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Tag: Busta Rhymes

  • Gym Class Heroes Earn a Passing Grade with “The Quilt”

    Gym Class Heroes' Travis McCoy. photo by Cha0scontr0ll
    Gym Class Heroes

    Here’s an easy way to get me to notice your band (coincidentally, it’s also a good way to score a hit single): make a catchy single that references yet another catchy single. It’s how I became acquainted with the rock/rap group Gym Class Heroes. Their first hit single, “Cupid’s Chokehold”, not only sampled Supertramp’s “Breakfast in America”, but featured the recognizable voice of Fall Out Boy’s Patrick Stump. They followed it up by repeating the exact same formula: “Clothes Off!!” also boasted a chorus by stump and a large chunk of Jermaine Stewart’s “We Don’t Have To Take Our Clothes Off”. As opposed to outright samples, these new songs were built on the choruses of those moldy oldies, and the gambit worked-at least for me. I found myself in possession of GCH’s breakthrough album As Cruel as School Children, and actually found it enjoyable in a mindless fun sort of way.

    Fast-forward a year and a half later. GCH lead singer Travis McCoy is something of a star, the band boasts a Gold album, and they’re back with their follow up, The Quilt. This album has a much more pronounced hip-hop influence than its’ predecessor, with guest appearances from the likes of Busta Rhymes and production from beatsmiths Cool & Dre. Nevertheless, McCoy has more charm and variation in subject matter than the average commercial emcee, so it’s not what you would consider the typical hip-hop album in 2008. It also boasts more than its’ share of influences from other genres-featuring bits of emo-ish rock, ska, and plain old pop.

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  • MHW Liveblogs The 2008 MTV Video Music Awards: This Could Be Interesting…

    Tonight marks the 25th anniversary of the MTV Video Music Awards. If you’re like the majority of people, this event doesn’t excite you. The show has taken such a dive in quality over the past decade or so that I actually skipped last year’s ceremony-and I’m a music awards show junkie. I almost skipped tonight’s show as well, but since my plans for the evening fell through, I’m hanging out here with you, live, as the magic, the drama, and/or the disaster unfolds.

    *I have already noticed one good thing-this year’s show is only two hours long (I wrote two years originally…Freudian slip?). It’s the perfect amount of time for me to get annoyed without feeling like I want to kick a hole in the TV.

    *I’ve actually already noticed another thing: this Russell Brand or Bland or whatever his name is? Douchebag.

    *I’ve only caught about 15 minutes of the pre-show. The hosts are a bunch of no-name guys, the pretty blank space country singer Taylor Swift, some obnoxious Brit (this seems like a running gag tonight), Sway’s sellout ass and John Norris, who is older than all the other co-hosts combined.

    *Britney is opening tonight. You’ve gotta figure anything would be better than that performance of “Gimme More”, right?

    *Sorry. I want to marry Jonah Hill. There, I said it. If Jonah Hill has a gay twin brother, please call or email me.

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  • New Music Revue: Nas’s “Untitled”

    Sometimes it’s hard to separate artistry from publicity. I was recently involved in a healthy debate regarding whether Amy Winehouse’s success is due to her artistry or the fact that she’s a walking, talking trainwreck (I vote for the former). The fact of the matter, though, is that in an environment when record sales are falling and record companies are scrambling to make their bottom line and justify their extravagant expenditures, artists are relying more and more on publicity stunts to keep their names in the headlines, which ends up putting true music fans in a bind, unable to separate the artist and the artistry from the celebrity.

    This is one of two reasons I was initially skeptical about the untitled (or self-titled, depending on how you look at it) ninth studio album by the rapper Nas (or NaS, as iTunes annoyingly lists his name). As anyone who has even a remote interest in popular music must know, a mild furor arose when Nas announced what he intended to originally call the album: “Nigger”. In a hyper-sensitive world where the media seems to pounce on every available opportunity to create division and drama, a simple word/album title turned into a political football (interesting that no one batted an eyelash when Ol’ Dirty Bastard titled an album “Nigga Please” less than a decade ago). Various stories began circulating around the press: was Nas going to get dropped from Def Jam, his label? Would certain stores not carry the album if released? Why was the album’s release date continually getting pushed back? Why did Nas rip off the whip-welt scarred back cover of dead prez’s “Let’s Get Free” for the front cover of his album? Ultimately, Nas chose (or was asked, depending on who you believe) to change the title of the album-well, actually the decision ended up being not to title the album at all. I’ve viewed this whole situation with a cocked eyebrow, amazed at the ability of the average rap fan to buy in to what was obviously (at least partially) a publicity stunt milked to raise maximum awareness of the album’s release (as it turns out, the gambit didn’t exactly work. While the album debuted at #1 on this week’s album charts, it did so with the lowest first-week sales of any Nas studio album since his debut).

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