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  • Big in the UK: Cooking the Charts with They Might Be Giants

    This is the sort of thing that probably wouldn’t happen here. I just don’t think Americans take their pop charts quite as personally or as democratically as they do in the U.K. Earlier this summer, a brand of kid’s shoes put out an ad featuring “Birdhouse in Your Soul”, the 1990 major label debut single by They Might Be Giants. The duo of John Linnell and John Flansburgh have, since they started recording original songs onto a standard answering machine in the early 80s, become the godfathers of nerd-rock, and now that their original fans (like me) are pushing middle age with mortgages and children, the band have found renewed success recording four albums of “children’s music”, and performing alternate shows for grown-ups and kids on tour. The idea of sticking TMBG’s loving ode to the nightlight into an ad for kids’ shoes might’ve been genius if it weren’t so self-evidently perfect.

    I don’t know how it’s working out for Clark Shoes, but it seems to be doing well for They Might Be Giants. The song re-entered the British Top 100 pop songs late last month. Of course, songs featured in popular ads often get enjoy a run on the pop charts here as well – just as Sara Bareilles, Yael Naim, or Phoenix – but those successes seem more like happy accidents. In the case of “Birdhouse In Your Soul”, a strange populist cause – okay, a facebook group – has formed around keeping the song on the charts and trying to advance it to the top spot. That said, after four weeks, the song has only gone so far as #70 (on the chart dated 8/21; the song falls back to #72 on the 8/28 chart).

    But that’s not to say it couldn’t eventually succeed. This isn’t the first instance of the Brits attempting to cook their pop charts. See also: Buckley v. Burke. In 2008, after Alexandra Burke won the TV talent show The X-Factor, a campaign by apostles of the tragic 90s singer-songwriter Jeff Buckley attempted to thwart Burke’s cover of the Leonard Cohen song “Hallelujah” from making its predicted number one debut over that year’s Christmas sales week by urging fans to download Buckley’s own version of the song.

    It’s a Brand New Record for 1990!

    The campaign failed, but just barely. Buckley’s song charted at #2 behind Burke’s. Still, the TMBG song, while it may linger on the chart for as long as the ad airs, probably won’t reach those sorts of heights. For one thing, “Birdhouse In Your Soul” isn’t being pitted against another version of itself, or even another song. Moreover the Alexandra Burke debut was a one-off event sales week; it was also a holiday week, and it’s a holiday week that The X-Factor has annually co-opted for just this eventful purpose. So Buckley v. Burke was framed as the classic battle over artistic legitimacy between a tragic rock icon and a freshly minted “mass-produced” pop idol for the very soul of the pop chart.

    As a fan of both Burke and Buckley (although, when it comes to “Hallelujah”, count me in with Team John Cale), I, frankly, prefer not having to choose sides. They Might Be Giants‘ Elektra debut record Flood was essentially the first record of 1990, and “Birdhouse In Your Soul” was instant classic that still makes me giddy and giggly every time I hear it – even more so now that I’ve got two kids singing along with me.

    Here’s the original video from 1990:

  • The Daily Awesome 8/20/10: Giorgio Moroder “Baby Blue” (1979)

    We may associate dance music with the clubs, the strobelights, the bathroom drug deals and sticky bathroom floors, but in this video for his 1979 hit “Baby Blue” (not to be confused at all with songs by Badfinger or Bob Dylan), Italian disco, bubblegum, and electronic music pioneer (not to mention mastermind behind some of the most memorable soundtrack music of the 80s) Giorgio Moroder – who, in April, celebrated his 70th birthday! – demonstrates what dance music is really all about: precision and professionalism, science and technology. Aww yeah. Shake that groove thing. Layers of interconnected, burbling synths, vocoders and cheesy falsetto harmonies, all backed by a solid disco beat? Just another day at the office for Giorgio Moroder.

  • Lionel Richie Is Outrageous

    There are some people who just know you. They know just the thing that will brighten up your day. Well, thanks to Money Mike from Popblerd (and who also is one of the forefathers of this very site), nothing in my day can go wrong today.

    Let me go backwards slightly.

    Back in the mid 80s when Lionel Richie was winning music awards, he started using a special word over and over and over again. That word was “outrageous”. And he wouldn’t just say it. He’d shout it. He’d pump his fist when he said it. He’d shimmer in all of his glittery greatness when he said it.

    VH-1 even had one of those goofy specials about the 80s where they remembered Lionel’s outrageous usage of the word “outrageous”.

    But other than the B-grade comedians on VH-1 and Money Mike, no one would delight in the memory of Lionel’s outrageousness. Why? Well, I couldn’t find the thing on YouTube.

    That is, until now. Just today, Money Mike sent me an e-mail with a just YouTube video link in the body and a subject that said, “Your boy.” So you can now celebrate with me, the outrageousness that is an 8-second video of “my boy” saying that oh so special word.