 1984, and had sort of a dance-rock flair to it. It’s a genre he mined intermittently throughout the Eighties, before he went the grizzled rock balladeer rout in the Nineties and turned into Barry Manilow with a raspier voice at the turn of the century. Listening to those standards albums, you appreciate his 80s music a lot more, don’t you “serious” music fans?

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