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Category: News

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  • Ne-Yo’s “Year of the Gentleman”: Miss Independent, Meet Mr. Sensitivity

    In just a few short years, Shaffer Smith (known to most of us as Ne-Yo) has become one of pop/R&B’s most respected songwriters. Since breaking through with Mario’s “Let Me Love You”, the Vegas native has penned songs for acts like Beyonce (“Irreplaceable”), Rihanna (“Unfaithful), Usher, Mary J. Blige and Celine Dion, to name just a few. Unlike most of today’s pop acts, Ne-Yo brings a classicist’s touch to his songwriting. He actually writes stories instead of a few chants wrapped around a hook. Take some of the slang out and he could have been writing in the Sixties or Seventies.

    The man has since pursued a second career as an artist in his own right, with two hit albums under his belt. As a singer and performer, Ne-Yo, like just about every other young male artist in pop & R&B, owes much to Michael Jackson. His high tenor can be compared favorably to “Off the Wall” and “Thriller”-era MJ, and his dance moves are nothing if not Jacksonesque.

    Unfortunately, Ne-Yo’s albums have been a mixed bag so far. While 2006’s In My Own Words was a solid effort that hinted at greatness, 2007’s Because of You was a well-written but somewhat boring follow-up. After that, I wasn’t sure if Ne-Yo had a great album in him…until now.

    Ne-Yo. Photo by Robin Wong.
    Ne-Yo. Photo by Robin Wong.

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  • Is The New iTunes A Stroke of “Genius”?

    Upon downloading the new version of iTunes (which was a chore in and of itself because I was trying to unload the 60MB of music I had stored on my laptop into an external HD), I noticed a new feature that made little musical notes dance around in my head with glee.

    I’m sure that the vast majority of you have already noticed the Genius sidebar that now appears on iTunes. This feature suggests songs by a particular artist that it notices you don’t have on your computer, and it also takes the liberty of suggesting songs for you from other artists. You can even click on a song in your iTunes library, hit the little “Genius” button (it’s a flower-like thingie on the bottom right of your screen, and iTunes will manufacture a playlist of other songs in your library that it thinks fit with the song you’ve originally chosen). Pretty cool stuff, in theory and, to a degree, in practice.

    I polled a handful of MHW staffers to get their opinions on the Genius feature, and almost everyone I spoke to said that they haven’t had enough time to play around with the feature yet. However, one brave soul took some time to tinker with Genius, and this is what they thought. Take it away, Greg.

    I’ve been tinkering with Genius for a couple days now, and it’s not bad, I guess. The best thing going for it is that it’s great for finding rare tracks by your favorite artists. I had no idea Damien Rice released so many non-album songs. So now if I’m in the mood for Damien Rice, but don’t want to play O for the hundredth time, I don’t have to through suffer crappy 9! And I guess if you’re too lazy to keep up with music journalism (though the fact that you’re reading a music blog kind of suggests otherwise) it might introduce you to some cool new bands you haven’t heard of. So yeah, I guess Genius has its perks.

    The playlist feature is kind of disappointing though, since Genius mostly compiles by genre. In other words, if you want R.E.M., Public Enemy, Boards of Canada and The Beatles to occupy the same playlist, then you’re pretty much on your own. That actually reminds me of another problem: the fact that Genius only reads music that’s in the ITunes database. This screws over a lot more artists than you’d think. Foreign bands? Hip-hop pioneers? Self-released albums? The fucking Beatles? Arists who simply haven’t given enough of a rat’s ass to upload their music digitally or god forbid wish you to actually buy the record? All these folks are gypped by Genius. You might say: what the hell do I care that Big Daddy Kane is exluded from Genius? Well, you don’t have to. But I do. And Genius is decent but flawed.

    Um…that saves me from going into a hell of a lot of detail, because, quite frankly, I feel the same way. One of the first things I did was click on a Beatles song to see if Genius would recognize it-didn’t happen. So, if you’re looking for any artist not included on iTunes to either be offered as a suggestion or make their way onto one of your Genius playlists, sorry bro, you’re S.O.L.

    The other thing, as Greg mentioned, is that it doesn’t really make concessions for folks with more eclectic tastes. The first song I made a Genius playlist with was “(You Make Me Feel) Mighty Real” by Sylvester. I was going to the gym and wanted an appropriately high-energy mix without having to scroll through my library and hand-pick tracks. Genius did the trick nicely in that regard. However, in most cases I don’t want to hear 20 disco songs in a row, or 20 of any one genre in a row. If you type in “Tim McGraw”, it makes a country playlist. If you type in “50 Cent”, you’ll get a modern-day hip-hop playlist. But what if you’re one of those guys who listens to Tim McGraw AND 50 Cent?

    Apple notoriously debuts new hardware and software to the public before working out all the kinks, so the fact that there’s a little more work to be done with Genius isn’t much of a surprise. Once the program is configured to include artists who are not yet on iTunes and it makes allowances for folks with somewhat wider tastes than the average person, then it will be worthy of its’ name.

  • Rock On The Charts: Modern & Mainstream Rock Top 10 Charts Wk of 9/20

    (Ed. note-These are the charts that were published last week (Billboard chart date was 9.20 because…well…they’re weird like that. The charts that were published this past Wednesday (9/17) and are dated 9/27…confused you yet?…will be discussed next week!

    …That didn’t clear a damn thing up, did it?)

    *Courtesy of Billboard.com

    Mainstream Rock

    1. The Day That Never Comes/Metallica  (3 weeks on chart, Peak#1)
    2. Bad Girlfriend/Theory Of A Deadman (15 weeks on chart, Peak#1)
    3. Use Me/Hinder (3 weeks on chart, Peak#3)
    4. Believe/Staind (11 weeks on chart, Peak#4)
    5. Rock & Roll Train/AC/DC (2 weeks on chart, Peak#5, ON THE RISE!)
    6. Inside The Fire/Disturbed (24 weeks on chart, Peak#1)
    7. Devour/Shinedown (19 weeks on chart, Peak #1)
    8. Addicted/Saving Abel (31 weeks on chart, Peak#2)
    9. Psychosocial/Slipknot (8 weeks on chart, Peak#8)
    10. I Don’t Care/Apocalyptica Featuring Adam Gontier (11 weeks on chart, Peak#10)

    Analysis: No surprise what the #1 song on the chart is.  Metallica did things right by sticking to their guns, and are rewarded with the #1 mainstream rock song in the nation.  Early reports also indicated they sold a half million copies of their new album, Death Magnetic in only three days which is the highest debut since the Jonas Brothers five weeks ago.  Metallica posted better first week sales on Death Magnetic than they did on their previous stinker, St. Anger.….  Hinder isn’t suffering a sophomore slump with their first hit off their upcoming album.  Use Me sounds more like an old-school 80’s anthem than anything off of their previous album…  AC/DC is back for the first time in eight years and is the biggest mover on the charts rising from 15 to 5 in the span of two weeks.  More radio play will only see the track rise to the top.  I’m curious to see if AC/DC can top Metallica…..  Disturbed’s Inside The Fire has been a mainstay on the charts over the last few months, but will they hit with another single on the album?  Looks doubtful, I think people have moved on.. Slipknot is hot right now coming off a surprise appearance and MTV video nomination for Psychosocial, although this critic still doesn’t understand the appeal of the band…  I’m surprised Buckcherry hasn’t lit up the charts with their new singles Too Drunk or Rescue Me.  Personally, I think they released the album too soon as people are still eating up “Sorry” from the previous album.

    Staind's Aaron Lewis in concert. Photo by hello_anarchy.
    Staind

     

     

    Modern Rock

    1. Believe/Staind (11 weeks on chart, Peak#1)
    2. Let It Die/Foo Fighters (23 weeks on chart, Peak#1)
    3. I’m Not Over/Carolina Liar (19 weeks on chart, Peak#3)
    4. Viva La Vida/Coldplay (14 weeks on chart, Peak#1)
    5. Troublemaker/Weezer (9 weeks on chart, Peak#5)
    6. You’re Gonna Go So Far Kid/The Offspring (7 weeks on chart, Peak#7)
    7. The Day That Never Comes/Metallica  (3 weeks on chart, Peak#7)
    8. Pork & Beans/Weezer (21 weeks on chart, Peak#1)
    9. Inside The Fire/Disturbed (24 weeks on chart, Peak#4)
    10. Addicted/Saving Abel (25 weeks on chart, Peak#7)

    Analysis:  I personally loved the new Weezer album, and apparently so do others as they still have two singles from the Red album on the chart (Troublemaker and Pork & Beans).  Troublemaker has the right formula to be a hit.  Pork & Beans was a fun song, but did very well holding the #1 spot for an entire month…  The Offspring still keeps rolling along as their new single goes up a few spots to #6….Foo Fighters are still seeing success from their album Echoes, Silence, Patience & Grace which was released a year ago.  They have had all three singles (The Pretender, Long Road To Ruin, and Let It Die) hit the top of the charts… Metallica is even appealing to modern rock fans with a song full of guitar shredding.  Nice!!!….  I still don’t understand Staind’s appeal.  Of all those post 9/11 anger rock bands, they seem to be the only one who stuck around using the same formula…Hmm, where is Buckcherry??

                 
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