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  • Bluegrass Legend: “Vote Obama… What’s an iPod?”

    I admit, it’s been hard for me to write about music the last few weeks because I’ve turned into a total campaign coverage zombie. So my apologies for dipping into the political on a music blog, but I feel compelled to share a moment from an article by Matt Bai from the forthcoming issue of the New York Times Magazine, in which he describes a rally in rural southwestern Virginia in which bluegrass great Ralph Stanley endorses Barack Obama for President. This is sort of surprising in itself. Stanley has always struck me as a sort of populist folk-hero whose music, while certainly having a social and cultural point of view, seemed to exist outside of vulgar politics. (Springsteen modeled himself this way for most of his career – never publicly supporting a presidential candidate until Kerry’s run in 2004. He also publicly supports Obama this year.) But endorsement aside, the best line of the article came after Obama thanked Stanley for his support:

    “When the candidate met Stanley backstage, Obama told him that he had some of Stanley’s banjo music on his iPod. Stanley nodded appreciatively, but a few minutes later he turned to a friend and asked, ‘What’s an iPod?’”

  • Everything is Borrowed: Mike Skinner Gets Zen On Your Ass

    There’s been a huge wave of UK artists crossing over to American success lately. Amy Winehouse, Duffy, Estelle and Adele have all had a degree of success on these shores, although not commensurate with their overwhelming success in their homeland. A British artist that I’ve been enamored with for quite some time is Mike Skinner AKA The Streets. For lack of a better description, Skinner’s a rap artist. However, unlike most British emcees, who seem to be trying their best to sound American, Skinner’s music is decidedly British…and even if he were to try to Americanize his sound, there’s no way in hell he’d be able to cross over with that impenetrable accent. Nevertheless, Skinner’s built up a cult following over the course of four albums-each of which has something worth recommending on it.

    Over time, Skinner has also adjusted his world view. While his first album, Original Pirate Material,was the story of an everyday guy going through everyday paces, his second album, A Grand Don’t Come for Free, was the story of a kid who suddenly made something of himself and wasn’t quite sure what to do about it. Third album The Hardest Way to Make an Easy Living pointed out some of the vapidity of celebrity (while simultaneously revelling in it), while Skinner’s fourth effort, Everything is Borrowed, presents a mature man, looking at the world in front of him and trying to make sense of it. This maturation from album to album has been extremely rewarding, and Borrowed turns out to be yet another fine effort from Skinner.

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  • Worth a Second Spin: Jordan Knight

    It’s amazing how the critical knives that were used to attack the shit out of New Kids on the Block back in their heyday have softened-considerably. Whereas most pop publications at the time were busy metaphorically running over Joe, Jon, Danny, Donnie and Jordan with an 18-wheeler, their comeback this year has been greeted mostly by either silence or warm nostalgia. If you read this site, you’re well aware that I’m a fan, even though in retrospect, the albums (not counting 1994’s “Face the Music”, which will be featured in this column sooner or later) are merely average.

    Which is why the fact that Jordan Knight’s 1999 debut solo album is so good initially startled me. I mean, I always thought he could sing a little somethin’…actually, he was the only member of the group that had truly impressive pipes. However, if you can get over the stigma of Mr. “You Got The Right Stuff, bay-bay” singing, you may wind up liking Jordan Knight a helluva lot more than you think you should.

    Jordan linked up with two VIP-types who turned out to be great creative partners for his solo debut. First, he hooked up with a then-unknown Robin Thicke. While we know Thicke now as the musical equivalent of White Chocolate, he was then only barely known as a songwriter. Thicke and Jordan proved to be a solid combo, writing and producing much of Jordan Knight.

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