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Tag: Babyface

  • Worth a Second Listen: Special Michael Jackson Birthday Edition: “Invincible”

    Worth a Second Listen: Special Michael Jackson Birthday Edition: “Invincible”

    If you bought into the hype spewed by the mainstream press and Michael Jackson’s detractors, 2001’s “Invincible” was a Invincible Coverflop of colossal proportions. Of course it was no “Thriller” or “Off The Wall”, but it stands as a fairly contemporary, often good, and occasionally awesome album from the King of Pop. Was it a sales bust? Considering only about 20 or so albums a year sell over 2 million copies (with only one so far in 2008), and this one broke that barrier, I would say no.

    After the debacle that was 1995’s “HIStory”, Michael retreated back to the lab to create an album that would focus less on his personal problems and more on just making good music. In the six years between the two albums, he had also seen the entire teen-pop industry build back up on a sound he created. From Sisqo to Usher to Beyonce to Britney to Backstreet & *Nsync…damn near every pop or soul artist coming up owed a big debt to Mike…a trend that’s grown even more prevalent in the seven years since this album’s release.

    The first thing you notice is that Michael the balladeer is back. The man hadn’t whipped out a slow jam since “Bad”‘s “Liberian Girl” in ’87, but “Invincible” finds him bringing sexy back about 5 years before Justin Timberlake. “Break Of Dawn” is a summery song that finds The King Of Lotharios promising to “make sweet love till the break of dawn”. Get the visual out of your head and concentrate on the song’s sweet melody, the calming background arrangement and the effervescent chorus. “Butterflies” is more of the same. Over a thumping groove from neo-soul producers Dre & Vidal, Mike testifies about a girl who makes him ridiculously nervous. This song wouldn’t sound out of place on “Off The Wall”, with it’s deep bottom, airy harmonies, and Michael singing in a casual cadence that’s ever-so-slightly behind the beat. It’s easily Michael’s best performance in years. His vocal is exquisite, especially when he slips into a mind-melting falsetto in the second verse…a vocal even more impressive when you realize the man doesn’t have a nose to sing through.

    “2000 Watts” finds Michael jumping straight into the space age with an energetically jumpy production. The lyrics make no sense, but the high-energy arrangement makes you dance, and Michael brings out his deepest vocal tones for this song. First single “You Rock My World” is sunny and pleasant enough, although it sounds like a watered down version of “Remember The Time” (which, in itself was a watered down “Rock With You”). Nevertheless, the song’s got an addictive chorus and reasonably uncluttered production, not something you’d necessarily associate with the track’s producer, Rodney Jerkins.

    Jackson occasionally finds himself lost amidst the more modern-sounding production. The opening track, “Unbreakable” is a mission statement that favors 1991’s “Jam”, but Michael’s overwhelmed by the bloops and bleeps that come crashing through. It also features a post-mortem verse from the Notorious B.I.G.-one that was lifted from a Shaquille O’Neal album released about 6 months before the rapper’s death. Biggie verses? Generally cool. Exploiting the dead? Not really cool. The album’s title track starts off slow but picks up steam towards the end when the army of Mikes commanding the vocals break it down over a menacing-sounding piano loop and finger snaps. The Timbaland-esque “Heartbreaker” is nice, but much of the production just sounds like the audio equivalent of trying to modernize a classic car with garish paint. Michael doesn’t need all the bells and whistles to make great music. Another demerit agains the album is that, ever since “Dangerous”, Michael has felt the need to fill every last second of a CD’s 79 minute running time with music. It’s not necessary. Give us 10 songs of great music, not 16 songs where we have to skip around to find the 10 good ones!

    “Invincible”s crowning achievement is “Whatever Happens”. For once, Michael stops singing about being persecuted and concentrates on the story of a man and woman’s unconditional love in the face of great odds. This song would have been an inspired choice for a single and could’ve made an awesome video. Its got a slow motion, cinematic feel, Mike’s vocal performance is top-notch, and Carlos Santana pops aboard to add a blistering guitar solo. Classic stuff here.

    On the poppier side of things, “Don’t Walk Away” is a stunningly heartbreaking ballad that The Backstreet Boys would still salivate in their sleep for. It’s by far the best of the easy-listening type things on the album. “You Are My Life” is a goopy ballad which put the final nail in the coffin of the songwriting career of the once-reliable Babyface. Meanwhile, R. Kelly pops in for the world-peace anthem “Cry”, which just sounds like an inferior version of the not-that-good-to-begin-wit “I Believe I Can Fly”.

    “The Lost Children” is unlistenable. Even before the trial, this song was unlistenable. It’s like Michael got kidnapped by Raffi and decided to make a song either about runaway kids or a loosely metaphorical song about folks who have had lost childhoods. Either way, the song is easily one of the 5 worst things he has recorded in his adult life.

    All told, “Invincible” is not the piece of shit most claim it to be. A leaner structure to the album and some more sympathetic production would have resulted in a classic. However, when placed against what passes for pop/R&B these days, “Invincible” holds up better than a lot of the junk on radio waves now.

  • They Put Me In The Mix – JSlo 3

    After I created the Jam Slow mixtape, I was thoroughly impressed with how it turned out. Thus, I wanted to do it again. However, because Jam Slow had all of my favorite slow jams from that time and place on it already, the second one would have all the secondary tracks. And it turned out horribly. Jam2Slow was the worst slow jams mixtape ever created. I think I listened to it back once and then tossed it aside. Sometimes, I’ll hear songs that were on that mixtape and have to turn them off because it reminds me of Jam2Slow. Maybe my favorite on that tape was a song called It’s Over Now by a young man named Danny Boy. Danny Boy was actually on team Death Row and was the hook singer on Tupac’s I Ain’t Mad Atcha and Toss It Up. It was a rather boring song, but Babyface wrote it and Danny Boy had a pretty decent voice. I wonder what Danny Boy is doing today. He does have a MySpace page if anyone is interested. Give Danny Boy some love. You can see him in Pac’s classic video below.

    Since Jam2Slow was so bad, I waited a bit and then created the third tape, titled JSlo3 (yes, without the W). It was far better than the second one that I threw away, but still didn’t quite match the first. But there was still good material on it.

    JSlow3 (circa 1997)

    1. Dreaming Of You – Selena
    2. My All – Mariah Carey
    3. Cupid – 112
    4. Every Time – Janet Jackson
    5. Never – Boyz II Men
    6. Never Make A Promise – Dru Hill
    7. Don’t Leave Me – Blackstreet
    8. All Cried Out – Allure featuring 112
    9. Nobody Knows – The Tony Rich Project
    10. Doin’ Just Fine – Boyz II Men
    11. Where Are You Now – Janet Jackson
    12. Place Where You Belong – Shai
    13. On Bended Knee – Boyz II Men
    14. I Care ‘Bout You – Milestone
    15. The Beautiful Ones – Mariah Carey
    16. I Just Can’t Stop Loving You – Michael Jackson
    17. All My Life – K-Ci & JoJo

    My tastes certainly haven’t changed all that much. Actually, during this time, I was buying a ton of CD singles as I was a poor college student, but would soon enough buy all the albums of the singles that I bought on CD on this set.

    • It was all about the dude R&B groups back then – Boyz II Men, Dru Hill, Blackstreet, Shai.
    • I think I OD’d a bit on the Boyz II Men, but Doin’ Just Fine is still great today.
    • Who was Allure? A group on Mariah Carey’s old imprint who didn’t eventually make it. Though of course, the Lisa Lisa and Full Force version is much better, I bought this single and enjoyed the Allure/112 version.
    • The video to On Bended Knee was fantastic for the cameos featuring the beautiful Lark Voorhies (Lisa Turtle from Saved By The Bell – could Wanya really get her?) and Kim Fields (Tootie! – could Nate really get her?).
    • Who was Milestone? For the movie Soul Food, a fictional R&B group was created (K-Ci and JoJo, and the Edmonds brothers including Babyface) called Milestone and the boys together released a song for the soundtrack.
    • I remember having to cut about half of Mariah’s version of the Prince tune The Beautiful Ones (Mariah’s version featured Dru Hill) because the song was long and I was running short on time. Remember, this was audio tape.
    • All My Life was my favorite song at the time and became “our song”, when Carol (former wife, current best friend) and I started dating. Yikes, that was like 11 years ago.

  • The Infatueighties Countdown: #99: “Looking for a New Love”

    My friend Jim calls Shalamar the most underrated pop group of the Eighties, and he might have a point. The threesome of Howard Hewett, Jeffrey Daniel and Jody Watley created some of the most bubbly, well-crafted pop-R&B of it’s time, even incorporating new wave and rock textures into their music by the time of 1983’s “The Look”. They’re probably best known for the hit singles “This is for the Lover in You” (which Babyface re-recorded with the three original members in the late Nineties) and “A Night To Remember”. If Jeffrey Daniel’s face looks familiar to you, it’s because he appears in Michael Jackson’s “Beat It” and “Bad” videos. He apparently was also moonwalking almost a year before MJ “created” it for “Motown 25”, as the below listed clip will demonstrate.

    Anyway, Shalamar’s story is worthy of it’s own column sometime in the future. Back to the topic at hand. The female third of Shalamar, Jody Watley, reintroduced herself to the market as the high-fashion edition of a Janet Jackson or Madonna. With Prince associates David Z. and Andre Cymone (who she later married), her first album was a Top 10 success and also won her the Grammy for Best New Artist, largely due to the success of “Looking for a New Love”, an attitudinal slab of techno-funk that spent a month at #2 on the U.S. singles charts (thankfully, it spent that time behind a song worthy of beating it: U2’s “With or Without You”.

    While Jody’s subsequent albums failed to set the world on fire, her first album is easily one of the best dance-pop albums of the Eighties, and very easily the equal of Janet’s “Control” or Madonna’s debut. She was certainly a more striking visual artist than the other two: with a highly defined fashion style adopted from several years living in London, not to mention cheekbones that you could cut yourself on. She was also the first woman I ever saw with a tattoo, but that’s neither here nor there.

    Finally, let’s give her some long-overdue props for originating the phrase “Hasta La Vista, Baby” two years before Tone Loc used it in “Wild Thing” and three before Arnie uttered it in “Terminator 2”.

    This is the extended version of the single…sounds like it was sped up a bit too.

    Oh, and one more thing…she was voguing and embracing gay culture before Madonna…as this video from 1989 (“Vogue” came out a year later) will attest to. Hey, is that Rakim rapping in a video filled with drag queens??

    …By the way, if this list had stretched to 150, both “A Night To Remember” and “Friends” would have been included.