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  • Billboard’s Biggest One-Hit Wonders of the Decade

    So, the flow of new music is slowing down to a crawl and the music news front has seemed pretty stale these past couple of days. When business isn’t booming, it’s time to find fallback options, and thankfully the folks at Billboard mag have given us something fun to discuss today. Namely, the biggest one-hit wonders of the decade.

    Now, let’s face facts. A hit single is lightning in a bottle for a lot of artists. It takes either a lot of talent or a great marketing job to maintain a career beyond a hit single or two. Looking through this list, you notice that the talent pool is a bit shallow. Most of these artists, quite simply, got lucky. Whether their song wound up being placed as the closing theme to the most popular show on TV while said show was at its’ peak (i.e. Daniel Powter’s “Bad Day”), or the artists were helped out by associations with Oprah (James Blunt), P. Diddy (Dream and Cassie) or Dr. Dre (Truth Hurts), in a lot of cases the success was due to something other than singular talent. Of course, there are exceptions, not to mention artists who may have been “one hit wonders” but aren’t flashes in the pan (like Macy Gray, Vanessa Carlton and Gnarls Barkley). However, a quick look down this list reveals very few instances of artists who deserved any sort of notoriety beyond that one lucky hit.

    Enjoy the list…and the often horrid music that can only be expected from a list of one-hit wonders. Whoo boy. And I hoped to never have to hear “Bad Day” ever again.

  • The Boring-Ass Grammy Nominations

    The Grammy Awards are music’s biggest night, but lately they’ve interested me less and less. Of course, everyone’s favorite hobby is bashing the nominations (and winners), but the ceremony has seemed to evolve (devolve?) from an ultra-conservative nightmare (check out the winners from any Grammy category up until maybe the early Nineties for proof…are you aware that neither James Brown nor David Bowie has ever won a Grammy Award? And that The Rolling Stones only have two?) to a back-slapping snooze-fest for the baby-boom generation (the Paul Simon and Steve Winwood clean-ups of the late-Eighties) to a show that simply looks at the Billboard charts and nominates who’s on top of it, regardless of talent. Then for the major awards they throw in one old fogey and the old fogey inevitably wins (see: Ray Charles, Herbie Hancock, Steely Dan, and last year’s Plant and Krauss project).

    This year is relatively old-fogey free, but the nominees are very pop-centric and were basically just snatched from the top of the Billboard charts. Beyonce leads the pack with 10 nominations, followed by Taylor Swift with 8. Other big nominees include the Black Eyed Peas, Lady GaGa, Jay-Z, and Kings of Leon. The frightening thing is that the three major categories basically contain the same group of artists: Beyonce, GaGa and Swift are all up for Record, Song and Album of the Year. BEP are up for Record and Album but got snubbed for Song, while Kings of Leon are up for Record and Song, but got left out of the Album category because “Only By the Night” came out before the eligibility period. The only folks who were able to sneak through that group were Dave Matthews Band (and it’s not hard to imagine that sympathy for deceased sax player LeRoi Moore is what snagged them their first Album of the Year nomination) and Maxwell, who is (actually deservedly) up for Song of the Year.

    Here’s the thing, though. I LIKE Beyonce, Swift and GaGa, and still feel their nominations are somewhat undeserved. Well, let me temper that. “Poker Face” is so damn catchy it probably SHOULD be nominated for Record of the Year. However, I would say their nominations are more based on “wow-these records sold millions and millions of copies” than “wow-these records are really good). Because as shitty as this past year has been for music, I can name a ton of albums that were better than Beyonce’s, and the less said about The Black Eyed Peas, the better. At least they’ve finally been removed from the hip-hop category and placed in pop where they belong.

    The Best New Artist category is the weakest in recent memory. This is essentially a two-act race, with Zac Brown Band being the people’s choice and Keri Hilson being the industry favorite (although Lord only knows why). The other nominees (MGMT, Silversun Pickups and The Ting Tings-who probably should have been nominated LAST year) are all fairly under the radar.

    Notable omissions? You’d think after all the strings that were pulled putting Whitney Houston’s “I Look to You” out before the nominations deadline would help it get a nomination? No dice. Houston got a big fat zero, although the album was certainly good enough to deserve some love. Meanwhile, Grammy favorite Kanye West got the most low-key six nominations any artist has ever gotten. His “808s and Heartbreak” album was shut out of the major categories, and five of his six nominations are all in TWO categories-Best Rap/Sung Collaboration (where he’s nominated for Beyonce’s “Ego” remix, Keri Hilson’s “Knock You Down” and Jay-Z’s “Run This Town”) and Best Rap Performance by a duo or group (where his own “Amazing” with Young Jeezy is up against “Make Her Say” alongside Common and Kid Cudi).

    Anyhow, here are the nominees in the major categories. The Grammy Awards airs on 1/31/2010 on CBS.

    Record of the Year:
    “Halo” Beyonce
    “I Gotta Feeling” Black Eyed Peas
    “You Belong with Me” Taylor Swift
    “Poker Face” Lady GaGa
    “Use Somebody” Kings of Leon

    Album of the Year:
    “I Am..Sasha Fierce” Beyonce
    “The E.N.D” Black Eyed Peas
    “Fearless” Taylor Swift
    “The Fame” Lady GaGa
    “Big Whiskey & the GrooGrux King” Dave Matthews Band

    Song of the Year:
    “Single Ladies (Put a Ring on It)” Beyonce
    “Pretty Wings” Maxwell
    “You Belong with Me” Taylor Swift
    “Poker Face” Lady GaGa
    “Use Somebody” Kings of Leon

    Best New Artist:
    Zac Brown Band
    MGMT
    Keri Hilson
    Silversun Pickups
    The Ting Tings

    Best Pop Album:
    “The E.N.D.” The Black Eyed Peas
    “Breakthrough” Colbie Caillat
    “All I Ever Wanted” Kelly Clarkson
    “Funhouse” Pink
    “The Fray” The Fray

    Best R&B Album:
    “The Point of it All” Anthony Hamilton
    “Turn Me Loose” Ledisi
    “BLACKsummersnight” Maxwell
    “Testimony Vol. 2: Love & Politics” india.arie
    “Uncle Charlie” Charlie Wilson

    Best Rock Album:
    “Black Ice” AC/DC
    “Live at Madison Square Garden” Steve Winwood & Eric Clapton
    “Big Whiskey & the GrooGrux King” Dave Matthews Band
    “No Line on the Horizon” U2
    “21st Century Breakdown” Green Day

    Best Rap Album:
    “Universal Mind Control” Common
    “Relapse” Eminem
    “The Ecstatic” Mos Def
    “The Renaissance” Q-Tip
    “R.O.O.T.S.” Flo-Rida

    Best Alternative Music Album:
    “Wolfgang Amadeus Phoenix” Phoenix
    “Everything That Happens Will Happen Today” David Byrne & Brian Eno
    “It’s Blitz” The Yeah Yeah Yeahs
    “The Open Door” Death Cab for Cutie
    “Sounds of the Universe” Depeche Mode

  • Do We Give Eminem A Free Pass?

    No, not that kind of pass.

    I’m taking about a free pass for what I thought was one of the worst albums I heard all year long, his comeback album Relapse. It was beyond sophomoric, void of real song writing, and a continued step backwards in what once was a stellar career.

    Relapse was simply mailed in. Eminem didn’t seem at all into the process of making an album. It seemed like he did it because he had to, not because he was ready to come back.

    Eminem at a DJ Hero Party
    Eminem at a DJ Hero Party
    Fast forward to the re-release of his album, titled Relapse: Refill. He’s saying that he was still coming off addiction during the recording of the album and now, he’s back.

    Complex magazine interviewed him and he stated the following:

    Making Relapse, I was still working the drugs out of my system, so there was a lot of…just jokey shit. It was a lot of punchline-y, funny, shock value — kind of going back to The Slim Shady LP. And that was cool, but I’ve kind of flipped the page. Now I’m going for songs instead of one-liners. I don’t want to make shit that you hear once and then the joke’s over; I want to make records that you could play a hundred times, a thousand times.

    I’m not sure if I’m ready to go back to that well again. I gave him a shot with Relapse after not feeling him for the last few years. And it was a bad idea.

    When he’s on his game, he’s at the very top of the MC food chain. But I’m just not sure you can go back so easily. I feel ripped off after Relapse. But if he’s being straight with us, do we give him a free pass?

    Photo of Eminem via Wikipedia and shared via Creative Commons