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  • First Listen: Mariah Carey’s “I Want to Know What Love Is”

    So, Mariah Carey’s no stranger to covers, right? She’s shown a special interest in soft rock ballads. After all, she covered Nilsson’s “Without You”. Then there was her remake of Journey’s “Open Arms”. Oh! She also covered Phil Collins’ “Against All Odds (Take a Look at Me Now)”. Even though I certainly don’t mind Mariah’s music, none of these songs held a candle to the originals, with “Without You” being particularly wretched.

    As the second single from her upcoming “Memoirs of an Imperfect Angel”, Mariah’s reached back into lite rock again and decided to tackle Foreigner’s #1 hit from 1985, “I Want to Know What Love Is”. It serves a couple of purposes. It brings Mariah back to power ballad territory after forays into deeper R&B and hip-hop production, in the hopes that the fans who abandoned her after she went hoochie will come back. It also brings back the dog-whistle. Remember back when Mariah first came out and she used to hit those insanely high notes in damn near every song? Well, despite the rumors that she’s lost a bit of her upper register and belting ability (remember the less-than-stellar performance of “I’ll Be There” at the Michael Jackson memorial?), this song makes it apparent that she’s still got it.  Heaven help our ears. I was actually wondering if it was studio trickery, but I heard a live version of this song in which she unleashed the whistle, so it hasn’t totally left her.

    Anyway, this is another case in which the original is much better, and quite frankly, Mariah doesn’t really add anything to the song. As Simon Cowell would say, it’s a bit karaoke. What do you think?

  • Tell Me Why You’re Crying My Son

    Peter, Paul and Mary onstage at the Westbury M...
    Peter Paul and Mary play NY in 2006. Image via Wikipedia

    Mary Travers, the Mary who blended her voice with Peter and Paul, has died at 72 according to published reports at CNN.com.

    Watching a world pass them by but sticking to the idealism that made them 60s favorites, PP&M were the VH1 band of their day that wanted to break on MTV but not lose their loyal listeners.   Puff (The Magic Dragon) wasn’t about anything but a child’s imaginary playmate they insisted, much like The Beatles insisted that many of their well known drug songs were simple odes about fun places.

    Back to back Grammy Awards in 1962-1963 for Best Pop Performance for If I Had A Hammer and Leaving On A Jet Plane established the trio in music’s mainstream.  They were no longer the torch bearers of Seeger’s legacy, but a musical force (much like early Kanye) that could keep a foot on each side of the road and walk straight down the center.

    The artists they influenced are in the Rock and Roll Hall of Fame, as are the artists that influenced them.   They gave voice to Bobby Zimmerman’s Blowin’ in the Wind.  They did the same thing for John Denver’s Leaving on a Jet Plane in that awkward period the Far Out guy experienced between the Chad Mitchell days and his stint as a Rocky Mountain troubadour.

    Peter Paul & Mary covered Dylan especially well.   In The Wind, the band’s third album in 1963, featured three Dylan penned tracks.  They would constantly return to Dylan covers, including I Shall Be Released and Too Much of Nothing.  Tim Hardin was another favorite songwriter to cover, as was influence Pete Seeger.

    Perhaps no better measure of the respect PP&M generated is found in the musicians credits on their albums.  Artists like Herbie Hancock grace the credits of the band’s discography.  And if Paul Stookey wanted to write songs and Peter Yarrow wanted to produce them, Mary Travers was the soaring voice cementing the two and firmly establishing the trio in pop music history.

    RIP Mary.  Day is done.

    *For those who didn’t delve too deep into the discography, the headline is the first line of Day is Done, one of Peter, Paul and Mary’s last hits.
  • Chart Chat 9/16/09: Jigga and the Fabs

    Jay-Z makes history on this week’s Billboard 200 Album Chart. “The Blueprint 3” crashes in at the #1 spot, scanning over 475,000 copies. This is Jay’s 11th chart topping album, giving him more #1 albums than any solo artist in history. More than Elvis. More than Michael Jackson. More than Billy Joel, Barbra Streisand or any artist in history than…

    …The Beatles, who make some chart noise of their own this week. Their recently reissued catalog sells a combined 650,000 copies, with 9 titles landing in the Top Twenty. Granted, none of these titles appear on the actual Billboard 200 because of their age, but they take up 9 of the Top 10 spots on Billboard’s catalog chart. “Abbey Road” is the top seller, followed by “Sgt. Pepper”, “The White Album” and “Rubber Soul”.

    Elsewhere on the chart, Raekwon and Brooks & Dunn also enter in the Top 10. It looks like Jay will hold at the #1 spot on next week’s album chart, with a battle forming for second place between British band Muse and Whitney Houston, who will see an uptick in sales thanks to her interviews on the season premiere of “Oprah”.

    …and here’s another interesting Jay fact…”Blueprint 3″ opens with 50,000 more copies than 2007’s “American Gangster” did. “Gangster” went on to sell over one million copies.

    This week’s Top 20 Albums, courtesy of Billboard & Soundscan

    1) Jay-Z “Blueprint 3”

    2) Miley Cyrus “Time of Our Lives EP”

    3) The Beatles “Abbey Road”

    4) Whitney Houston “I Look to You”

    5) The Beatles “Sgt. Pepper’s Lonely Hearts Club Band”

    6) Raekwon “Only Built 4 Cuban Linx 2”

    7) The Beatles “The Beatles (White Album)”

    8) The Beatles “Rubber Soul”

    9) Brooks & Dunn “#1s…and Then Some”

    10) The Beatles “Revolver”

    11) Trey Songz “Ready”

    12) Michael Jackson “Number Ones”

    13) Black Eyed Peas “The E.N.D.”

    14) Boys Like Girls “Love Drunk”

    15) Kings of Leon “Only by the Night”

    16) The Beatles “Help!”

    17) Taylor Swift “Fearless”

    18) The Beatles “Let it Be”

    19) The Beatles “Past Masters 1 & 2”

    20) The Beatles “Magical Mystery Tour”