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Pop Rock Nation

Category: Reviews

music-and-concert-reviews-you-wont-see-anywhere-else

  • When is music not music?

    Ever since I got into “alternative music” (right after college, a LONG time ago!-ed. note, it really WAS a long time ago-), I was fascinated by, well, noise. I think it started off with James White & The Blacks, Suicide, and other NYC “noise bands” who blended “skronk” in with their songs to create a unique hybrid that sure as heck wasn’t going to get played on any commercial radio station. From there, I veered off into SPK, and I found heaven. Their first album (out of print now, I believe) used tapes of mental patients rambling, played over what sounded like people banging on giant metal springs. I loved it! Their sound started to soften with “Auto De Fe”, and they soon morphed into a dance band (?) that got signed to Elektra.

    I continued to pursue the sound of noise, getting into Merzbow, Muslim Gauze & others. I recently got a CD by Whitehouse, a noise outfit from the U.K. that tours rather irregularly. What is it about these bands that I like? Mostly, it’s that they stretch the boundries of what we call “music” to the breaking point. If there are no musical instruments being played (except maybe drums), is it music? Should it be sold in a “music store” (whatever THAT is in 2009…)? My love of music that’s NOT mainstream opened my mind to lots of great music, and the noise genre is among my favorites. I’m not always in the mood to listen to my Sonic Youth/Merzbow CD, but when I am, nothing else will do……

  • The 200-Word Review: Dave Matthews Band’s “Big Whiskey”

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    Much has been made about the spectre of loss lingering over Dave Matthews Band’s new LP “Big Whiskey & the GrooGrux King”. After all, it’s the first album the band’s released since the unexpected death of sax player LeRoi Moore. Truthfully, though, DMB’s no more fixated on loss on this album than they’ve been at any other point during their career, and “Big Whiskey” is by no means a mournful set. The quartet powers through a song cycle that’s more of a celebration of life and love (and sex) than it is about death, with the only obvious nods to Moore’s passing being the sax noodling that opens and closes the album.

    With veteran rock producer Rob Cavallo taking the reins on this album, it retains a shiny gloss while sounding far dirtier than 2005’s overproduced “Stand Up”. Highlights include the wickedly upbeat “Shake Me Like a Monkey”, the uber-jammy “Alligator Pie” (with it’s wildly shifting tempos and semi-nonsense lyrics), the ominous “Time Bomb” (on which Matthews howls Eddie Vedder-style), and the sexy “Seven”, on which Matthews unleashes a playful falsetto. The album flows together nicely, and although a major part of their operation may have departed, “Big Whiskey” finds the DMB in as good a form as they’ve ever been.

  • The Top 100 Songs of the ’00s, #95: “S.O.S.”

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    It’s amazing what producers and songwriters can do to a blank slate. Rihanna’s debut single, “Pon de Replay”, might get my vote as one of the most annoying songs of this past decade. I remember sneering at the TV every time the video came on VH-1’s top 20. However, just one year later, the Barbadian beauty was well on her way to becoming arguably the best singles artist of the decade (she’s the #2 artist on this list, with three songs on the survey). The song thatsent her on her way was this propulsive, sexy jam. Goosed along by a very prominent sample of ’80s classic “Tainted Love” (by Soft Cell), Rihanna channeled her thin voice into an attitudinal, erotic moan that was good enough to make us forget that we were (at the time) listening to a teenager. The song’s flirty, fun vibe took it to the top of the charts, becoming the first of Rihanna’s five chart-toppers this decade, and established her as one of the preeminent female pop singers of her generation.

    So suck it, “Pon de Replay”. “S.O.S.” marked the beginning of pop superstar Rihanna as we now know her, and for that, we as pop music listenerds (that was a typo, but I left it in, it kinda fits) should be quite appreciative.