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Pop Rock Nation

Category: News

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  • FORTY-FIVE REVOLUTIONS PER MINUTE #30: Jackboots & Kilt

    Napoleon XIV's 1966 novelty hit, "They're Coming To Take Me Away, Ha-Haa!"

    NAPOLEON XIV  “They’re Coming To Take Me Away, Ha-Haa!”  b/w “Photogenic, Schizophrenic You” (Eric Records #195, early-’80’s reissue.  Originally released on Warner Bros. #5831, Summer 1966)

    When it comes to artistic integrity, few social groups get maligned as much as the mentally challenged.  Even in this enlightened era of advanced education, when extensive research is being done to comprehend such phenomena as autism, terms like “outsider” still separate the layers of our ability to understand the deeper workings of the human brain.  Probably out of fear.  Fear of discovering that, one way or another, we are all outsiders.

    Early rock performers like Little Richard and Jerry Lee Lewis clearly understood the minds of the mentally challenged.  They knew that there was a little bit of crazy in all of us, that it wasn’t necessarily a bad thing, and that all we had to do was just open up and let it out.  Few later rockers understood this better than The Cramps’ late leader, Lux Interior, whose pure joy in performing for mental patients is chronicled in the stunning Live At Napa State Mental Hospital DVD.  “Finally!” you can imagine the patients thinking as they jump around to the band’s pounding, distorted rockabilly, “Music for ME!  Music that speaks to ME!”

    "...to the funny farm..."

    Back in the Summer of ’66, one record ratcheted up the insanity to previously unprecedented levels when 28-year-old New Yorker Jerry Samuels (under the nom-de-straitjacket, Napoleon XIV) recorded a totally batshit spoken-word ode to a misbehaving, runaway pup.  Released on Warner Bros., it sped to the top of the charts thanks to tons of airplay and just plain utter “gotta-hear-it-to-believe-it” ridiculousness.  Behold the psycho-chaotic masterpiece of marching-band drums, helium vocals and ambulance sirens that is, “They’re Coming To Take Me Away, Ha-Haa!”

    Play \”They\’re Coming To Take Me Away, Ha-Haa!\” by Napoleon XIV

    Not psychotic enough for ya?  Check out the B-side of the original Warners 45, “!aah-aH ,yawA eM ekaT oT gnimoC er’yehT” (which is — you guessed it! — the A-side backwards).

    yalP \”!aah-aH ,yawA eM ekaT oT gnimoC er\’yehT\” yb VIX noelopaN

    Great fun on jukeboxes.  Anyway, my early-’80’s Eric Records (the pre-Rhino Rhino) pressing of ” They’re Coming…” is backed with a later Samuels composition, “Photogenic Schizophrenic You.”  Slightly more melodic and ballad-like than the A-side, “Photo-Schizo” once again employs the device of the narrator blaming the cause of his mental illness on that of another, this time a gorgeous, but of course completely multiplexed, blonde (a stone from which modern gag writers still manage to wring blood).

    Play \”Photogenic, Schizophrenic You\” by Napoleon XIV

    “They’re Coming…” shot to #3 on the Billboard singles chart before insensitivity protests from advocacy groups wiped out the airplay entirely.  Nonplussed, Samuels went on to record two whole albums of nuthouse-inspired novelty tracks for Warners.  These days, like a modern Broadway Danny Rose, he runs the successful Philly-based Jerry Samuels Talent Agency, booking  juggling clowns and one-man-bands into homes for the physically and mentally challenged.  Viva Napoleon!

    NEXT WEEK: I’m not a sailor, I’m the captain.

  • First Look: Eminem’s “We Need You”

    eminem

    Honestly, Marshall? No, we don’t. Not anymore, anyway.

    Mr. Mathers has been sliding down the slippery slope of suck ever since peaking with “The Marshall Mathers LP”, which celebrates its’ 9th birthday in a month or so. Not to say Eminem has lost his gift of gab-he’s just been at a loss for interesting subject matter. The more of a star he became, the less righteous rage he could muster up. This is why his last studio album, “Encore” (which is nearly five years old now), struggled to stay afloat. For every righteously indignant masterpiece like “Mosh”, there were twice as many pee and poo jokes-things that might have been appropriate for Em’s daughter Hailie, but not for the hip-hop fans who’d anointed Slim Shady one of the best emcees of all time.

    Those of you that thought a few years off might recharge Eminem’s creative batteries? Sorry, y’all. “We Need You” finds Eminem right where we left him. His flow is still ridiculous, but who told him to keep rhyming in that idiotic Triumph the Insult Comic Dog voice? Who told him that people still care about Jessica Simpson? (surely, he must read Billboard). Just like the first singles from each of his past three LPs (I say that since we don’t know where “Crack a Bottle” will end up), Eminem has gone ultra-pop and has resorted to cheap jokes to grab a hit, and the sad thing is, he still has a ton of fans who will eat this shit up. It’s sad.

    You can check out this piece of hot garbage here on MTV.com.

  • New Release of the Week 4/7/09: Rascal Flatts

    flattsBased on this week’s articles so far, you might think we’ve turned into a country website. Never fear, the cowboy hat is only temporarry, but country music informs this week’s new release column as well.

    Fresh off their ACM win for Best Country Group (unseating Brooks & Dunn after something like 14 straight wins), Rascal Flatts release their new album, “Unstoppable”, today. Now, I don’t have a problem with these guys per se. Let’s face it, most modern country acts are pretty vanilla. But, as I’ve said in a column before, Rascal Flatts is basically *Nsync with tight jeans and cowboy boots. I’ve honestly got no desire to seek out music by them, but if something’s playing, I won’t change the station. Nevertheless, these guys sell kajillions of records without my help. Watch for them to challenge U2 for the best-selling first week of the year so far.

    Here are some of today’s other hot releases:

    Billy Ray Cyrus “Back to Tennessee”– Talk about improbable comebacks. Turns out all Billy Ray Cyrus had to do to remain relevant was cut his mullet off and have a kid. Since Miley’s career blossomed two or three years ago, Billy Ray has undergone a career resurgence. “Back to Tennessee” is poised to continue that hot streak. Not so coincidentally, it contains duets with Miley, as well as a song that will be featured in Miley’s upcoming “Hannah Montana” movie.

    Fat Joe “Jealous Ones Still Envy 2”– Fat Joe is one of those guys who has just kinda stuck around for no good reason. A couple of catchy singles here and there shouldn’t take away from the fact that Mr. Cartegena is pretty much a one-note rapper. A head-scratcher in my eyes is how he seemed to improve as a rapper as soon as Big Pun came on the scene. While I believe that the man hires some solid ghostwriters, that has yet to be proven. “J.O.S.E. 2” features guest appearances by (surprise) Akon, (bigger surprise) T-Pain, and (oh my God!) Lil’ Wayne

    Jadakiss “The Last Kiss” -Five years between albums for a moderately successful rapper should be a career-killer, and I don’t think anyone expects the former LOX member to break any sales records with this album-he’s simply been away for too long, and as everyone knows, the tastes of rap fans are very fickle. “The Last Kiss”, his first album for Roc-a-Fella Records (does Jay-Z even have anything to do with this label anymore) thankfully does not feature Akon, T-Pain or Lil’ Wayne, but does feature Ne-Yo, several members of the Wu-Tang Clan, and Faith Evans on “Letter to B.I.G.”, which was released earlier this year on the “Notorious” soundtrack.

    Jason Aldean “Wide Open”– Quiet as kept, Aldean’s career has gotten off to a pretty solid start. His 2005 debut went Platinum, and the follow-up went Gold. Current single “She’s Country” has blasted up the charts, which augurs good things for his third album. Will this album bring Jason up to the ranks of guys like Kenny Chesney, Tim McGraw, Keith Urban and Brad Paisley? Hard to tell, but this is one to definitely keep an eye on. He’s pretty easy on the eyes, too.

    James Taylor “Other Covers”– I love JT. Really I do. But damn man, think of some more original album titles, PLEASE. His first covers set, released last year, was called simply “Covers”. So he’s releasing a follow-up EP and what does he call it? “Other Covers”. Maybe his next album will be called “Album”. Or “Songs”. Anyhow, Taylor’s getting a little soulful here. Among the songs he tackles are Wilson Pickett’s “In the Midnight Hour” and Eddie Floyd’s “Knock on Wood”. I just got a mental picture of JT doing “Knock on Wood” in disco style a la Amii Stewart. Gave me a little chuckle. Ha.

    You can get a full list of today’s releases here.