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Tag: Justin Timberlake

  • The Timberlake Curse?

    Justin Timberlake at VMAsThe commonly accepted theory is that, generally speaking, musicians don’t make good movie stars and actors don’t make musicians. Occasionally there’s an exception (Will Smith has done an admirable job turning himself from the Fresh Prince into the new Tom Hanks, Jared Leto has a platinum album, J. Lo was hitting on both cylinders for a second), but it’s rare to find someone who has twin success on the silver screen and in the recording studio.

    The latest singer to try and fail at becoming equally as successful an actor is Justin Timberlake. As a singer, Justin (solo and with ‘Nsync) has sold something like 40 million records and won 6 Grammy Awards. As an actor? Not so much. Let’s see. There was “Edison Force”, a movie that went straight to video despite boasting the talents of Oscar winners Morgan Freeman and Kevin Spacey. Then there was “Black Snake Moan”, the only one of Timberlake’s movies I actually saw, which wasn’t bad if you could suspend reality for a bit. However, Timberlake’s role was pretty unnecessary, and the movie wasn’t a success. He followed that up with “Alpha Dog”, which also caught a brick. I don’t know about you, but putting the dude that sang “Bye Bye Bye” in a role as a gangbanger was probably a stretch.

    For his latest role, Timberlake has joined forces with Mike Myers in “The Love Guru”, which opened at a weak 4th place this week. Granted, Timberlake doesn’t seem to be the problem with the movie, which judging from previews looks completely unfunny. Myers hasn’t done himself any favors if you read the recent Entertainment Weekly article portraying him as a complete douchebag, but you’ve got to admit that this is a letdown for the guy who created the iconic Austin Powers.

    Although Timberlake’s peers don’t seem to be having much success at the box office either (how many people saw “The Pink Panther”?), JT might want to take a look at the film career of the woman whose career he assisted in torpedoing (pardon the pun). People may joke about Janet Jackson’s acting career, but each of the three movies she’s had a major role in debuted at #1 at the weekly box office.

  • Janet Jackson’s "Discipline": FAIL!!!!

    http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003813980

    At the beginning of the year, Janet Jackson’s “Discipline” was touted as one of 2008’s most anticipated releases. It was her first album for Island Def Jam after two consecutive albums on Virgin had met with dwindling sales in light of the infamous Super Bowl incident with Justin Timberlake. First single “Feedback” was widely blogged about, MTV lifted it’s ridiculous four-year ban on Jackson, and it seemed like the album was capable of restoring Janet to the heights she enjoyed as one of the biggest selling female artists of the Eighties and Nineties.

    So, um…what happened?

    Despite “Discipline”‘s #1 debut on the album charts, it quickly sank. Scanning close to 200,000 units in its first frame, it’s barely doubled that in the 3 1/2 months since. “Feedback” didn’t catch on at radio, despite a radio-baiting Timbaland remix featuring Ciara. None of the follow-up singles caught fire, either, as “Luv” met with a middling response at urban radio and its pop counterpart, “Rock With U” bombed. To add insult to injury, Janet’s found herself outsold by contemporaries like Madonna (ironically teaming up with Timberlake) and Mariah Carey, not to mention the reissue of the 25 year old “Thriller” album, which has scanned nearly 200,000 more copies than “Discipline” in roughly the same amount of time, with significantly less promotion.

    Janet has resorted to the age-old artist trick of taking her label to task for what she calls inadequate promotion of the album, and has indicated that Island Def Jam is more or less pulling the plug on “Discipline”. Hell, if I was L.A. Reid, I’d probably do the same thing. I honestly don’t think the album’s relative lack of success has anything to do with the label’s efforts. They shot two videos, put Janet on just about every TV show they could think of, made nice with MTV and basically gave “Discipline” every chance to succeed.

    At least some of the blame has to go with Janet herself. “Discipline”, while not an awful album by any means, isn’t the stylistic equal of Janet’s most successful work. “Control”, “Rhythm Nation”, “janet.” And “The Velvet Rope” were fairly ballsy works, even if they trafficked in the mainstream pop/R&B realm. Janet had her finger on the pulse of what worked at radio while still maintaining some semblance of artistic credibility. Her last two albums have reeked of flop sweat, from the duets with Nelly to the alignment with producers-of-the-moment on “Discipline”. It sounds like Janet chasing trends as opposed to setting them, something that is quite disappointing in light of these comments Janet made shortly before the release of “The Velvet Rope” in 1997.

    “The applause will die. It happens to every single person in this business…It’s okay. I’d rather for people not know what I am, what I have, or who I am and to accept me for me”.

    So, the question then becomes, can Janet get her groove back? While the days of Janet Jackson, world-class megastar are probably over, I don’t see why Janet can’t continue to put out Gold, if not Platinum albums (and “Discipline”should have no problem crossing the half-million mark once Janet goes on tour). Step one would probably be to go back to Jimmy Jam & Terry Lewis. The former Time members may not be the producers of the moment anymore, but they know Janet best. They bring out the artist in her. Think of the abomination that was “20 Y.O.” and remember that the album’s two best tracks, “Daybreak” and “Enjoy”, were Jam/Lewis tracks (with no Jermaine Dupri input). Next? How about dropping the nymphomaniac image? A sexual Janet was a breath of fresh air in 1993, interesting in 1997, boring in 2001, desperate in 2004, and in 2008, everyone is over that shit. Don’t be a one-trick pony. Madonna didn’t make “Erotica” for ten years, you don’t need to sing about your titties and vajayjay on every damn record. The reason folks liked those early Janet records so much is because they were relatable and autobiographical. A concept album about being a 42-year old woman in a contented relationship, dealing with career issues and wanting to start a family (while also contending with a pre-existing family of nuts?), now that’s the kind of album I wouldn’t mind hearing from Janet. As Prince once said “act your age, not your shoe size”. Not to say she should button herself up to the neck, but give the coochie a break, girl. Damn.

    The final thing to do would be to accept the fact that your star has dimmed somewhat and stop blaming people for things. Yeah, what MTV did to you was fucked up (and racist), but it was your idea to expose your breast in the first place. If she’d just fessed up initially and said “Hey, this was a publicity stunt that went awry”, people would have forgiven you a lot more quickly. It was your decision, you suffer the consequences. Same goes here. She strayed away from her artistic template and sold out with “Discipline”. Unfortunately, as she’s learned, selling out doesn’t always equal cashing in, and this is why the former Princess of Pop finds herself in the situation she’s in now.

    Hmmm…she also might wanna think about putting out a no-holds-barred autobiography. Now that’s some shit I would read cover-to-cover!!

  • Chart Chat 5/4/08: Madonna, Jesse McCartney, Static Major And More!!


    Hey folks:

    Courtesy of the good folks at Billboard magazine, I bring you (drumroll…) this week’s Top 20 singles and albums!!

    We’ll start with the albums chart:

    1) “E=MC2” Mariah Carey
    2) “Spirit” Leona Lewis
    3) “Flight of the Concords” Flight of the Concords
    4) “Bittersweet World” Ashlee Simpson
    5) “When Life Gives You Lemons, You Paint That Shit Gold” Atmosphere
    6) “Now That’s What I Call Music 27” Various Artists
    7) “Juno” Soundtrack
    8) “Troubadour” George Strait
    9) “Taylor Swift” Taylor Swift
    10) “Prayer of a Common Man” Phil Vassar
    11) “Best of Both Worlds Concert” Hannah Montana/Miley Cyrus
    12) “Alvin & The Chipmunks” Soundtrack
    13) “Sunset Man” James Otto
    14) “Sleep Through The Static” Jack Johnson
    15) “Trilla” Rick Ross
    16) “Lady Antebellum” Lady Antebellum
    17) “Accelerate” R.E.M.
    18) “The Black Swan” Story of the Year
    19) “Call Me Irresponsible” Michael Buble
    20) “Jordin Sparks” Jordin Sparks

    Top 20 Singles:

    1) “Bleeding Love” Leona Lewis
    2) “Lollipop” Lil’ Wayne feat. Static Major
    3) “No Air” Jordin Sparks/Chris Brown
    4) “4 Minutes” Madonna feat. Justin Timberlake
    5) “Love in This Club” Usher feat. Young Jeezy
    6) “Sexy Can I” Ray J. feat. Yung Berg
    7) “Touch My Body” Mariah Carey
    8) “Love Song” Sara Bareilles
    9) “Forever” Chris Brown
    10) “With You” Chris Brown
    11) “Low” Flo-Rida feat. T-Pain
    12) “See You Again” Miley Cyrus
    13) “Say” John Mayer
    14) “Leavin’” Jesse McCartney
    15) “Damaged” Danity Kane
    16) “Don’t Stop The Music” Rihanna
    17) “Stop & Stare” OneRepublic
    18) “The Boss” Rick Ross feat. T-Pain
    19) “Pocketful of Sunshine” Natasha Bedingfield
    20) “What You Got” Colby O’ Donis feat. Akon

    *Nope, I don’t know who Colby O’ Donis is either. But…his song features Akon, so I also really don’t care who he is. But here’s his video in case you’re interested.

    *Chris Brown has three songs in this week’s Top 10. Is it safe to say Chris Breezy is going to be the 2008 version of T-Pain?

    *One thing I neglected to mention last week (and thanks to Joel Whitburn’s Chart Beat Chat column for making me aware of this), is that Static Major, who guests on Lil’ Wayne’s “Lollipop” (down 1 spot to #2 this week), is the seventh artist to hit #1 on the singles chart posthumously, following Otis Redding, Janis Joplin, John Lennon, Jim Croce, The Notorious B.I.G. and Soulja Slim. Static, who was better known as a songwriter (Aaliyah’s “Are You That Somebody?” and “Try Again”) was also 1/3 of the singing group Playa, who had a hit with “Cheers 2 U” a decade or so ago.

    *Jesse McCartney becomes the latest former boy-bander to achieve chart salvation. Not only is he new in the Top 20 with “Leavin”‘” (which auomatically becomes his highest charting single), but he also has a co-write on the #1 single, Leona Lewis’s “Bleeding Love”. Not bad for the kid who was the lead singer of D-list boy band Dream Street.

    *Latest annoying song to finally get the chart boot: “Apologize” by Timbaland & OneRepublic.

    *How weird was it to see Madonna on “106 & Park” this week? Particularly in light of her work with Justin Timberlake, who has unofficially been banned from the network in light of his participation in “Nipplegate”?

    *Finally, a big shout to the duo of Atmosphere, who score one of the surprise debuts of the year (with one of the best album titles of the year, too!!). Definitely a good look for indie/backpacker rap!!