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Pop Rock Nation

Tag: Alicia Keys

  • Dear Alicia: Are Those Keys Wound A Little Too Tight?

    Probably Alecia Keys

    So, folks are buzzing about some comments made by Alicia Keys in her interview featured in the latest issue of “Blender” magazine.

    (You can find a portion of the interview here:http://www.blender.com/AliciaKeysUnlocked/articles/22761.aspx)

    At any rate, here are a couple of Alicia’s quotes:

    “Gangsta rap was a ploy to convince black people to kill each other”.

    She also says that the East Coast/West Coast rivalry that eventually claimed the lives of The Notorious B.I.G and 2Pac was perpetuated by the government and the media “to stop another black leader from existing”.

    http://www.foxnews.com/story/0,2933,350916,00.html

    While it might be easy to dismiss her remarks out of hand, there are truths hidden in each of her statements.

    Gangsta rap (as with hip-hop in general) initially gave a much-needed public voice to disenfranchised black youth. Once artists like N.W.A. started seeing dollar signs, they went from being the disenfranchised black youth to exploiting disenfranchised black youth. Compare “Straight Outta Compton” with “Niggaz4life”. Both are based on reality, but the two realities are completely different. One is the viewpoint of the kid on the street trying to make people listen, the latter is the viewpoint of a superstar entertainer whose removed himself from that street and is now revelling in his spoils. As my friend Bryan (who I don’t always agree with, but usually makes valid points) has stated (and I paraphrase here), at some point it went from education to exploitation. And the majority of it is willful self-exploitation. Gangsta rappers are selling out their own. Soulless artists like 50 Cent, Fat Joe, Rick Ross, Lil’ Wayne and others promote violence, drug addiction and even gang ties (in how many interviews has Wayne admitted to being Blood-affiliated?), and something tells me that there’s no all-seeing “The Man”-type person behind the scenes pushing them to say what they say. And even if we’re gonna blame the suits behind the record companies for promoting this stuff, L.A. Reid is just as guilty as Jimmy Iovine, you know what I’m saying? At any rate, gangsta rap might not be an actually thought-out ploy to say “Hey, let’s release this music and watch the niggers shoot each other silly”, the artists are definitely complicit in the acts of violence that threaten urban communities, and the “cool” factor of selling drugs, violence, etc.

    The second statement is a little less easy to explain away. While she gains points right away for suggesting the obvious (that the Big/Pac donnybrook was media-perpetuated), she loses major points by using the phrases “Notorious B.I.G” and “black leader” in the same sentence. While Tupac was undoubtedly charismatic, political and intelligent (before he became Suge Knight’s bitch), Biggie had no political opinions or aspirations whatsoever. While it’s tempting to say that Tupac would have matured into a black leader (he certainly had the skill set to), I think lumping Biggie in there is a bit laughable (hey, I love the man’s rhymes, but I didn’t listen to them to gain any profound social or political insight).

    I think Alicia’s a little misguided (and certainly stands at risk of losing a substantial amount of her fan base), but I wouldn’t say her comments are entirely off-base. There’s a little bit of truth in every wacky statement, isn’t there?

  • Grammys 2008: Really?!? Herbie Hancock?!?!

    So, I braved the NYC elements (it’s 17 degrees over there), hopped on a plane West, checked into my hotel and cleared up some work so I could be back in my hotel room to view the 50th Annual Grammy Awards in their entirety. Considering I shut it off before it even finished, color me a little underwhelmed by a show (and a voting committee) that has gotten better than they were, but still leads all award shows in WTF decisions?

    First of all, I was a little upset by what didn’t happen at the show. A rumored Michael Jackson performance commemorating the 25th Anniversary of “Thriller” didn’t happen (presumably because Michael refused to perform unless he received some kind of award), and an expected fireworks fest between Aretha Franklin & Mary J. Blige didn’t happen due to Mary somehow not appearing on the show (despite wearing two Grammys last night). Not sure what happened, but it’s possible Aretha (who’s back to looking like a Macy’s Thanksgiving Day float after losing a pretty decent amount of weight) ate her.

    The highlights were expected. No one that I didn’t expect to wow me already wowed me. Those “wow” moments? Kanye West’s futuristic performance of “Stronger” with Daft Punk followed by an emotional performance of “Hey Mama” that proved dude could potentially have a singing career as well, and Amy Winehouse’s excellent medley of “You Know I’m No Good” and the now completely ironic “Rehab”. Both also had the best acceptance speeches of the night. Winehouse was quite overwhelmed (and bringing her parents on stage with her was a nice touch), and West was deservedly surly as he started to get played off the stage in the middle of his speech. Vince Gill and Prince also provided chuckles (Prince DOES have a sense of humor) with subtle knocks on Kanye and Sinatra, respectively.

    Everything else was just kind of standard and boring, honestly. I hereby pronounce a future ban on all Beatles tribute unless John and George come back from the dead. I hereby pronounce a moratorium on ANY performances of “No One” by Alicia Keys (who performed the same song on the VMAs in September and the AMAs in November). I fell asleep during the performance by Lang Lang and Herbie Hancock. Musical virtuosity is great, folks. Now try to give us some excitement, k?

    While it was nice to see The Time together, I grinned at the irony of the band playing the instruments on “Jungle Love”, a song that no Time member (except guitarist Jesse Johnson and Morris Day) played on individually. Not to mention the fact that I thought Morris and co-performer Rihanna had no chemistry whatsoever. Ditto for Beyonce and 69-year old Tina Turner, although Tina surprised me by performing with the energy of a woman 1/3 her age.

    My personal biggest offense was this. Since the Grammys appeared on tape delay here at West, I decided to fight temptation and not check any news sites for a winners list. Curiosity got the best of me and I finally broke down and went to cnn.com, where I saw a picture of Herbie Hancock’s grinning mug accompanied by the words “Album Of The Year”. Don’t get me wrong, I dig Herbie Hancock. Although I’ve only heard parts of the winning album, “River” (a Joni Mitchell tribute), I don’t think it’s bad. Besides, how can you be mad at someone who played with Miles Davis? Still, though, in light of excellent albums by West and Winehouse being nominated, the night’s major prize went to the height of fuddy-duddyness, highlighting a problem that’s been Grammy’s Achilles heel for as long as I can remember.

    If you want to bring this show into the 21st century and resonate with music listeners today, it might be time to stop making this show a back-slapping fest for record executives and older artists (especially in light of slumping music sales), and figure out some way to get the voting and nominating committees a little more in step with the times.

    I had high hopes for this show, but in the end, the Grammys turned out to be just another tired award show, and this year’s show was one of the most boring ones I’ve ever had the misfortune to watch.

  • 50th Grammy’s: No Coffee

    I’ve blogged this show for the past two years and made fun of it’s usual lengthiness, but am going to change my tune. The last few years caused me to drink copious amounts of coffee to get through the shows. I’m only drinking Diet Pepsi Max (and bobbing my head like LL and Busta) and Diet Dr. Pepper Cherry Vanilla style.

    Let’s just get this out of the way. Kanye is going to be the sentimental favorite tonight. With his mom’s recent surprise passing, I can’t imagine him not performing Hey Mama tonight and just making the tears run down everyone’s faces.

    • The show opens with Alicia Keys singing a duet with Frank Sinatra. And dude is in black and white.
    • Alicia’s dress is way too tight and reminds me of the dress that Donna Martin wore to the Spring dance that made her look like a mermaid. Her breasts must be suffocating.
    • Carrie Underwood is a really pretty girl, but isn’t the kind of girl who should ever wear hot pants of any kind. She has a bad case of noassatall.
    • Alicia Keys just won the Best Female R&B Vocal Performance and accepted the award from Prince. Her heels must’ve been higher because dude would’ve had to jump to kiss her.
    • Morris Day and The Time just came out, but only to act as the intro act to Rihanna. Prince was not in sight, but Rihanna still gave him props by wearing her hair the same way as him.
    • Fantasia was in the crowd and she’s rockin’ a blond bald spot.
    • Amy Winehouse won for Best New Artist so they aren’t screwing her just yet for being a nut job.
    • Say what you want about Kanye, but the dude is an entertainer. And he did Hey Mama justice and his mother proud tonight.

     

    • There are some people who actually look great in HD, but poor Fergie Ferg isn’t one of them. She should have it in her contract that they can’t do close-ups on her.
    • First the Oscars did it to Dreamgirls and now the Grammy’s. They gave the Compilation Soundtrack award to Beatles Live. I think I would’ve been ok with Hugh Grant winning for Pop! Goes My Heart, but not to some guys in tight trousers dancing to Beatles songs.
    • Beyonce came out in nothing more than a dress with bikini bottoms and she let the thighs loose. Let’s just say that if Jay-Z ever fell asleep on her lap, he may never wake up.
    • Tina Turner came out and sang with Beyonce and save for one moment where she kicked out her knee and I thought she dislocated her knee cap, that old woman can still get it done.
    • Even though Amy Winehouse won the song writer’s award for Best Song, what is more interesting is that I learned that Jay-Z gets a writing credit for Umbrella, all because he was in a verse at the beginning of the song that no one remembers. Dude didn’t even write, “Ella ella aye aye”.
    • Just as I aimed my buddy Mike that if Nas or Kanye West didn’t win, we riot, Kanye West won for Best Rap Album.
    • The Grammy’s tried to play the wrap-up music on Kanye, but he made it stop. That was classic.
    • I thought the only people who knew who Feist was, were the folks who watched VH-1 early in the morning.
    • Alicia Keys and Johnny Mayer work well together. And thankfully, Mayer cut off the Edward Scissorhands hairdo.
    • In introducing Amy Winehouse (who is live via satellite as she couldn’t get her visa in time), Cuba Gooding said, “Ya know what I’m sayin?” I didn’t know the dude had it in him.
    • Either Winehouse is trying to make us think she’s messed up, or she’s really messed up. Which also begs the question, “How can someone sing so well while messed up?”
    • After winning Record Of The Year for Rehab she shouted out her “Blake incarcerated”. Yep, she said it.
    • Why is will.i.am on my TV singing and rapping a collection of past Grammy’s hits? The crowd didn’t know what to do when he was done.
    • Usher and Kanye West would’ve tied if there was an award for Best Sunglasses.
    • In the biggest upset in the last week, Herbie Hancock beat out both Kanye West and Amy Winehouse for Album Of The Year. It was an Eli Manning-esque comeback. Then, when reaching for his thank you cards, they slipped out and fell, only he didn’t know and kept reaching into his pocket. At least Eli didn’t drop the trophy.

    The rumored Michael Jackson tie-in for the re-release of Thriller never happened. That made me sad. But at least I didn’t have to drink coffee.