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  • R&B’s Best Kept Secret Makes His “Point”: Anthony Hamilton

    Sometimes it’s hard to figure out what to make of the current R&B landscape. The R&B band has all but disappeared, the divas of yesteryear still exist in a radically faded state with no ladies in waiting to replace them, and as for the guys? Well, most male R&B singers either spend their time trying to be rappers or trying to be Michael Jackson. Nothing against rappers or MJ, but you’ve gotta wonder what happened to what they call “grown folks” R&B. Stick-to-your-ribs soul music. A man who sounds like an adult instead of a perpetually horny teenager, someone with real-life perspective. An artist capable of filling the void created when Gerald LeVert and Luther Vandross passed away. Well, if Anthony Hamilton hasn’t found his way into your music collection yet, I strongly suggest you check him out right now.

    North Carolina-born, Harlem-based Anthony Hamilton is still pretty much under the radar. Despite selling a combined 1.5 million copies of his first two albums, the majority of music listeners-even fans of R&B- music fans would be hard-pressed to name three songs from the guy. That anonymity has prevented him from getting his props, because 37-year old Hamilton is easily one of the best-if not THE best- singer in his genre. His raspy tone has drawn comparisons to everyone from Bill Withers to Bobby Womack, and he’s proven himself to be one of the few current artists capable of sounding like an authentic throwback (as opposed to a pale facsimile) and completely contemporary at the same time. He appeals equally to men and women, although the (formerly) scruffy, diminutive Hamilton is not the traditional R&B sex symbol. His music has a strong spiritual element to it (the song “Pass Me Over”, from his last album, literally got me through a very trying period several years ago), and the guy throws down live. Believe me, y’all. Anthony Hamilton is the whole package.

    Rumors of his third album, The Point of it All, being a more “uptempo” affair caught me off-guard and had me thinking the worst. After all, Hamilton certainly wouldn’t be the first favorite artist of mine to make a sellout move after showing promise. My fears were compounded when I realized the first single, Cool, featured a guest spot from rapper David Banner. Again, I love my hip-hop just like I love my R&B, but there are definite times when the two don’t need to mix, and although Hamilton has made guest appearances on a couple of popular rap singles, I felt like the addition of a guest emcee on a Hamilton album was a compromise of sorts.

    Thank goodness, my fears turned out to be unnecessary. While The Point of it All has added a few elements to make Hamilton sound a little more contemporary, it’s basically still an Anthony Hamilton album. Fans of his first two albums will find much to enjoy here.

    Cool actually turns out to be a pretty decent song, a mellow midtempo track with a fairly unobtrusive (and witty) rap section from Banner, but it’s far from the best song on the album (actually, it‘s one of the weakest).  The News opens the album and immediately sets the tone for everything that follows with a groove and socially conscious lyrics that recall both Marvin Gaye and Curtis Mayfield. Listen to a song like this and it’s no wonder that the guys who put together the music for American Gangster (which was set in the early Seventies) picked Hamilton to perform two original songs on the soundtrack . Prayin’ for You/Superman is a two-part song that stretches Hamilton out with a little bit of country twang followed by some piano blues. It’s pretty ballsy for an R&B artist and shows why musicians as diverse as country star Josh Turner and blues-rocker Jonny Lang have sought him out to work with. Hamilton even proves that he can handle adult contemporary balladry. He pulls off a song like Her Heart beautifully when it would be mush in any other artist’s hands.

    Hamilton’s more spiritually inclined work hits me the hardest, and to me, this album’s centerpiece is Fine Again. It’s got a hopeful message and  pleading vocals that put it head and shoulders above the rest of the album.

    One good album can be a fluke. Two good albums suggest potential greatness. Three great albums seals the deal. With The Point of it All, Hamilton has sewn up his position as one of the most talented R&B artists around. Hopefully, this will be the time that the world-at-large realizes this.

    See the video for “Cool” here.

  • There’s Something About Melody Gardot

    It was a magical moment.  I was urged to “..give this CD a chance…it’s pretty good…”.  I put it in the CD player and had that funny feeling in my stomach. Upon closing my eyes I felt transported to a jazz club–granted I’ve never been to one–and felt the room had gotten dark and smokey.  All of a sudden I hear the sultry vocals of Melody Gardot and I was in love.  As I made my way through the ten tracks on her first full length album, “Worrisome Heart” I couldn’t move. I wanted to take it all in without any interruptions.  I’d never experienced 30 minutes pass by so effortlessly as I nodded along, tapped my foot and hummed along to songs I’d never heard before.  
    The journey to get to WORRISOME HEART is quite a story.  People (myself included) often find it hard to believe that this woman was once disabled after being struck by a jeep while riding her bike.  Gardot was only 19 at the time and spent months in bed unable to do much.  You could say one of the attending physicians is to thank for Melody’s career in music.  This doctor believed music would help her brain injury improve as in the past music had been known to produce great results in improving one’s cognitive skills and ability after a great trauma like Melody’s.
    She followed his advice, and this led to her first EP, “SOME LESSONS – THE BEDROOM SESSIONS” that were recorded while she still couldn’t walk.  One thing led to another and the EP started to receive some play on local Philadelphia station WXPN (where Norah Jones had received some early airplay).  People were talking–about how great the music was, but also about what had happened to her and how amazing it was that this record came from a woman who was practically bed ridden.
    Hearing the record is one thing–a mix of jazz and pop with some bits of folk and blues as well, it can’t really be pigeonholed into one thing.  I like to think it’s a great anytime record–put it on if you’re having a cocktail party, if you’re having a cup of coffee and reading the Sunday paper, when you’re happy, when you’re suffering from heartbreak…doesn’t matter.  If you’re fortunate enough to have a chance to see her live, I’d take advantage of it.  Earlier this year I had a chance to see her, in an intimate setting (the best way in my opinion…I’m not sure she’d translate as well in a huge venue like Madison Square Garden…) being mere feet away from the stage.  It was one of those nights where I was sitting in my seat and kind of misty eyed the entire show.
    So this album isn’t exactly new (it came out in March), BUT it has a place in my favorite albums of 2008.  I just feel bad for not sharing her with you earlier.  I’ve played this record countless times and friends have asked if I was listening to Norah Jones or Fiona Apple–while I can say I hear bits and pieces of these women in Melody, she has a sound like no one else. There seems to not be one type of person that likes this record—it truly is a record for everyone I’d like to think.  Maybe it’s that last minute holiday present for a friend–or a last minute treat for yourself.  Trust me on this one–it’s worth every penny of your money and every second of your time to listen (over and over again.)

  • Christmas Music That Won’t Kill You – Part II: Christmas Past

    The other day I told you about some of the new Christmas CDs this year.  Now we are going to revisit some recommended holiday albums you may have missed in the past.

    Ray Charles – Spirit of Christmas
    Sounds awesome, right?  Nope, it’s merely very good.  It was recorded in the 80s, so it doesn’t have the immediacy of Ray’s recordings for Atlantic.  Pick this up if you’re looking for a big band romp through Christmas classics.  Ray is in great voice and the arrangements are strong.  Really strong if you consider when this was recorded.

    Ringo Starr – Christmas Collection
    This charming CD is pretty rocking in spots.  What record collection is complete without the world’s most famous drummer singing “The Little Drummer Boy?”  With bagpipes!  (Think about it; it makes sense.)

    Christmas Jug Band – Uncorked
    Christmas Jug Band is a collective of SF-area roots musicians.  Although they have released a number of CDs, this is their best because of the strength of the originals.  It’s perfect for people who dig folk, western swing, or skiffle and appreciate a certain kind of humor.  Many of the songs are supposed to remind one of older jazz or string band music, but the humor is modern.  Most humorous music is for kids, and because it talks down to them, it’s toxic to adults.  Christmas Jug Band is more like Peanuts.  The humor really functions at an adult level without excluding children.  If this sounds appealing to you, head over to www.globerecords.com and check out the audio samples.

    Kings College Choir – pretty much anything
    The Mormon Tabernacle Choir might be seen as THE Christmas choir, but Kings College Choir is way better.  Why?  Because the treble parts are sung by pre-pubescent boys instead of women.  You need a bunch of powerful women singers to do Wagner, but that’s just a little too Mall of the Americas for me.  Boys sound like bells or (I almost hate to say it) angels which seems much more appropriate if you are going for a religious experience.  They are all great so pick the one with the carols you like best.  Just be aware that anything subtitled “a lesson and carol service” will be half Bible readings.

    Various Artists – Midwinter
    This amazing 4-CD collection was released by Free Reed, who are known for their comprehensive British folk-rock box sets.  It contains the artist one might expect: Sandy Denny, Richard Thompson, The Watersons, Martin Carthy, The Strawbs, Maddy Prior, Shirly Collins, Jethro Tull, etc.  With this bunch, you’re going to get a bunch of really old English songs with possibly pre-Christian roots.  The set also includes some Americans incuding Loudon Wainwright III, Blind Boy Grunt (Bob Dylan, but you knew that right?), Joan Baez, John Fahey, and even Mahalia Jackson.  The few spoken word pieces range from Robert Frost reciting “Stopping By Woods On a Snowy Evening” to an excerpt of The Grinch featuring Vincent Price.

    I could go on but Rock Dad has some crafting responsibilities.  Let’s open this up to comments.  What favorites or guilty pleasures do you have?

    I’ll be back soon with Christmas future.  What the heck could that be?  No idea.