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Pop Rock Nation

Tag: Broken Bells

  • PAUL’S TOP 100 OF 2010 – PART 7: #40-31 “Put your palms to the ceiling like yes, yes…”

    Here comes the Top 40!

    #40
    #40: “THE HIGH ROAD” by BROKEN BELLS.
    “The dawn to end all nights. That’s all we hoped it was…” For whatever reason, that line always gives me a shiver. I’m not even sure I know what it means, but it sounds amazing, doesn’t it? The video’s pretty amazing too… a sort of dream-walking odyssey perfectly tuned to the song’s dark, mysterious atmosphere.

    #39
    #39: “WRITTEN IN REVERSE” by SPOON.
    I’ve had a love/indifference thing going with Spoon for about the last 10 years. It’s been about 90% indifference and 10% love. But when it’s love, it’s really really big love. For example: this song. I love singing along with this song. I love the primal disregard of pitch. I love yelling at drivers in my rear view mirror at clogged intersections: “I’m not standing here! No, I’m! Not standing here!”

    #38
    #38 (TIE): “PARACHUTE” by CHERYL COLE / “PARACHUTE” by INGRID MICHAELSON.
    Formerly of the British girl-group Girls Aloud, Cheryl Cole released her debut solo album late last year. This dramatic take on a track Ingrid Michaelson wrote (but didn’t record) became a hit in the UK earlier this year.

    #38
    And then Ingrid put out her own version of the song. Sorta like Michael Bolton did with that Laura Branigan song in the 80s. Only not disgusting. “How am I supposed to live without you…” Oh my gawd. We should have known Michael Bolton would be nothing but trouble when we saw his writing credit on that Laura Branigan 45. What were we thinking?

    #37
    #37. “WHITE NIGHT” by THE POSTELLES.
    Not that I wish the band ill, but this is one of those debut singles that comes so close to pop perfection that you (almost) know they will only disappoint you in the future. I (almost) want them to be a one-hit-wonder, because I know they’d be awesome at that. This song also features my favorite call-and-response moment of the year. Oh, and I think you can probably still download this for free directly from the Postelles.

    #36
    #36: “I’M A PILOT” by FANFARLO.
    I imagine Fanfarlo is what Arcade Fire would sound like if Arcade Fire were as obsessed with Tigermilk as they are with The River. They write songs that sound simultaneously huge and modest – sweeping and, at the same time, specific. Also, even though albums are sort of on the wane these days and so such things are becoming less relevant, “I’m a Pilot” is a great album opener in the tradition of great album openers.

    #35
    #35: “O.N.E.” by YEASAYER.
    What I like most about this video is that the dancing is exactly what I would like to believe I look like when I’m dancing to this in my basement and nobody can see. What I like second most is that the fictional musical instruments the band plays in the video look exactly like what I imagine the real musical instruments would look like based on the sounds they make. What I like least about this song is that it will be forever linked in my brain as the song I was listening to when someone rear-ended my brand new car two weeks after I’d bought it. Urgh.

    #34
    #34: “A MORE PERFECT UNION” by TITUS ANDRONICUS.
    I would like to believe that this is the stuff of Chris Christie’s nightmares. A little bit of Bruce Springsteen. A little Billy Bragg. A little Bright Eyes, a little Replacements, a little Thin Lizzy. A little Abraham Lincoln, a little William Lloyd Garrison. And a great big joyful noise. This video edits the song down significantly from its 7 minute album version. That version is well worth hearing, but you get the gist of it here.

    #33
    #33: “DANCE FLOOR” by THE APPLES IN STEREO.
    Probably the most adorably unpretty band in the world right now (and yes, I do have a small crush on Robert Schneider – I mean, come on, who wouldn’t?), The Apples in stereo take us on a journey through space, time, analog synth technology and aging hipster fashion. Elijah Wood isn’t just making a cameo here. He has his own record label, and The Apples in Stereo were the first band he signed to it.

    #32
    #32: “WE, MYSELF, AND I” by SHAD.
    Of Rwandan descent, born in Kenya, straight outta London, Ontario comes Mr. Shadrach Kabango (just call him Shad), who financed his first album with money he won the old fashioned way – at a radio station talent contest. On his first two albums, Shad delivers rhymes that go from goofy to poignant over old school R&B samples, but this song, from his latest record TSOL is a stormy, confrontational rocker. And the award for the Best Use of the Word “Yes” in Song goes to…

    #31
    #31: “MY BEST THEORY” by JIMMY EAT WORLD.
    This band generally releases new albums about three years apart, and those long intervals give us time to forget why they were ever a big deal. And then the new album comes, with a single like this – all sweat-drenched urgency – and you remember: Oh yeah, they’re just a great band. As far as the video goes, well who knows what’s going on there, and the lyrics are vague enough to be either profound or banal. It doesn’t matter though. Whatever it’s all supposed to be about, that part where you “feel the air rush out!” sounds exactly like what it’s saying.

    In the next installment: A dance diva on motherhood and a rapper on puberty.

  • PAUL’S TOP 100 OF 2010 – PART 2: #90-81 “Ich will noch ‘n bischen tanzen…”

    And the countdown continues…

    #90
    #90: “THE GHOST INSIDE” by BROKEN BELLS.
    Broken Bells are the non-singing guy (Danger Mouse) from Gnarls Barkley, and the singing guy (James Mercer) from The Shins. Here’s the second single from their self-titled debut album. The video, starring Mad Men’s Christina Hendricks is a sci-fi movie on the dangers of deficit spending. In order to get herself to a fabulous resort planet, space traveling hottie Hendricks pawns all her limbs (and probably compromises her position on the repeal of DADT) and still ends up on a deserted island planet in an intergalactic middle-of-nowhere.

    #89
    #89: “HARD TIMES” by JOHN LEGEND & THE ROOTS.
    There are only two covers included on my list this year, and this is the second of them, from one of my favorite records of the year. For Wake Up!, John Legend and the Roots, inspired by the political engagement they saw during the 2008 elections, recorded a passionate set of socially conscious soul songs from the late 60s and 70s, many of them long forgotten like this one originally performed by Baby Huey and the Babysitters.

    #88
    #88: “HIGHWAY 20 RIDE” by ZAC BROWN BAND.
    Tearjerker alert! Tearjerker alert! Are they a jam band? Are they outlaw country? Are they southern rock? Are they sentimental cornballs? They’re a little bit of all of the above. With a great big beard!

    Although they’d already scored a few big country hits (which also had some mild crossover pop success) from their 2008 major label debut The Foundation, it was with their performance at this year’s Grammy Awards that made the band not just the latest country thang, but actually a previously implausible contender for greatest band in the world. This, the fourth single from The Foundation showed up shortly thereafter and became the band’s third Country #1, and fourth Top 40 hit a year and a half after the album’s release.

    #87
    #87: “MORNING SUN” by ROBBIE WILLIAMS.
    “After a long and sleepless night, how many stars would you give to the moon…” The third single from Robbie’s latest solo album Reality Killed the Video Star (he’s since re-joined his former bandmates in the British boy-band Take That), this weepy ballad follows Elton John’s Yellow Brick Road all the way to Strawberry Fields and back again.

    #86
    #86: “NEIN, MANN!” by LASERKRAFT 3D.
    a.k.a. The German theme song for Paul Lorentz at any given wedding reception. Don’t be daunted by the language barrier – the video provides black-lit hand-drawings as “subtitles” over the actors’ faces. It goes roughly along these lines:

    Verse 1: A friend says “Hey, let’s get out of here. The DJ sucks and he’s just playing electro music and not even David Guetta”

    German Paul Lorentz reply: “No man. I don’t want to go yet. I want to stay and dance.”

    Verse 2: A hottie approaches: “Grab your coat and say goodbye to your friends. I want to take you where the night never ends. You and me, we should be dancing in the sheets.”

    German Paul Lorentz reply: “No man. I don’t want to go yet. I want to stay and dance.”

    Verse 3: Bouncer: “Really, dude, you should go. The bartender wants to go home. The dj’s falling asleep at the decks. Seriously, go.”

    German Paul Lorentz reply: See above.

    I like that German Paul Lorentz in the video has a belly like real-life Paul Lorentz. I also like that tick-tock-with-the-tie dance move that he does. I need to use that at my next wedding reception.

    #85
    #85: “MADDER RED” by YEASAYER.
    “Never gave a thought to an honorable living, always had sense enough to lie. It’s getting hard to keep pretending I’m worth your time…” Yeasayer’s neo-psychedelic ode to justifiable feelings of family man inadequacy is appropriately doleful, but not especially apologetic. It’s a domestic drama done up in exotic, futuristic colors. It’s hipster ear candy that sounds a lot like something the Thompson Twins would have done in 1982. It’s also got a real music video, but the video’s really gross and it’s, frankly, distracting from the song – which really is lovely. Thus this live version.

    #84
    #84: “SOMEONE ELSE CALLING YOU BABY” by LUKE BRYAN.
    If we were living in the 1970s, we’d call this pop/rock and it’d be a song by Eddie Rabbitt or Firefall or England Dan and John Ford Coley… But it’s 2010, so we call it country and it’s by a guy who was likened to a cross between Elvis Presley and Gomer Pyle when he appeared at the center of a challenge of the Donald Trump reality show Celebrity Apprentice. That appearance would help push his single “Rain Is a Good Thing” to #1 on the country charts. This song – an inducement to just break-up with the poor guy already – was the follow-up to “Rain”.

    #83
    #83: “WHAT PART OF FOREVER” by CEE-LO GREEN.
    Apparently this ran over the closing credits of The Twilight Saga: Eclipse. I wouldn’t know. I haven’t seen any of the Twilight Movies. But I LOVE their soundtracks (so far). This song was co-written with a group called Oh, Hush, who appropriately enough, have never posted a band photo or identified their band members who, according to their facebook page, are various male and female superheroes. Here’s a live performance of the song from George Lopez, featuring Cee-Lo’s super-awesome all-girl back-up band.

    #82
    #82: “EGO” by THE SATURDAYS.
    Five hotties with superpowers, British accents, and a flair for public revenge. “Don’t tell me that you’re done as far as we go – You need to have a sit-down with your ego.” Did I mention hotties? With superpowers? And British accents?

    The Saturdays “Ego” from Robin van Calcar on Vimeo.

    #81
    #81: “HOLLYWOOD” by MARINA AND THE DIAMONDS.
    Welsh singer-songwriter Marina Diamandis parties it up in a fake White House with cake and cheerleaders, fake Mariylns, fake Elvises, and… wait… is that a fake Barack in there too? At a time when it seems you can’t watch or read the news without hearing some politician talking about things being rammed down throats, it’s sort of refreshing to hear someone sing about “puking” up “American dreams.” And when she confesses she’s “obsessed with the mess that’s America”, it sounds genuine and even sort of affectionate. Sorta like my obsession with the mess that’s European pop music.

    Coming up in the next block: one sad song about the summer and one happy song about the summer, one song about a shotgun wedding, and one about wedded bliss.

  • Travellers in Space and Time: New Videos by Broken Bells, The Apples in stereo, and Robbie Williams

    Comic Con may be over for this year, but that doesn’t mean the geek joy needs to end. Witness these three new videos, all dealing with space and time travel. One’s a bit of science fiction in the classic “allegory for the world we live in” sense featuring a performance by the kind of uber-hottie actress that could inspire a veritable library of fan fiction. There’s a nerdy goof on parallel realities (err- “alternate space-time continua”) starring a former child star (who also happens to be the band’s label boss). And finally, a mournful ballad that reads like an elegy for the decline of the U.S. space program (or maybe the decline of the singer’s solo career).

    First up is the latest by Broken Bells, “The Ghost Inside”. It’s the second single from the self-titled debut of this partnership between producer Danger Mouse (fresh off his success with Cee-Lo in Gnarls Barkley) and The Shins’ James Mercer. The video features Mad Men’s Christina Hendricks in a genuinely wonderful performance as a woman who, quite literally, sells her body in her desperate pursuit of interplanetary luxury.

    “The Ghost Inside” by Broken Bells

    Elijah Wood was 12 years old and on the verge of indie-film stardom when the Colorado band The Apples In stereo, an eccentric indie-pop sextet centered around singer-songwriter (and fervent Brian Wilson acolyte) Robert Schneider, released their debut seven-inch “Tidal Wave”. Now the 29-year-old actor has his own record label (Simian Records), and the first act he signed was The Apples In stereo. Both actor and band have come a long way in the last two decades. This latest video finds the band, which started out making wildly colorful, but overly precious psychedelic pop (think Harpers Bizarre), embracing an impossibly cheesy retro synth-pop sound on their latest album Travellers in Space and Time. To promote the record, the band teamed up with Greg Kilpatrick to produce the album’s first video “Dance Floor” along with an adorable 5 minute companion short film starring Wood (as a middle school science-and-gym teacher and host of “Exploring the Universe”) and Schneider (as a scientist who can turn a cucumber into a drum machine). You can watch it at stepthroughtheportal.com. It’s true that Schneider’s baby-voiced delivery is utterly at odds with his bald-bearded-bellied appearance. The incongruities are off-putting at first, but the song is an absolute winner that should endear itself to anyone who ever loved DEVO. Even better: The band is offering the song for free download. Click below to get your own copy!

    “Dance Floor” by The Apples In Stereo

    Finally, we have “Morning Sun”, the latest from 36-year-old British boy band veteran Robbie Williams, whose impressive latest album Reality Killed the Video Star finds the singer contemplating celebrity culture and his own role in it with thoughtfulness, uncharacteristic humility, and a mordant sense of humor. The video is a simple and elegantly photographed depiction of Williams’s astronautical journey from the earth’s outer atmosphere to the outer reaches of the solar system and the Milky Way galaxy, flirting with his own spectacular destruction, before parachuting back down to earth. All as if to say that like space travel, like celebrity itself, is journey as fascinating as it is isolating. And what does one even do with oneself after space?

    Though in the ten years since his song “Millennium” became his first U.S. hit, Williams has been ignored by American audiences and radio programmers, he’s enjoyed continued success overseas. But lately, even British and European audiences are feeling underwhelmed by Williams, which is sad since his latest record may actually be his best yet. And it may be his last solo record for a while. Following the release of a greatest hits set, he’s just recently re-united with Take That, the boy band he left in 1994. The other four members of Take That reunited after a 10 year hiatus in 2005 and have enjoyed even greater success in their second incarnation than they acheived during their early 90s heyday (which culminated in their 1995 U.S. Top 10 hit “Back for Good”).

    “Morning Sun” by Robbie Williams

    Robbie Williams – Morning Sun
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