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  • I have too many CDs…

    I have too many CDs…

    I finally finished unpacking them and have come to the conclusion… I have too many CDs!

    Moving is a pain. This particular move was especially painful. From the damage that was done to our previous landlord’s floors to the moldy bread and rotting potatoes we found packed in our stuff, I count this move to Texas as one of the most challenging in my lifetime. And as I was sitting on the floor two nights ago, unloading my collection of compact discs, I realized how glad I am that it’s possible to download media these days.

    How many CDs do I own? Honestly, I don’t know. I lost count years ago. I would guess the total number is somewhere over 1,000 discs that I have collected since Christmas 1989, when I got my very first CD player as a present. I usually keep them alphabetized and in sections. I have a rock section, a country/bluegrass section, a jazz section, classical section, holiday section, and a new age section. It was getting close to 10:00pm and I still had a few stacks of discs to organize. With a sigh of disgust, I finally decided to just start putting them on the shelves willy nilly. I used to be so anal retentive about keeping my collection straight, but now that I have a computer that does it, I guess it doesn’t matter anymore.

    I remember when I was growing up, sitting on the couch next to my dad’s huge stereo. It had a turntable and an 8 track player. I would put on a big pair of headphones and listen to records, tapes, and 8 tracks for hours. Then in the mid 80s, people started trading in their cassette tapes and vinyl records for compact discs. My very first compact disc was Phil Collins’ 1989 release, But Seriously. Over the years, I became a very enthusiastic consumer of CDs. They didn’t scratch like records. They didn’t get caught in the machine like tapes. They didn’t change programs mid song like 8 tracks. And they came in relatively small packages that were easy to carry. In fact, they were so easy to carry that they were originally sold in long boxes to prevent people from ripping them off.

    Nowadays, you can buy songs individually or buy an album. You can store the music on your computer or on a cloud. When you move, you don’t have to pack up boxes of CDs… or movies or books, for that matter. But what do you lose when you don’t have those physical items anymore? Well, for one thing you lose artwork. There was a time when albums included some awesome artwork. Hell, when my dad purchased the Purple Rain soundtrack on vinyl for me back in 1985, I got a free poster to hang on my wall! Try that with a download.

    You might lose the concept album concept. If people can buy individual songs instead of whole albums, they probably will. But that will mean that an album based around a single concept may become a thing of the past. That’s kind of a shame, since sometimes concept albums turn out to be very artistic.

    You might also lose music stores. If people don’t need to buy tangible items like CDs, vinyl albums, or cassettes, what good is a music store? I used to love going to them in another relic of the past, the indoor shopping mall, and thumbing through discs, looking for a new treasure to add to my collection. Then I would take the new album home and read the liner notes while I played it from start to finish. Now that people can download their music, there’s less need for brick and mortar stores and less need to hire people who are music geeks to run them. Come to think of it, you’ll also lose special shelves for CDs and other media. I think downloads also put an end to music clubs like Columbia House and BMG Music.

    On the other hand, you’ll also lose some of those big heavy cardboard boxes full of CDs when you move. And given how traumatic this last move has been, I don’t know that that’s such a bad thing. One other thing I’ve lost are the big stacks of discs I used to keep on my front seat when I’d go on a road trip. Now that my car can connect to my iPod, there’s no need for CDs anymore. That means I don’t have to worry about CDs that fall to the floor in my front seat when I have to slam on the brakes. And I don’t have to worry about cracking the jewel cases when I take my discs on the road.

    In any case, I have moved a lot of my collection from CD to computer, so in the week we were in our new city without my precious CD collection, I still had most of my favorite music. I still buy the occasional CD when I want the rare album that isn’t available as a download. But I almost never use my CD player anymore. As soon as that CD comes to me, I put it on my computer.

    I still have too many CDs. Thanks to downloads, I’m not adding them as quickly as I used to. And hopefully, next time I move, I won’t have to buy any new CD shelves for new additions to my collection.

  • LL Cool J tweets…

    LL Cool J tweets…

    LL Cool J tweets and makes Mormons all a-twitter…

    Hi folks. I am up to my eyeballs in boxes right now, but I figure I have time for a quick Pop Rock Nation post as I unpack all the stuff I should have thrown out years ago. Some of my readers know that my husband is a former member of the Church of Jesus Christ of Latter-day Saints. I have never been LDS, but my husband’s brief affiliation with the Mormon church has caused me to learn more about it. It’s not often that my interests in music collide with Mormon culture, although I have found that a lot of Mormons and former Mormons have really good taste in music.

    Anyway, this week I was very surprised to read a news article about rapper LL Cool J, otherwise known as James Todd Smith, and the Mormons. It seems that this week, LL Cool J tweeted “Without hard work, nothing grows but weeds.” Then he attributed the quote to former LDS president, Gordon B. Hinckley. Hinckley served as the Mormon church’s living prophet from 1995 until his death in 2008.

    It’s not that I don’t agree with Hinckley’s quote or LL Cool J’s decision to tweet it. It’s just that I went through a very brief LL Cool J phase back in the mid 1980s. I bought a copy of his 1987 album, Bigger and Deffer and remember the songs on it because I used to listen to it all the time. Let’s just say that I never would have guessed that LL Cool J would be interested in anything Mormon. Granted, I know that people change and I’ve seen evidence that LL Cool J is not quite the same guy he was back in the 80s and 90s when he rapped songs like…


    “I’m That Type of Guy”

    And


    “Kanday”

    And


    “Around The Way Girl”

    And


    “Mama Said Knock You Out”

    Wow… I haven’t heard these songs in ages and now I’m thinking it’s time to revisit them. I’m not a big rap fan, but I do like LL Cool J.

    LL Cool J definitely has a way with a groove and I hear he’s a decent actor, too. But none of the songs I’ve heard by him suggest that his work and Mormonism have anything in common. He is getting older, though, and maybe he’s becoming more conservative. LL Cool J has been around for a long time now, which means he must be doing something right. I’m sure hard work has a lot to do with his success, too. I gotta start paying more attention to Twitter. Sometimes it yields some fascinating insights into the lives of famous people.

    Anyway, back to unpacking. Have a great weekend, everybody!

  • Ron Block’s new album, Walking Song

    Ron Block’s new album, Walking Song

    Bluegrass star Ron Block has just come out with a new album called Walking Song…

    I discovered Ron Block’s music when I discovered Alison Krauss and Union Station (AKUS), a band that has made bluegrass stylish. Ever since the hit 2000 film O Brother Where Art Thou?, with its very bluegrass inspired soundtrack, more and more people are listening to bluegrass and its hybrids. Ron Block is a singer, songwriter, banjo player, producer, and all around neat guy. He’s written a lot of songs for AKUS, but he’s also nurtured talent, his own and up and coming star, Sierra Hull, who performs on Block’s brand new album, Walking Song.

    Knowing about Ron Block’s music, I was especially excited to hear about Block’s new album Walking Song. It had been too long since his last effort. Back in 2007, he released DoorWay, which I bought and loved. Six years prior to that, he released Faraway Land, which was also well-received. Though he stays busy, Ron Block seems to be stuck in a six year cycle when it comes to putting out his own music.

    Even though I was in the midst of a big move when Block’s Walking Song hit the shelves on July 31st, I made sure to order it as soon as I could get to a computer with Internet access. It got to me this past Saturday and, I have to say, Ron Block has done it again! Joined by the likes of AKUS bandmates Alison Krauss, Dan Tyminski, Jerry Douglas, and Barry Bales, Block also has his protege Sierra Hull playing mandolin on several tracks. He’s also enlisted Suzanne and Evelyn Cox of the Cox Family to sing harmony on a few songs. Well-respected artists like Stuart Duncan, Sam Bush, and Rob Ickes also put in performances, populating this album with some very high quality musicians.

    Ron Block co-wrote most of the songs on this album; there are a couple of traditional numbers as well that Block has skillfully arranged. The lyrics on this album were contributed by Rebecca Reynolds. I am not very familiar with her work yet, but I have a feeling I’ll be learning more about her now. She really has a way with words.

    I couldn’t wait to pop my new CD in my computer and give it a spin. Here are my thoughts on Ron Block’s Walking Song so far.

    The music on Walking Song

    The first song is the very pleasant title track, “Walking Song”. Block’s tenor is comforting as he sings alliterative lyrics by Rebecca Reynolds. Kate Rusby offers warm, feminine harmony vocals on this charming love song. “Walking Song” features clever lyrics that creatively turn phrases into a love story. Matched by Block’s expressive music, the words come to life and turn the title song into a fine introduction.

    The tempo picks up for “Devil In The Strawsack”, which is a traditional instrumental romp arranged by Block and played by Ron Block, Barry Bales, Sierra Hull, and Stuart Duncan. I love these instrumentals on bluegrass albums because they’re egalitarian. Everyone has a chance to shine and they’re just a lot of fun to listen to without the complication of lyrics.

    “Jordan, Carry Me” is another collaboration between Ron Block and Rebecca Reynolds. Stuart Duncan plays a haunting fiddle intro which breaks into a somber melody featuring Dan Tyminski singing harmony. It’s no secret that Ron Block’s music is often spiritual. While I am not particularly religious, I appreciate well-written songs, regardless of the subject matter. Tyminski and Block sound great together and Reynold’s lyrics are very intelligent and impressive.

    Gentle acoustic guitar kicks off the pretty song, “Ivy”. This song has a very traditional sound, though it was written by Rebecca Reynolds and Ron Block. Block sings and skillfully accompanies himself on acoustic guitar. I really like this song, with its simple melody beautifully played on Block’s guitar. It reminds me of an Irish tune, complete with sweet lyrics about coming home.

    “Summer’s Lullaby” is a lovely, gentle song in waltzing rhythm. Kate Rusby sings a sweet harmony vocal to Ron Block’s lead. If you’re looking for a bluegrass styled lullaby, this is a good one to drift off to sleep to.

    Banjo accented “Nickel Tree Line” has the sound of song that could have just as easily been recorded by AKUS. Indeed, Alison Krauss lends her sublime soprano to the harmony line and fellow AKUS players Barry Bales and Jerry Douglas join in. Stuart Duncan’s fiddle blisters on this very strong track. I like it, but it makes me miss AKUS. It’s nice to have this song to tide me over until the next AKUS release.

    Ever since I heard Alison Krauss and The Cox Family sing on 2004’s I Know Who Holds Tomorrow, I have really admire The Cox Family. Suzanne Cox joins Ron Block on “Let There Be Beauty”, another song that sounds very Celtic complete with subtle whistles on the chorus.

    Next is a gorgeous arrangement of the spiritual, “What Wondrous Love Is This?”. Block plays banjo, National Duolian, and guitar, while Jeff Taylor contributes accompaniment on the pipe organ and accordion. The end result is a hauntingly beautiful treatment of a very classic song.

    “The Fields of Aidlewinn” is another dramatic song featuring Dan Tyminski singing harmony and Sierra Hull playing mandolin and octave mandolin. John Joe Kelly’s bodhran drum and Jeff Taylor’s subtle accordion give this track sort of an Irish world music feel. I follow Ron Block on Facebook and I know he spent time in Scotland and Ireland recently. I can really hear the influence on this album.

    “Chase Me to The Ocean” is another pretty song inspired by Block’s spiritual side. The melody is lovely, with its lullaby quality and vivid lyrics, again penned by Rebecca Reynolds, whose obvious songwriting talents are growing more and more impressive to me. Kate Rusby is back, singing a very soothing harmony. Block obviously wanted her peaceful sound on the songs that have that lullaby quality meant to relax listeners into restlessness. I am smiling as this song ends.

    Right about now, it’s time for another bluegrass romp. This time, it’s a traditional number called “Shortnin’ Bread”. This is a lot of fun to listen to and it sounds like Block and his band had a ball recording it. I dare you to try to resist tapping your toes!

    “Colors” is another languid track featuring acoustic guitar and accordion. Dan Tyminski plays mandolin and I am caught up again by the interesting lyrics. I get the sense this is a song about down and out people trying to survive an impersonal city through music and the company of misfits.

    “Sunshine Billy” is sort of an upbeat bluesy track with perky accordion accents that make me think of France. Suzanne Cox is back on harmony and Buddy Greene plays a sizzling harmonica solo. This is a fun song that sort of offers a contrast to the more serious numbers on Walking Song. I think this is my favorite song on this album.

    The last song is “Rest, My Soul”. Written by Ron Block and Rebecca Reynolds, this song sounds like a very old and traditional hymn. It’s pretty and graceful, with a waltzing rhythm and lush, warm, harmony vocals by Evelyn and Suzanne Cox. This track gives me goosebumps. It’s just gorgeous.

    Overall

    I really like Walking Song. I think I was more impressed by 2007’s DoorWay, but that’s probably because it was the first of Block’s solo efforts that I paid a lot of attention to. DoorWay also features the stellar and wise track, “Someone”, which I just love. I think Walking Song is as strong an effort as DoorWay was. They are different in that Walking Song seems more traditional and Celtic, while DoorWay had some fantasy elements. I will have to listen to Faraway Land again to see which of Block’s three albums I like best. Let’s just say that I think if you enjoy Ron Block’s music, you will enjoy this latest effort. Walking Song is a well-crafted and very enjoyable album.

    Ron Block and Sierra Hull play “Walking Song”.