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Tag: Bjork

  • What’s in a Voice? Rolling Stone Presents The 100 Greatest Singers of All Time

    Aretha Franklin. Photo by Ryan Arrowsmith.

    Ah, lists. Meant to be discussed, meant to be argued. The latest list to come from the folks at Rolling Stone magazine is “The 100 Greatest Singers of All Time”. It’s a semi-interesting list, with some curious choices as well as some expected ones.

    To no one’s surprise, Aretha Franklin tops the list. In her heyday, the Queen of Soul could have sang a TV instruction manual and made it sound soulful. I can’t argue with her placement even though she’s fallen into a super-sized parody of herself in recent years. Thankfully, Patti LaBelle, a singer whose voice is just as strong and has held up better, also pops up further down the chart, although the admission of Mary J. Blige while omitting Chaka Khan is a head turner.

    There are plenty of distinctive musical voices here. Some are inarguable. You can’t have a list like this without including Freddie Mercury, whose voice could blow the fur off a farm animal. Actually, if this was my list, I’d have placed him a hell of a lot higher than #18. Otis Redding? Check. Bono? Check. Van The Man? Double check. They even made room for my boys MJ and Prince.

    However, no list would be a list without a couple of head-scratchers. While Bob Dylan and Bjork are certainly unique vocalists, I wouldn’t necessarily call them “great” singers. Dylan’s nasal whine is grating on a good day. I’ve always maintained that while he is obviously a genius songwriter, his songs sound a helluva lot better coming out of someone else’s mouth. I personally love Bjork, but while I think her voice is expressive, I think it’s part of an overall package with her music and her visuals. I would pay (or have paid) money to see Nina Simone or Luther Vandross sing without musical accompaniment. There’s a bluesiness or a soulfulness in the voices of John Lennon or Steven Tyler that resonates even when they’re singing the blandest material-hey, no one else could have made me like “I Don’t Want To Miss a Thing”. But Bjork? Not so much. Unique does not always equal great.

    Anyway, since I haven’t been able to get my grubby little hands on a copy of the magazine, I haven’t gotten the chance yet to see what the tributors have to say about the artists profiled on this list. However, you can have a look at the list here and let us know what you think. Is there anyone on the list who shouldn’t be there? Was anyone incorrectly omitted?

  • The Sunday Shuffle: Trying People

    Who knew sitting on your ass could be so exhausting? After a day at the beach, I’m maxin’ and relaxin’ and ready for another edition of the Sunday Shuffle. Let’s get started!!

    Track 1: “Room To Breathe” by Downtown Science
    Downtown Science was a rap group consisting of Sam Sever (who at that point was best known as one of 3rd Bass’s producers) and Bosco Money (who had one of the most unfortunate rap handles ever invented). It took me ages to track this CD down on half.com, as it’s been out of print for ages. This song has a very airy quality to it with a looped piano riff and a fairly easygoing backbeat for the average hip-hop record. I like it more for the beat than anything else. Another thing worth noting is that Bosco Money sounds a LOT like 3rd Bass’s MC Serch. This album is also notable for featuring the recording debut of noted female MC The Lady of Rage. Wonder if she’s still rockin’ rough and stuff with her Afro puffs.

    2. “Everloving” by Moby
    “Play” was Moby’s lightning in a bottle. I haven’t particularly cared for anything before or since (actually, I kinda gave up on him after being completely unimpressed by “Hotel”), but, damn, “Play” is such a good album. This song has a very hazy, new age-ish quality to it, like a very slightly more caffeinated Enigma (without the Gregorian monk chants).

    3. “My Ex-Girlfriend” by Tony! Toni! Tone!
    “Sons of Soul” is one of the five best R&B albums of the Nineties. The smoothness of this track sort of obscures the fact that the chorus of the song goes “My ex-girlfriend is a ho”. It comes off as more funny than misogynistic. It’s got a pretty neat doo-woppy mid-section, too. Damn, what happened to the R&B band? There’s Mint Condition, The Roots, and…

    I guess it ain’t cool for black folks to play instruments anymore.

    Track 4: “I Miss You” by Bjork
    OK, Bjork’s always been kind of weird, but as her career has progressed, her albums have gotten more and more obtuse. Her first couple of albums at least placed her weirdness in a danceable, poppy framework. Now, it’s basically just like “I don’t get it”. I hate most dance music made after 1990, but this and the rest of “Debut” is pretty damn good. Wacky horn part too.

    Track 5: “Diamonds & Pearls” by Prince & the New Power Generation
    This is one of the few songs-perhaps the ONLY song-where Prince plays second fiddle to another artist. In this case, Rosie Gaines hits this one out of the park. It’s one of Prince’s more lyrically slight songs, but this is one of those cases where the feeling overrules the somewhat Hallmark-ish sentiments. I’d post the video, but I don’t want to feel Prince’s high heel in my ass, so let’s just skip it for right now.

    Track 6: “Trying People” by De La Soul
    Hip-hop isn’t exactly overflowing with tearjerkers, but this song is near the top of my list. Over a dreamlike Laura Nyro sample (this song was one of several things that made me investigate her music further), Pos and Dave deliver subdued, mature meditations on life. Sounds simple enough, but man, rarely is hip-hop so nakedly emotional. Yet another stamp on De La Soul’s status as the most criminally underrated hip-hop act EVER.

    Track 7: “Possibly Maybe” by Bjork
    Wow…I wasn’t expecting iTunes to go Bjork crazy on me tonight. After the relative nuttiness of “I Miss You”, “Possibly Maybe” is the calming rain after. Just Bjork and a heartbeat of a drum machine. A perfect way to end this week’s seven. Good night.