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Category: Reviews

music-and-concert-reviews-you-wont-see-anywhere-else

  • MY Best of, Vol. 1: Radiohead


    A column that I hope will become a MHW mainstay is “MY best of”, in which our fine staff of music lovers decides to create their own compilation of a band’s best work…and what better band to start with than Radiohead, who actually have a (non-sanctioned, but isn’t what record companies do when a band leaves their label?) “best of” album out this week. Enjoy! More to come…

    -Ed.

    So EMI have released the first “greatest hits” compilation of Radiohead’s esteemed career, and I’ve gotta say, considering that they’re digging for pennies in an abandoned couch, it’s not too shabby. No matter the circumstances behind this release, you just can’t argue with the power of the songs, though somewhat predictably, the label have taken a safe route, heavily favoring the Bends/OK era (together comprising ten of the album’s sixteen tracks), sparing a few awkward glances toward Kid A & Hail to the Thief, and basically confining Amnesiac & Pablo Honey to the attic and feeding them a bucket of fish heads once a month. Not only is this presentation of Radiohead rather lopsided, but the sequencing kind of sucks too, especially in the latter half (the decision to throw “Everything In It’s Right Place” right after “Street Sprit” was either the work of a complete boob or someone with a demented sense of humor).

    I remember awhile ago Money Mike made his own Prince retrospect in response to a set Warner was pushing at the time. So I figured I’d try and do something similar with the ‘Head’s EMI years, and this is what I came up with:

    1.) Creep (Acoustic) [from My Iron Lung EP]
    2.) The Bends [from The Bends]
    3.) You and Whose Army? [from Amnesiac]
    4.) Optimistic [from Kid A]
    5.) 2+2=5 (The Lukewarm) [from Hail to the Thief]
    6.) Paranoid Android [from OK Computer]
    7.) Idioteque [from Kid A]
    8.) Sail to the Moon (Brush the Cobwebs of the Sky) [from Hail to the Thief]
    9.) Pyramid Song [from Amnesiac]
    10.) Fake Plastic Trees [from The Bends]
    11.) Karma Police [from OK Computer]
    12.) Where I End and You Begin (The Sky is Falling In) [from Hail to the Thief]
    13.) Knives Out [from Amnesiac]
    14.) Just [from The Bends]
    15.) Lucky [from OK Computer]
    16.) Motion Picture Soundtrack [from Kid A]

    There a few holes—many sacrifices, Pablo Honey still gets shafted, enough B-side material to make up a box set (hint hint EMI)—but I was going for a mosaic of the band rather a packaging of their “greatest hits” (and really, have Radiohead had anything in the way of an actual hit other than “Creep?”). So yes, this is what Radiohead means to me after a decade.

    So what do you think? You’re given the Herculean task of compiling Radiohead into a single disc (or with a “bonus disc” if you feel like cheating). What the hell do you put on it?

    -G. Harrell

  • New Music In Stores & Online: 6-3-08: Weezer, Ashanti, Jewel and more!!

    While there aren’t any blockbusters arriving in stores this week, there’s a pretty healthy bunch of new music. Here are some titles you might want to look out for.

    *Various Artists “Now That’s What I Call Music 28”: These compilations have been money in the bank for about a decade, but sales have slipped as the general public has realized that they can download the songs they like individually. Anyhow, this edition is significantly less R&B/hip-hop-centric than it has been in the past, with the likes of John Mayer, Fall Out Boy and Colbie Caillat joining recent hits by Lil’ Wayne, Jordin Sparks and Chris Brown.

    Home

    *Ashanti “The Declaration”: Remember about six years ago, when Ashanti was the hottest thing going? Well, this is her fourth album, and I’m not convinced that anyone really cares. She’s pretty much ditched Irv Gotti, Ja Rule and the Murder Inc. camp on this release, which features guest appearances from Babyface and Robin Thicke. “The Way That I Love You” has not made a lot of noise on the pop front, but it was a Top 5 R&B hit and definitely has one of the more interesting videos of the year so far.

    http://www.ashantimusic.net/

    *Jewel “Perfectly Clear”: A week or so ago, I posted Jessica Simpson’s new single, which found the pop vocalist heading into country territory. Jewel is another female singer who’s decided to do a genre switch (at least for now), and it probably goes without saying that Jewel’s adaptation of country flavors is probably a lot less forced (and a lot less blatantly commercial) than Jessica’s is. At any rate Jewel has never particularly interested me beyond a couple of singles, so I’ll skip this one. It is her first release on a new label, though, which usually means that a greatest hits compilation from her former label probably isn’t too far away. Now that, I’ll pick up.

    http://www.jeweljk.com/

    *Weezer “Weezer (Red Album)”: If you want short, hooky pop/rock songs, Weezer and The Foo Fighters are your best courses of action. Both bands have outlasted their contemporaries simply by doing what they do best. You know what a Weezer album is going to sound like, for the most part…or maybe you don’t! This, their fifth album, finds the band members switching up instruments on occasion and also finds band members not named Rivers Cuomo singing lead. First single “Pork & Beans” is already huge. Expect the rest of the album to follow suit. Also, keep in mind that this album wasn’t even supposed to exist, as the band reportedly split up after the release of 2005’s “Make Believe”.

    http://www.weezer.com/

    Also: Indie-rock darlings The Ting Tings, who recently scored the #1 single and album in the U.K. (as well as a coveted iPod commercial here in the States) release their debut “We Started Nothing” today…metal favorites Disturbed are back with “Indestructible” (alas, it features no Genesis covers)…soul siren (and daughter of the legendary Donny) Lalah Hathaway straddles the line between smooth soul and smooth jazz on “Self Portrait”, her new effort…meanwhile, two popular frontmen do the solo thing: Gavin Rossdale (formerly of Bush, currently Mr. Gwen Stefani) tries to re-establish his music career with “Wanderlust”, while Bret Michaels of Poison tries to capitalize on his reality show success with “Rock My World”.

    Happy shopping!!

  • Winter Doesn’t Quite Move On: Morten Harket Feels My Pain


    Here in Wisconsin, we have a sort of love/hate thing about winter. Back in college, I remember walking to work in bitter cold, with icicles forming in my facial hair and the inner workings of my Walkman freezing to a crawl so that my mix tape sounded like a 45 played at 33. Those mornings are too sad to contemplate further, but as miserable as I was, it also gave me an opportunity to feel all stoic and rugged and butch. For us Midwesterners, the quiet endurance of an extreme winter season is both a burden and a source of pride. Suffice to say that even as May heads into June, there have been frost advisories in America’s Dairyland. Wednesday night, I mowed my lawn in a winter coat. So when they start opening the garden centers at the Home Depots and Shopkos and Wal-Marts, we flock to them like mosquitoes to bug zappers, ravenous for the color green – ravenous for color at all.

    Of course, it could be worse. We could be in Norway. (Actually, many of us are Norwegian.) And the Norwegian trio a-ha captured the poetically fleeting nature of a northern summer gloriously in the video for their 2000 reunion single “Summer Moved On” (which they debuted at the 1998 Nobel Peace Prize Concert). The band will always be best known for their 1985 hit “Take On Me” (and its video), but, even though it wasn’t a hit on these shores, “Summer Moved On” successfully re-established the band as an international pop force, and may, in fact, prove to be just as enduring and classic as their first hit. Both lyrically and musically the opposite of their signature hit, “Summer Moved On” is a languorous contemplation of a relationship’s final days which culminates with cascading strings and Morten Harket’s dramatic falsetto plea to “Stay… don’t just walk away” – how does that man hold his notes? – the song is accompanied by a video depicting a rocky ocean beach strewn with light-starved people waiting for the dawn of what proves to be an excruciatingly brief day.

    Since their reunion, and in between the members’ various side projects – primary songwriter Pal Waaktaar and his wife Lauren Savoy record together under the name Savoy and in 2004 Magne “Mags” Furuholmen recorded a solo album with members of Coldplay – a-ha have released four very good albums (available in the U.S. only as imports) including the double-live set How Can I Sleep With Your Voice In My Head, with a new as-yet-untitled record scheduled to come out this fall. In the meantime, Morten Harket has revived his solo career with a brand new studio album called Letter From Egypt, his first full-length, English-language studio album since 1995’s lovely Wild Seed. The album’s advance single is a typically sweeping ballad called “Movies” (a cover of fellow Norskies the Locomotives’ “My Woman”) which was a top 10 hit in Norway earlier this year. Check out Morten (as hunky as ever) performing the song at last year’s Nobel Peace Prize Concert to an audience which included Al Gore. The album’s second single, the slightly more upbeat and far less engrossing “Darkside” was released in Europe in May.

    http://www.myspace.com/harketmorten

    -P. Lorentz