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  • VH-1’s Top 100 Rap Songs: Triumph or Travesty?

    OK, so we’re only an hour-20 songs (ed. note, actually, 40 songs…I wrote this Tuesday morning)-into VH-1’s list of the Top 100 rap songs of all time. While I’m absolutely grateful that VH-1 takes the time every year, via its’ Hip-Hop Honors special, to honor the pioneers of hip-hop in a way that the networks you’d EXPECT to be honoring them don’t (hello, BET), I must admit that, as a true school hip-hop fan, some of their choices are severe head-scratchers. I mean, who told VH-1 to honor Missy Elliott before Queen Latifah or Dr. Dre? Hell, Missy’s less qualified to be enshrined in any sort of Hip-Hop Hall of Fame than any of this year’s 5 honorees, who range from “it’s about time” (Slick Rick, De La Soul, Too $hort) to borderline acts like Cypress Hill and Naughty by Nature. Not that I don’t dig either group, but Cypress followed up one absolutely sensational debut with a sea of mediocre albums, while Naughty released a string of excellent singles but never put it together for one truly great album.

    Now I’ll admit. I’m a friggin’ sucker for countdowns, and VH-1’s pop culture specials are usually on point. I’ve often fantasized about being a panelist on one of those “I Love the…” specials. Hell, you could give me a lobotomy and I’d be funnier than Mo Rocca. That said, this list of the greatest hip-hop songs leaves me a little cold (so far) for a couple of reasons.

    Because of my age and where I grew up, I’m always going to give the stank eye to anyone who claims to be a hip-hop authority. That said, VH-1 has already erred big time with a couple of their choices. I absolutely adore PM Dawn’s “Set Adrift on Memory Bliss”, but is that really a hip-hop record? (I do, however, think they missed a golden opportunity by not having KRS-ONE comment on the record). While “Memory Bliss”‘s inclusion is certainly debatable, I don’t think there’s one single person who would agree with the inclusion of L’Trimm’s “Cars That Go Boom”. Miami bass? Certainly. Freestyle? Okay. Hip-hop?? That’s stretchin’ it, folks. Granted, there’s probably a noticeable lack of female emcees on this countdown, which could explain why they shoehorned L’ Trimm in, but any real hip-hop fan who watched that segment had to have at least a little of the taste of disgust swirling around in his or her mouth.

    It also seems like some artists were included just for the sake of a broad representation and so certain artists didn’t take up too many spots on the countdown. I don’t know that Eve even makes a list of Top 100 female rappers, so to have one of her songs (and “Who’s That Girl” of all of them) on the countdown is a bit surprising. And where they got some of the artist choices right (nice to see Jungle Brothers on this countdown, although the thought of Baby Bam in glam-rock makeup will haunt me for the next several weeks), their song choices (“What U Waitin’ For?” instead of “I’ll House You”? Really?…) leave much to be desired. Although I think they substituted because “I’ll House You” doesn’t have a video.

    Of course, you know the whole opinions are like assholes… theory, and I suppose I should be grateful that the network once considered MTV’s stale cousin is the only TV station doing right by hip-hop these days. However, I still would love to see who the panel is that voted for this countdown, so I can smack the person who said it would be a good idea for “Cars That Go Boom” to be on this list…

  • I Bette You Wanna Win A Free Midler CD

    For nearly four decades now, Bette Midler’s name has been synonymous with entertainment. From her early days in the Seventies providing the house entertainment (with piano accompaniment from some guy you might know named Barry Manilow) at gay bathhouses to a dual movie & music career that has seen her win Grammys and win at the box office with films ranging from “The Rose” to “Ruthless People” and “Outrageous Fortune”, Midler has been one of the most successful media hyphenates of recent times.

    This past week, Midler released a greatest hits compilation entitled “Jackpot: The Best Bette”. This collection features everything from “Boogie Woogie Bugle Boy” to 1989’s Grammy Record of the Year “Wind Beneath My Wings”. Now guess what, folks? You can WIN a copy of Bette’s latest CD by answering one simple question. Here goes:

    Which Rolling Stone hit did Bette cover in the early Eighties, and which Stone appeared in the song’s video, dirty dancing with Ms. Midler?

    Send responses to musicpublisher@consumerhelpweb.com. The winner will be chosen on Friday, October 3rd.

    Employees of consumerhelpweb.com and musichelpweb.com and their immediate families are ineligible for this contest.

  • Out There!- Dario (Can You Get Me Into Studio 54) by Dana & Gene

    I’ve always said that if I could ever go back in time, I’d love to experience  New York City during the Summer Of Sam.  The mean streets, the peep shows, the filth.  But most of all I would want to turn the beat around at Studio 54.  I’ve talked to a few people who have been there back in 1977 and they refuse to discuss because either they were too coked up to remember or choose not to remember what they did there.

    Studio 54 was known for the drugs, the mix of random celebrities, the tunes, and of course the debauchery.  Open sex on the dance floor, cross dancers, and owner Steve Rubell being obnoxious as all hell.  This place wasn’t just a dance club, it was the buzz of the pop culture world, and the place you had to be if you lived in the metropolitan area.  So much so that a band recorded a song about how difficult it was to get in.   We all have heard the story of Chic’s classic 1978 song Le Freak being a reaction to not getting into the club.  Nile Rodgers is adamant that the song was originally called “Fuck off!  Who knows?  The song that really defines Studio 54 to me was a little-known novelty tune by Dana And Gene called Dario (Can You Get Me Into Studio 54) in 1979 which was a tribute to the guy at the velvet rope who gave access to the club.

    This probably may be the obscurest of the obscure songs I’m going to feature in this article.  Good luck finding this one.  It’s not on any music sites, compilation albums, Yadda yadda.  It took us a few months for us to track it down. It’s so rare to find, that not even Youtube has any clip using the song.  It was released as a 12” single, but didn’t chart on the Top 100 Single chart, although it may have hit the Dance Charts.  It’s your typical cheesy disco tune with the catchy bass groove, electric drum beat, and strings.

    Dario is a fun little song that pays tribute to one of the most influential dance clubs in our nations’s history.  Is it one of the most influential disco songs of the 70s’?  No way!  Is it one of the best novelty tunes?  Maybe.  Is it one of the rarest songs to find from the 70’s?  Absolutely!  Youtube doesn’t even have a video for it.  The closest I got was what you see below: A cover version by Kid Creole which doesn’t do the original tune much justice.

    I wonder if Dario would grant access to me and my brother?  Probably not!