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Category: News

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  • Chart Chat 1/13/10: All About Ke$ha

    Susan Boyle has finally met her match.

    After a six-week run at the top, Boyle loses the #1 spot on the Billboard Albums Chart to another new female artist. Dance/pop singer Ke$ha opens at the top with her debut album “Animal”. The album scans 152,000 copies in its’ first week out-easily beating Boyle’s total of 93,000.

    As is customary for this time of the year, the chart is very quiet. The next highest debut comes all the way down at #27, where “American Idol” Katharine McPhee debuts with her latest, scanning 15,000 copies. Only a small handful of albums showed an increase over the previous weeks’ sales, with an iTunes promotion being responsible for the biggest increases-for Radiohead’s “Kid A” and Lenny Kravitz’ “Greatest Hits”. The two decade-old albums more than doubled in sales this week, and it’s not a stretch to think that Lenny’s involvement in the leaked Michael Jackson track that briefly lit up the internets last week was also a catalyst in his sales increase.

    Another increase this week occurs towards the bottom of the Top 200, where Vampire Weekend’s debut re-enters at #199, with an 11% increase in scans over the previous week. Look for VW’s sophomore release, “Contra”, to challenge for the top spot next week. However, with Ke$ha being a new artist and people just now finding out about her, she could maintain her stronghold on the top of the charts for a second week.

    Here’s this week’s Top 20:

    1) Ke$ha “Animal”
    2) Susan Boyle “I Dreamed a Dream”
    3) Lady GaGa “The Fame”
    4) Alicia Keys “The Element of Freedom”
    5) Mary J. Blige “Stronger with Each Tear”
    6) Soundtrack “Alvin & the Chipmunks 2-The Squeaquel”
    7) Taylor Swift “Fearless”
    8) The Black Eyed Peas “The E.N.D.”
    9) Justin Bieber “My World”
    10) Lady GaGa “The Fame: Monster”
    11) Rihanna “Rated R”
    12) Michael Buble “Crazy Love”
    13) Young Money “We Are Young Money”
    14) Owl City “Ocean Eyes”
    15) Glee Cast “Glee: The Music Vol. 2”
    16) Eminem “Relapse”
    17) Lady Antebellum “Lady Antebellum”
    18) Carrie Underwood “Play On”
    19) John Mayer “Battle Studies”
    20) Glee Cast “Glee: The Music Vol. 1”

  • First Look: Mike Doughty “(You Should Be) Doubly (Gratified)”

    I’ll admit-I sort of have a mancrush on Mike Doughty. The former Soul Coughing frontman-turned singer/songwriter/electronic musician/DJ/author/blogger has a certain relatability that actually seems to be quite prevalent among his generation’s spate of singer/songwriters. Anyway, Mike’s current album “Sad Man Happy Man”, which was released late last year, is quite a treat, as is the first video from the album-“(You Should Be) Doubly (Gratified)” (Mike is apparently a big fan of the parentheses, as am I). He shot the video in Cambodia (not the world’s most common video-shooting spot), and I think I can safely say that this video is the closest I’ll ever get to Southeast Asia. AOL spinner premiered the video yesterday, and we have it here for you today.

  • Cowell Quits

    Multiple sources, none more important than the man himself, confirmed today that Simon Cowell is leaving American Idol after this season, which starts Tuesday.

    Cowell is regularly chastised for his heavy-handed treatment of contestants on the popular singing show, but is also routinely recognized as the most accurate judge.

    Sonic Clash readers shouldn’t dig too deeply into the tea leaves on this one.  The 50 year old music magnate is the executive producer of the wildly popular show The X Factor, a phrase he tries to insert into Idol commentary every so often.  His Idol contract included a non-compete clause and when Cowell couldn’t get traction on having that clause waived, he announced he would let his contract lapse and bring an American version of The X Factor to Fox.

    As with most things, Cowell’s decision appears to be financially influenced.  As the defacto star of American Idol, Cowell’s compensation is lucrative, but nowhere near as lucrative as executive-producing his own show.  We see this same trend in bands all the time.  The band members who write the songs make more money — a lot more money — than those who only perform.

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