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Pop Rock Nation

Tag: Infatueighties

  • Infatueighties #67: New Year’s Day by U2

    From an instrumental standpoint, New Year’s Day is one of the best U2 singles in a career filled with great singles hell, and great abums too!). It’s insistent as all hell. Adam Clayton’s bass bears down on the track and The Edge’s piano gives the song an eerie feel. According to Wikipedia (man, this countdown would not exist if it weren’t for Wikipedia), the song was inspired by the Polish solidarity movement, although Bono initially began to write it as a love letter to his wife. Either way, it’s the centerpiece of U2’s first truly great album (War), and one of the greatest songs from the legendary band’s first decade.

    New Year’s Day has always been my personal favorite holiday, because I’m weird of the promise of a clean slate. Amid the insistence of the instrumentation and the emotion of Bono’s vocal, there’s a glimmer of hope for a better tomorrow that peeks through and makes the song extra special.

  • Infatueighties #68: “Self Destruction”

    Get just about every rapper who was someone on one track, lamenting negative images and black-on-black crime. Think you’d be able to put something like that together these days? Not with Young Jeezy-types littering the hip-hop scene. At any rate, this Gold single reads like a who’s who of golden-age hip hop: Doug E. Fresh, Stetsasonic, Heavy D., Public Enemy, Kool Moe Dee, MC Lyte (whose verse was written by LL Cool J) and the Stop the Violence Movement’s founder, KRS-ONE.

    Not only was Self Destruction one of the first (and still one of the best) posse cuts in hip-hop history, but it was for a good cause. KRS founded the Stop the Violence movement in response to the senseless death of his Boogie Down Productions partner Scott LaRock, and for a while, it was almost impossible to find a hip-hop album cover without the Stop the Violence logo on the back. Of course, part of what gives hip-hop its’ allure these days IS violence. Ah well, can’t get the glory days back, but at least we’ll always have this video.

  • Infatueighties # 69: “It’s The End of the World As We Know It”

    What the hell is this song about? Do the members of R.E.M. even know what this song is about? Who knows? All I know is that it’s one of the first (if not the first) song from Athens’ favorite sons that can accurately be called “fun”. It’s also one of the first R.E.M. songs that you can understand most of the words to, as first evidenced by me when I witnessed everyone in Madison Square Garden screaming along at the top of their lungs when Michael Stipe and company closed their show with this song during the Monster tour in 1994.

    “Birthday party/Cheesecake/Jellybeans/boom!”

    Aw, screw it. Here’s the video. It’s one of the best of the decade, as well.