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Category: News

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  • Plastic Or Electronic?

    It was this year, during NFL Conference Championship weekend when I finished a project that I had started several years before. I finally cataloged my entire CD collection by year. No longer did I have tons of plastic cases that attracted dust like the blinds in my living room. CDs were tucked inside plastic sleeves in two binders that could now be filed away in a bookcase. Now what?

    I took a long look at what music meant to me. As a kid, I loved vinyl albums. I have memories of holding huge album covers and tugging the albums out from the inside delicately like they were fine china. But when I really got into music, vinyl became like 8 track and was pretty obsolete, only found in garages, except for the hardest of hardcore music fans who will probably always hold onto theirs. CDs were easier to keep around and sounded clearer. I grew up in the CD era of music. Now, as an adult, that CD era for me might be over.

    After loving the fact that I didn’t have plastic CD cases floating around the living room, I decided that it was possibly time for me to stop buying CDs entirely and focus my attention (and money) solely online. Being that I don’t even own a true CD player any longer, it seemed like the smart idea. Would I miss CD covers and the booklets that come with liner notes? Would I miss going into music stores and carousing and getting lost for hours? Sure I would. But would I really miss the music medium that is the compact disc? I don’t think so. With all of my music now on my computer and iPod, it seemed that all along I was already making the transition. It wasn’t going to be hard at all.

    In an article that I read in The San Jose Mercury News (via The LA Times), a report by the NPD Group stated that 48% of teenagers didn’t even buy one physical CD last year. Now, I’m not sure how the data was gathered, since I know that many parents buy CDs for their teenagers, but still, that number was mind blowing to me. Also, according to the report, iTunes is also now the second biggest music retailer in the US, behind only Walmart. That speaks loudly to me. For instance, my kids recently fell in love with Alvin And The Chipmunks because of the movie that was released to theaters late last year. They decided that they wanted a few of the songs from the movie. I gave them the option of picking out one song each, and had to spend only two dollars to calm their chipmunk appetite. I didn’t have to pay $15 for an entire CD of sped up voices that would probably be overkill in a few days. To me, as a customer, that’s efficiency at it’s finest.

    I know that many music heads will probably never go fully online because there are still things you can’t buy on iTunes that you can find as gems in the 99 cent bin at a music store. And I’ll never be a fan of illegal downloading. But I think more and more folks are thinking of leaving the plastic CD cases behind and going full time to the computer like I just did.

    I’m interested in what others think about the topic. If you have an opinion about it, please drop me a comment below.

  • "Thriller 25": The Funk Of 40,000 Years

    If you listen to pop radio in 2008, you’ve gotta be a Michael Jackson fan. Why? Because if the popular songs of the day don’t sound like Prince, they sound like Michael. Aside from mentioning outright thieves of his look and his sound like Usher, Justin Timberlake and Ne-Yo, everyone from Britney and Beyonce to Jay-Z (“American Gangster has more MJ shout outs than any record I’d ever had) and Fall Out Boy (the rock band who hired soul man and MJ disciple Kenny “Babyface” Edmonds to produce their latest CD) owe The King of Pop a debt of gratitude.
    I could go into more detail about what makes “Thriller” such an iconic album (and a good one, too!!): but you might as well just read this: http://www.popmatters.com/pm/music/reviews/53802/michael-jackson-thriller-25/
    I wrote it, anyway.
    For a list of today’s new releases (besides “Thriller”) go here:
  • Grammys 2008: Really?!? Herbie Hancock?!?!

    So, I braved the NYC elements (it’s 17 degrees over there), hopped on a plane West, checked into my hotel and cleared up some work so I could be back in my hotel room to view the 50th Annual Grammy Awards in their entirety. Considering I shut it off before it even finished, color me a little underwhelmed by a show (and a voting committee) that has gotten better than they were, but still leads all award shows in WTF decisions?

    First of all, I was a little upset by what didn’t happen at the show. A rumored Michael Jackson performance commemorating the 25th Anniversary of “Thriller” didn’t happen (presumably because Michael refused to perform unless he received some kind of award), and an expected fireworks fest between Aretha Franklin & Mary J. Blige didn’t happen due to Mary somehow not appearing on the show (despite wearing two Grammys last night). Not sure what happened, but it’s possible Aretha (who’s back to looking like a Macy’s Thanksgiving Day float after losing a pretty decent amount of weight) ate her.

    The highlights were expected. No one that I didn’t expect to wow me already wowed me. Those “wow” moments? Kanye West’s futuristic performance of “Stronger” with Daft Punk followed by an emotional performance of “Hey Mama” that proved dude could potentially have a singing career as well, and Amy Winehouse’s excellent medley of “You Know I’m No Good” and the now completely ironic “Rehab”. Both also had the best acceptance speeches of the night. Winehouse was quite overwhelmed (and bringing her parents on stage with her was a nice touch), and West was deservedly surly as he started to get played off the stage in the middle of his speech. Vince Gill and Prince also provided chuckles (Prince DOES have a sense of humor) with subtle knocks on Kanye and Sinatra, respectively.

    Everything else was just kind of standard and boring, honestly. I hereby pronounce a future ban on all Beatles tribute unless John and George come back from the dead. I hereby pronounce a moratorium on ANY performances of “No One” by Alicia Keys (who performed the same song on the VMAs in September and the AMAs in November). I fell asleep during the performance by Lang Lang and Herbie Hancock. Musical virtuosity is great, folks. Now try to give us some excitement, k?

    While it was nice to see The Time together, I grinned at the irony of the band playing the instruments on “Jungle Love”, a song that no Time member (except guitarist Jesse Johnson and Morris Day) played on individually. Not to mention the fact that I thought Morris and co-performer Rihanna had no chemistry whatsoever. Ditto for Beyonce and 69-year old Tina Turner, although Tina surprised me by performing with the energy of a woman 1/3 her age.

    My personal biggest offense was this. Since the Grammys appeared on tape delay here at West, I decided to fight temptation and not check any news sites for a winners list. Curiosity got the best of me and I finally broke down and went to cnn.com, where I saw a picture of Herbie Hancock’s grinning mug accompanied by the words “Album Of The Year”. Don’t get me wrong, I dig Herbie Hancock. Although I’ve only heard parts of the winning album, “River” (a Joni Mitchell tribute), I don’t think it’s bad. Besides, how can you be mad at someone who played with Miles Davis? Still, though, in light of excellent albums by West and Winehouse being nominated, the night’s major prize went to the height of fuddy-duddyness, highlighting a problem that’s been Grammy’s Achilles heel for as long as I can remember.

    If you want to bring this show into the 21st century and resonate with music listeners today, it might be time to stop making this show a back-slapping fest for record executives and older artists (especially in light of slumping music sales), and figure out some way to get the voting and nominating committees a little more in step with the times.

    I had high hopes for this show, but in the end, the Grammys turned out to be just another tired award show, and this year’s show was one of the most boring ones I’ve ever had the misfortune to watch.