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Tag: Joni Mitchell

  • What Kind Of Fu**ery Is This? Best Of Music 2007

    I hate putting these lists together. Ok, I lied. I love doing it. But it’s so hard. Putting all of the songs and albums together that I heard in 2007 into one conclusive list is tough. There are even things that came out in 2007 that I know are good, but that I haven’t even listened to enough to make a solid decision on.

    Vital Idol

    But let’s start with the American Idol stuff. I guarantee that I’m the only one thinks about Idol albums on “best of” lists like this. In 2007, a bunch of Idol albums came out with the best being Elliot Yamin’s self titled debut. Carrie Underwood followed up her big hitter rookie album with another strong album titled Carnival Ride. I’m certain more than one song on the album is about Tony Romo. Kelly Clarkson argued with Clive and released an album that’s emotional and all her own, but yikes, does that mean I have to listen to her downpour of depression? Even Katharine McPhee dropped an album that was actually decent. It bricked (and caused her to get dropped from her record deal), but it was much better than it had any right to be. In late 2006 (but they count here for me for being so late in the year), Fantasia and Taylor Hicks put out good albums, though both didn’t sell. And Hicks’ debut got him dropped from his deal. So much for the idea that all Idol winners are stars. Also, Ruben Studdard’s third album dropped and it was a mess and a half. Not surprisingly he was also dropped from his deal as well. There were others that I didn’t get a chance to listen to like Kellie Pickler and Bucky (that dude should just drop his last name).

    The two albums that dropped late in the year were from Season 6 winner Jordin Sparks and runner up Blake Lewis. While Lewis is going to get shredded because he doesn’t have a great singing voice, his album is the better of the two. It’s creative and in a style you’d expect from him. Sparks’ isn’t creative, and that’s the downfall. She’s at a weird age in which she’s too old to be Hannah Montana and too young to be a sexy songstress. I’d expect much better from her in the years to come. As for Blake, he’s probably not going to last long in this game, but he gets an E for effort. At least Break Anotha was hot.

    One Shot

    I still haven’t been able to give enough time to Lupe Fiasco’s second album, The Cool. I love the single, but in order to put it on a list like this, I have to give it more than just the random listen that I did. I apologize to Lupe. Next time, release your album a little earlier bruh.

    Big Ups

    There are a bunch of albums that I really liked, but didn’t love, or simply haven’t listened to enough to know if I love or not. Unless it’s something I know I’ll love immediately, music and me aren’t necessarily always love at first sight. Joni Mitchell’s Shine is impressive considering I wasn’t raised on Mitchell and thus haven’t heard a lot of her classic work. But when two of my closest friends both told me to give it a shot, I did. And when one of them decided to send me all the songs in e-mail, I really couldn’t say no. To say I was impressed is an understatement. I was also impressed with Bruce Springsteen’s Magic. It’s really the first album of his that I’ve given a hard listen to since The Rising. The single Radio Nowhere was genius. Chrisette Michele is an artist that didn’t get much love, and one can understand why. It’s not a pop album at all. Her I Am is an album that I had to listen to more than once in order to get it, and I don’t even think I’ve fully gotten it yet. It’s very much an R&B/soul/jazz clash that’s void of bubble gum. Joss Stone’s Introducing … is a fun album that takes advantage of her voice and gives her good material to work with. She does good stuff with not only Common, but Lauryn Hill, and no one did anything with Lauryn Hill except for her own ego.

    Maroon 5’s It Won’t Be Soon Before Long came strong out of the blocks with the funky Makes Me Wonder and stayed strong throughout. Talib Kweli and Common also hit with albums this year. Kweli’s Eardrum was consistent throughout and for rap fans, is right up there with the best hip hop releases of the year. But I thought there was definitely something missing. It might just be Kweli. I love his rhymes, but he lacks charisma, and that’s why I think I’d rather listen to a lesser rapper like Kanye, but also one who makes complete songs, even though toe to toe, he can’t flow with Kweli. Common’s Finding Forever wasn’t as good as Be, but it found many spins in my iPod. Spins? To me, The People was one of the bangers of the year. Timbaland took the “featuring …” to another level with Shock Value. It was chock full of radio ear candy. One of the things I love about Timbaland is that he simply enjoys getting people to go crazy in the clubs, but he is not afraid of experimenting with different types of artists. He’s not going to go completely left, but he’ll rock with One Republic and The Hives and then on the same album throw a bone to his old buddy Magoo. He still can’t rap though.

    Ne-Yo and Rihanna converged with Hate That I Love You and at that point, I pretty much considered them one and the same. I found Ne-Yo’s Because Of You superior to his first album. Maybe it was the title track that I loved so much. But I just found more reasons to listen all the way through. Rihanna’s Good Girl Gone Bad was the one album that you could’ve thrown on at a party and not had to worry about changing the music for an hour. She had the biggest single in the world and seemingly grew up right before our eyes. Have you seen the video to Hate That I Love You? If not, go now. You can always come back here. I won’t mind.

     

    One Love

    The list of albums that I loved is much shorter. Though Alicia Keys hasn’t yet made that one near perfect album, she came closer to that goal with As I Am. It’s a much stronger album from a song writing perspective and as with any Alicia Keys song, you know you’ll get your goodie bag of awesome love songs. Like You’ll Never See Me Again was a brilliant second single. Jay-Z’s American Gangster and Kanye West’s Graduation were the two hip hop albums that I played most this year. With Jay-Z releases, I usually get a copy at least a week and a half before it comes out because someone had a bootleg and burns me one. Don’t worry y’all, I then go buy a copy when it’s finally released. With this one, I didn’t hear it until it dropped. I was slightly worried that it would be rushed, but after it was all said and done, it’s one of the best albums of his career. It’s on the soulful tip like The Blueprint, but is even more retro. And it also features the party jam of the year, Roc Boys (And The Winner Is …). We in the house, house, house. West’s Graduation came out of the gate with two singles that weren’t the type of radio song that you were used to. There was no Golddigger to be found. But he sampled Daft Punk and found his black Kate Moss. Stronger might’ve been my single of the year if I had a vote.

    The release date on Elliot Yamin’s debut album wasn’t circled on everyone’s calendar. But when Wait For You dropped, I knew I’d love probably everything on this album. He waits for his girl in Wait For You, sees warning signs in their relationship in Train Wreck, and then kicks her to the curb and wants to date her friend in Movin’ On. But he makes it all better with the iTunes only In Love With You Forever. Dreamgirls was probably my second favorite movie of 2006 (why Rocky Balboa of course) and even if the acting sucked (which it didn’t, and Eddie Murphy was robbed), I would’ve still loved it because of the awesome soundtrack. Even though technically the soundtrack was released in late 2006, I listened to it more than any other album in the first half of 2007. From Jennifer Hudson’s roaring rendition of Jennifer Holiday’s And I Am Telling You I’m Not Going to the bad a** Steppin’ To The Bad Side, it’s the shortest hour car ride ever. And I’ve probably listened to it no less than 35 times.

    My favorite album of the year isn’t a surprise. It’s not an original choice, but oh well. Amy Winehouse may be locked up at a looney bin with Britney Spears pretty soon, but at least someone in the looney bin will be able to sing. Ok, that was mean. I enjoyed Brit’s Blackout more than I probably should’ve and still think Break The Ice should be sent to the clubs immediately. Winehouse and producers Mark Ronson and Salaam Remi created soul music that simply isn’t created these days unless your name is Anthony Hamilton. Though Rehab was the hot single, Love Is A Losing Game and Tears Dry On Their Own are the real head turners. Back To Black is one of the few anythings I gave 5 stars to this year.

    Favorite Song Of The Year

    It’s true that I live in a whole different house
    But that doesn’t mean I won’t come around
    I’m still best friends with your mom have no doubt
    We’ll still make time to hang out
    I promise I won’t let you down

    I will admit to liking things that others won’t even dare listen to. One of my favorite songs of the year was the Carrie Underwood song I’ll Stand By You, which was only found on iTunes I believe. My favorite sing isn’t earth shattering and it’s not going to hit the charts anytime soon, but it was the most meaningful to me. Not simply Babyface anymore, Kenneth “Babyface” Edmonds penned a song that could’ve been written for me. Not Going Nowhere is a love letter to his son about why he and his ex-wife Tracy Edmonds (Edmonds-Murphy?) decided to be best friends. It really touched home with me because my ex-wife and I made a promise to each other that we would put away any hard feelings we have for each other and work to keep our family together. Our two sons are too important for pettiness and so far, we’ve done that. I live 2 minutes away from my boys, have them whenever I want, and life isn’t really all that different. The boys will have to deal with us having new significant others (and they’ve really done great in that area), but having a family with divorced parents is much better than having a divorced family. Thanks ‘Face.

    I know you feel a little scared
    I know you think it’s not fair
    And you think it’s all your fault
    But it’s not I swear
    If it wasn’t for you things could never be so cool
    So I thank you
    For being the one in our life
    That showed both of us we did something right

    (forgive the ads in the beginning)


  • …And The Winner Is…

    So, with the CMTs just past and the American Music Awards in just a couple of weeks, the music award season is in full bloom.
    The cutoff period for consideration for the Grammy Awards was September 30th. This means that albums with a release date ranging from the first week of October 2006 to the first week of October 2007 can be considered, with the later period of releases included because they ship to stores during the last week of September.
    Grammy has become a bit hard to predict over the course of the past couple of years, and the muted list of this year’s releases makes things even easier to predict. Parity will be the name of the game here, with no surefire Norah Jones, Dixie Chicks or OutKast release to clean up at the ceremony. However, there are a couple of folks that I think will be smiling hard when the nominations are announced in mid-December.
    KANYE WEST: He’s been nominated for Album Of The Year for each of his first two albums, and (in case you’ve been under a rock and have not heard his complaining) he lost both times (to Ray Charles and U2). “Graduation” has had the biggest balance between critical cred and sales (1.7 million in two months of release), so this could be the year Mr. West finally receives his big trophy (although it would be highly ironic that he would win for his weakest album…) His competition??…
    BRUCE SPRINGSTEEN: “Magic” snuck in just under the deadline, and…well, Bruce is as much of a gimme in Grammy world as any other artist. It’s Bruce’s return to rock after the well-received “Seeger Sessions” & ‘Devils & Dust”, and “Radio Nowhere” is his most catchy single in two decades. I see Record and Album Of The Year nominations in Springsteen’s future, with an outside chance at winning both awards.
    AMY WINEHOUSE: She’s almost a lock for Best New Artist (unless the stench of bad press from her assorted substance issues follows her). “Back To Black” is one of the year’s biggest surprise successes, and, despite her problems, she’s quite obviously a real talent. Besides, how much of an entertainment lift would the Grammy telecast receive based on a performance by the wildly unstable Winehouse?
    WILD CARDS: Paul McCartney and Joni Mitchell both went over to Starbucks and scored fairly successful albums. Grammy has a history of awarding veterans. It’s not out of the realm of possibility to see either of these legends up for Album of the Year, where anything from Linkin Park to the Dreamgirls Soundtrack Album could be up for this. Two things that will NOT be nominated are the two biggest selling albums of the year so far-Daughtry and the High School Musical 2 Soundtrack. “HSM2” is way too kid-friendly, and Grammy has never been kind to grunge-lite. Daughtry will get a Best New Artist nomination (where Winehouse, Lily Allen, Robin Thicke and Colbie Caillat all have a chance at getting nominated), but that’ll be the extent of it.
    Speaking of “Dreamgirls”: although Beyonce’s “B-Day” is no longer eligible, several singles from the album are, and I’d be completely stunned if “Irreplaceable” didn’t end up with a Record of the Year Nomination. Other potential nominees: Springsteen’s “Radio Nowhere”, West’s “Stronger”, Fergie’s “Big Girls Don’t Cry”). On the R&B side, look for big mentions for Thicke, John Legend (whose “Once Again” is eligible this year although it seems like the album has been out longer) and the strong comeback effort by Chaka Khan.
    With a month to go before nominations are officially announced, lots of speculation will ensue, but I’m pretty confident that my picks will end up coming out of the presenters’ lips.
  • The Return Of "At The Wrecka Sto’"…Albeit A Day Late…

    There will be a weekly updated new release portion of the actual musichelpweb.com site soon, but in the meantime, there are a million new albums out this week. So, no matter what genre of music you’re a fan of, you should be able to find something to enjoy.

    Country fans: While you’re basking in the glow of Reba McEntire’s #1 Album debut (the best first week of sales in Reba’s long and venerable career), you also might wanna check out “Still Feels Good”, the latest release from country
    darlings Rascal Flatts. They had 2006’s biggest
    selling non-soundtrack album (thanks, “High School Musical”), and this one should be another biggie. For those who like their
    country of a somewhat more mature, rootsy variety check out
    alt-country troubadour Steve Earle and his Washington Square
    Serenade

    Rap fans: You a Black Eyed Peas fan? I’m not, but it’s OK if you are. Band leader will.i.am has a new album out called Songs About Girls. Rumor has it that it’s quite eclectic and artistic in a way that his fellow bandmate Fergie’s album was decidely not.

    Classic Pop fans; Not only are there a few Tony Bennett reissues hitting stores, but Queen Latifah unleashes another set of sunny covers with Travelin’ Light. Listen to the Queen (who I caught last night on a very funny “Fresh Prince Of Bel-Air” rerun…it was strange watching her and Will Smith on the screen knowing that they both have gone on to be Oscar nominated) tackle classics such as “I’m Not In Love” on this release. Meanwhile, not only is Joni Mitchell covered on the new Chaka Khan album (see below for details)…not only is she the subject of a Herbie Hancock-directed tribute album (featuring Corinne Bailey Rae and others), but the Queen of Singer-Songwriters issues her Starbucks-backed Hear Music debut, Shine-which I’ve already heard and HIGHLY recommend.

    Rock fans: The Foo Fighters are back! “The Pretender” is the latest in a long line of winning rock songs from Dave Grohl and company. The name of the album is Echoes, Silence, Patience & Grace

    Indie Folks: Iron & Wine (who I remember from the Garden State soundtrack) and Devendra Banhart (who I remember because his name sounds like the name of some girl I went to school with) have new albums out today. I’m sure Pitchfork is already drooling all over both albums.

    R&B fans: This is the R&B Super Tuesday of 2007. To wit: Mary J.-in-training Keyshia Cole attempts to conquer the sophomore album demon with Just Like Me. First single “Let It Go” has already had #1 success. Meanwhile, Jill Scott returns for round three with The Real Thing. The singer/songwriter/spoken word artist also has what is a reportedly career-defining role in “Tyler Perry’s Why Did I Get Married”, in theaters 10/12 (co-starring Janet Jackson). Fans who prefer their soul a little more on the esoteric side will rejoice in albums from bassist/provocateur Meshell Ndegeocello (The World Has Made Me The Man of My Dreams) and singer Rahsaan Patterson’s Wines & Spirits> Finally, a singer who many soul fans say Rahsaan resembles vocally is back. Chaka Khan is back with Funk This!, her first album of all new material in a decade. Chaka rolls with producers Jam & Lewis on this one, and it also features contributions from former Rufus bandmate Tony Maiden, Michael McDonald and Mary J. Blige.

    Lovers of music? This should be a very good week for you!!