So, if you’re like me and you’re completely bored with just about everything on TV, you’re probably watching at least some of the Olympics. While ordinarily things like gymnastics and diving wouldn’t turn my crank, I guess I can take it once every four years. Plus, it’s always nice to see a team like the U.S. Men’s Basketball team either annihilate everyone in their presence or get upset by some ragtag team (take THAT, spoiled Yankee athletes!!)
Anyway, the folks at AT&T have joined forces with some of today’s hottest musical artists to put together a soundtrack for Team USA. Much like Olympic-related albums in the past, these songs are largely inspirational anthems. Unlike most Olympic-related albums in the past, these songs are only available through AT&T wireless phones OR this site:
www.att.net/TEAMUSA
Among the artists featured are Colbie Caillat, Queen Latifah, 3 Doors Down, Nelly, Chris Brown, Lady Antebellum and the Goo Goo Dolls. Here’s a little teaser/sampler of some of the music you can get.
Ahoy, mateys. There’s actually some stuff to talk about on the charts this week. Let’s move on, shall we? All chart positions are the exclusive property of Billboard Communications or somethin’. Ya smell me?
Top 20 Albums
1) “Breakout” Miley Cyrus
2) “Love on the Inside” Sugarland
3) “Mamma Mia Soundtrack” Various Artists
4) “Rock & Roll Jesus” Kid Rock
5) “Tha Carter III” Li’l Wayne
6) “Viva La Vida or Death & All His Friends” Coldplay
7) “Camp Rock Soundtrack” Various Artists
8) “Untitled” Nas
9) “Now That’s What I Call Music Vol. 28” Various Artists
10) “Beautiful Eyes” (EP) Taylor Swift
11) “Good Girl Gone Bad” Rihanna
12) “Taylor Swift” Taylor Swift
13) “The Slip” Nine Inch Nails
14) “One of the Boys” Katy Perry
15) “Jonas Brothers” Jonas Brothers
16) “Life, Death, Love & Freedom” John Mellencamp
17) “Indestructible” Disturbed
18) “Here I Stand” Usher
19) “Spirit” Leona Lewis
20) “The Greatest Story Ever Told” David Banner
Top 20 Singles
1) “I Kissed a Girl” Katy Perry
2) “Take a Bow” Rihanna
3) “Forever” Chris Brown
4) “Disturbia” Rihanna
5) “Viva La Vida” Coldplay
6) “A Milli” Li’l Wayne
7) “Lollipop” Li’l Wayne feat. Static Major
8) “Dangerous” Kardinal Offishall feat. Akon
9) “Bleeding Love” Leona Lewis
10) “Leavin’” Jesse McCartney
11) “Burnin’ Up” Jonas Brothers
12) “When I Grow Up” Pussycat Dolls
13) “Pocketful of Sunshine” Natasha Bedingfield
14) “Closer” Ne-Yo
15) “Shake It” Metro Station
16) “American Boy” Estelle feat. Kanye West
17) “Bust it Baby Pt. 2” Plies feat. Ne-Yo
18) “7 Things” Miley Cyrus
19) “Get Like Me” David Banner feat. Chris Brown
20) “Lolli Lolli (Pop That Body)” Three 6 Mafia feat. Project Pat, Young D and Superpower
*It’s been mentioned in a couple of other columns, including on billboard.com itself, but this week’s chart marks a rare occurrence. With new singles from Jennifer Hudson, Meryl Streep and Jamie Foxx (as a featured artist) debuting on the Hot 100 Singles chart this week, three Oscar winners enter the chart simultaneously, which must be some kind of first. Somewhere, Russell Crowe is kicking himself for not touring more behind 30 Foot Odd of Grunts or whatever they were called.
*Rihanna has two singles in the top five, at #2 and #4. Chris Brown is sitting between the two songs at #3. I’ll let you write the joke/somewhat pervy leery comments yourselves.
*Despite the fact that it’s been out since early spring, Estelle’s bouncy “American Boy” has only just reached the Top 20 on the singles chart. Her “Shine” album is pretty good if you haven’t checked it out yet, sort of a junior varsity version of “The Miseducation of Lauryn Hill”.
*Also moving up the charts (where it just might land in the Top 20 next week) is the year-old “Paper Planes” by Sri Lankan (and supposedly retired?) rapper M.I.A. Thank Judd Apatow and the trailer for “Pineapple Express” for giving this song (from one of the best reviewed albums of 2007) some belated shine. It jumps to #36 this week.
*Nas’s “Nigg…”, er, “Untitled” does a belly-flop in his second week, sliding all the way down to #8 from the top spot. Might be time to go back to simply making music without all the publicity stunts, yes, Nas?
*”I Kissed a Girl” is now the year’s second longest running #1 single, behind Flo-Rida’s equally insipid “Low”. Can someone please explain this to me?
*Want proof that people still watch MTV? The rapper Shwayze, star of the network’s new series “Buzzin”, has two songs on this week’s singles chart. “Corona and Lime” (yay, product placement) debuts at #26 while what I can only assume is the theme song to his TV show (which features Cisco Adler…yikes!) moves up to #45.
*This week’s “Catch a Falling Star” award goes to a band whose star hasn’t even fully risen: The Hold Steady. Despite tons of glowing press, their new “Stay Positive” record tumbles from 30-75 in week two. Hard to say whether this is an extreme case of buyer’s indifference or whether traditional retailers are pissed because this album was made available digitally several weeks before its traditional release in record stores.
*Finally, we close this week’s column by welcoming back former grunge favorites Candlebox, whose new album debuts at #32, marking a return to the charts after a 10-year absence. Might as well jump in the wayback machine and give you the video for “Far Behind”, especially considering it was the only one of the two Candlebox songs I’ve ever heard that I liked. I had this on cassingle, y’all. Top that!
Sometimes it’s hard to separate artistry from publicity. I was recently involved in a healthy debate regarding whether Amy Winehouse’s success is due to her artistry or the fact that she’s a walking, talking trainwreck (I vote for the former). The fact of the matter, though, is that in an environment when record sales are falling and record companies are scrambling to make their bottom line and justify their extravagant expenditures, artists are relying more and more on publicity stunts to keep their names in the headlines, which ends up putting true music fans in a bind, unable to separate the artist and the artistry from the celebrity.
This is one of two reasons I was initially skeptical about the untitled (or self-titled, depending on how you look at it) ninth studio album by the rapper Nas (or NaS, as iTunes annoyingly lists his name). As anyone who has even a remote interest in popular music must know, a mild furor arose when Nas announced what he intended to originally call the album: “Nigger”. In a hyper-sensitive world where the media seems to pounce on every available opportunity to create division and drama, a simple word/album title turned into a political football (interesting that no one batted an eyelash when Ol’ Dirty Bastard titled an album “Nigga Please” less than a decade ago). Various stories began circulating around the press: was Nas going to get dropped from Def Jam, his label? Would certain stores not carry the album if released? Why was the album’s release date continually getting pushed back? Why did Nas rip off the whip-welt scarred back cover of dead prez’s “Let’s Get Free” for the front cover of his album? Ultimately, Nas chose (or was asked, depending on who you believe) to change the title of the album-well, actually the decision ended up being not to title the album at all. I’ve viewed this whole situation with a cocked eyebrow, amazed at the ability of the average rap fan to buy in to what was obviously (at least partially) a publicity stunt milked to raise maximum awareness of the album’s release (as it turns out, the gambit didn’t exactly work. While the album debuted at #1 on this week’s album charts, it did so with the lowest first-week sales of any Nas studio album since his debut).
