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Pop Rock Nation

Tag: Robyn

  • New Releases 4/29/08: Madonna, The Roots and More!!!


    Last week was so bereft of quality releases that you knew there was going to be an overflow this week. How fitting that my last new release Tuesday in NYC is going to find me spending a LOT of money!! Here’s the hotlist:

    Madonna “Hard Candy”: Madge is back, she’s dropping the final album on her Warner Brothers contract, and she’s finally dropped the electronic flavorings that she’s favored for the last decade in favor of the R&B-leaning pop that she began her career with. Of course, working with Reggie Lucas, Chic and Jellybean Benitez in ’83 means working with Timbaland, Pharrell and Kanye West in 2008. It’s certainly not her first flirtation with hip-hop/R&B (see “Bedtime Stories” and “Erotica”), and if lead single “4 Minutes” is any indication, we might be getting the best Madonna album since “Ray of Light”. Not bad for a 49-year old mother of three, eh?

    http://www.madonna.com/

    The Roots “Rising Down”: Another act wrapping up their contract, The Roots are ending their ill-fated tenure on Def Jam with a bang. “Rising Down” is a pointedly political work (which means that it will be severely bungled by the Def Jam folks), featuring cameos by Roots album mainstays like Mos Def and Talib Kweli. Interestingly enough, the most commercial song on the album (“Birthday Girl”, which features Fall Out Boy’s Patrick Stump) was ultimately dropped from the album because it didn’t fit thematically. Well, thematic continuity or no, The Roots’ creative resume is damn near impeccable, and their last three studio albums have been almost perfect, so great things are expected from me on this one.

    http://okayplayer.com/

    Portishead “Third”: Anchored by the sultry/creepy vocals of Beth Gibbons, Portishead helped kick off the British trip-hop movement with 1994’s classic album “Dummy”, an album that still gets heavy rotation in my CD player. After a 10 year absence, Beth and instrumentalist Geoff Barrow are back. Although the reviews I’ve read of the album have been almost uniformly awful (and Barrow has not made any friends in the press, slinging darts at the likes of Danger Mouse and Prince), I’m still interested to hear what the duo has come up with after so long apart.

    Home page

    Estelle “Shine”: Estelle also comes from across the pond. The young singer is the first artist released on John Legend’s Homeschool Records. Given Legend’s star power (and the industry’s current fixation with British female vocalists), it’s no surprise that Estelle’s debut features a star-studded cast including Kanye West, will.i.am and Mark Ronson. First single “American Boy” is cute enough and has gotten a pretty good buzz. Can Estelle follow in the (musical, not personal) footsteps of Brit divas like Amy Winehouse and Lily Allen?

    http://www.estellemusic.com/

    Robyn “Robyn”: I posted a blurb about Robyn a month or two back, when “The Rakamonie EP” was released, and her self-titled full-length album (her first American release in a decade…what is UP with some of these artists) hits stores today. Most of you who remember her obviously do so from the singles “Show Me Love” (not to be confused with house music diva Robin S., who *also* had a 90s hit called “Show Me Love”) and “Do You Know (What It Takes)”. Well, she’s grown up, she has an attitude problem, and she’s making some of the best pure pop music around right now. She’s kinda like Fergie, only GOOD.

    http://www.robyn.com/

    And that’s not it, folks!!! Augustana try to stave off one-hit wonderdom with their sophomore release, “Can’t Hurt, Can’t Love”, Def Leppard’s “Songs From The Sparkle Lounge” is their latest attempt to stave off irrelevance, former neo-soul guitarist/vocalist Lyfe Jennings offers a more commercial side on “Lyfe Change”, complete with T.I. and Snoop Dogg cameos, teenage girl rapper Lil’ Mama’s debut FINALLY hits stores a year after “Lip Gloss” became a Top 10 hit, British soul singer (and critical fave) Jamie Lidell drops “Jim” today, Mudcrutch (the band that eventually became Tom Petty & The Heartbreakers) release their self-titled debut today (which may be this week’s sleeper hit), we have new albums from punk legends Mindless Self Indulgence and rock en espanol legends Mana, rock legend Steve Winwood (fresh off a tour with Eric Clapton)and hipster fave Santogold.

    Damn. Do you think folks could have thrown some of this stuff into last week when there was nothing out worth mentioning? Geez.

    Happy shopping!!

    Oh…and get a complete list of this week’s releases here: http://www.pauseandplay.com/cdfront.htm

  • Rediscovering Robyn

    Has an artist that you liked ever fallen off the face of the Earth? I’m not talking literally, of course. I’m talking unexplained absences. It’s even more confusing when the artist actually has a hit and then disappears. I mean, I can understand if it’s a situation where you’re the only fan of a particular singer, but why would an artist who sells a shit-ton of records just vanish into thin air?
    Case in point: Robyn. Just before BSB and Britney hit the scene, Robyn scored big with a refreshingly poppy sound, honed by Swedish writers and producers like Max Martin. Robyn also had the benefit of actually being Swedish, so she was getting some of that homegrown. She also had a voice heavily influenced by soul singers (I seem to remember her touting Faith Evans as an influence), so she got love from the R&B crowd as well. Released in the summer of 1997, Robyn’s debut album, “Robyn Is Here”, sold a million copies and spun off three Top 40 pop hits, with the biggest one being “Show Me Love”…
    …which bears more than a passing resemblance to a certain song called “…Baby One More Time” (http://youtube.com/watch?v=_bsniYwSaWg) . The way I see it (and to protect the innocent, I’ll say that this isn’t necessarily the truth), the suits up at Britney & Robyn’s respective labels (who share a distribution company) figured why deal with Robyn when they could find a more pliable, American, and traditionally “sexy” star to promote? After only one album (and a successful one at that…I’m still scratching my head…), Robyn was doomed to a footnote in American pop music culture.
    BUT WAIT…Robyn didn’t exactly fall off the face of the Earth, she just fell off the face of America. The talented Swede has released several more albums in Europe, and they have been commercially and critically well-received. Sensing the time might be right for a comeback (after ELEVEN years), Interscope Records has signed Robyn and released “The Rakamonie EP” in the States in late January. This 5-song collection proves that Robyn has moved far beyond boilerplate Swedish dance/pop, featuring everything from songs that position her as a Missy Elliott/M.I.A hybrid to heartbreaking piano ballads to an uproarious cover of Prince’s “Jack U Off”. In a world where Gwen Stefani, Fergie and Nelly Furtado are among the top pop stars alone (and fading ones like Britney and Janet Jackson are desperately adapting their styles to fit in with the aforementioned three), Robyn provides a sound that doesn’t sound out of place among any of those artists while still managing to forge her own little unique lane.
    So, head to your local record store (or go online) and check out “The Rakamonie EP”. It only cost me 6 bucks and was well worth the money spent.
    For those of you who want another taste, check these clips out:

  • Nope, Nothing Came Out This Week, Either…

    Well, we’re only a week or so until Sheryl Crow, Jack Johnson and Lenny Kravitz kick off with the first superstar releases of 2008. In the meantime, there are a handful of more niche-y kind of albums out this week.
    The Grammy Awards are a week from Sunday, and of course, every year there’s a compilation CD spotlighting the nominees. This year’s comp features Justin Timberlake, Maroon 5, Paul McCartney and just about everyone else noteworthy up for a gramophone. If you’re looking for a step-up from the average “Now That’s What I Call Music” compilation, this just might be up your alley.
    Shelby Lynne, who you might remember winning a Best New Artist Grammy in 2001 (despite having recorded for over a decade by that point) has an interesting new release out called “Just A Little Lovin’”. 9 of the 10 tracks are covers of songs that Dusty Springfield originally recorded, and although I don’t really have much use for Dusty, I am madly in love with Shelby (I even got to hug her once), and this album is now part of my collection.
    Joe Jackson (no, not Michael’s dad) has a new album out this week called “Rain”. The guy’s been around 30 years and still has the goods-I hear this album’s excellent (although the jury’s out on whether I’ll actually buy it). Joe is well-known for his eclecticism, jumping from power-pop to jazz to reggae at a whim, so if you’re the adventurous type, you might wanna check it out.
    Also, there’s a new set from the indefatigable (it must be the weed) Willie Nelson out, the sophomore set from hard rock upstarts Bullet For My Valentine, a 2-CD deluxe version of Beck‘s breakthrough “Odelay” (I call it his breakthrough because, seriously, how many of you thought he was a one-hit wonder after “Loser”?), a new Blind Boys of Alabama record (if you wanna get your spiritual on), a new Sarah Brightman record (if you wanna get your classical on), and the first Statewide release from Swedish pop singer Robyn in nearly a decade. You might remember her from hits like “Show Me Love”. She was one of the first artists to benefit from that Max Martin pop sound that ruled the late Nineties, and then Britney Spears went and stole her career. Well, she’s still big in Europe, and “The Rakamonie EP” marks the first time that global hits like “Konichiwa Bitches” are available on these shores.
    And I admit it. I wanted to say “Konichiwa Bitches”. So I’ll say it again.
    Happy shopping.