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Category: News

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  • Introducing: Nightwood

    Ahhh…remember that brief moment in the mid Nineties when female-fronted rock bands were the rage? The emergence of the riot-grrl movement went hand in hand with the first wave of bands inspired by mixed-gender ensembles like The Pixies, and ushered in a new age of women who aren’t afraid to pick up their guitars and rock out with their co…hmmm, perhaps I should rephrase that.

    In the spirit of those bands (and in an age where we seem to need them more than ever, since most women in pop and rock have put down the guitars and adjusted the push-up bras), I introduce you to Nightwood. They rock. They contain 2 girls (who sing and play guitars) and a guy (who plays drums). They’re Canadian. Granted, our neighbors to the north have given us Celine Dion and Nickelback, but they’ve also given us Neil Young and Joni Mitchell! And Rush! I’m not quite sure why I’m making these comparisons…they sound nothing like any of those artists. Totally indie, totally cool, and maybe a little bit strange, this band’s music is definitely worth a listen to those of us who crave a little adventure in our musical excursions. It’s a little Pixie-tastic mixed with some Breeder-ific with a little bit of Sleater-Kinney-ness mixed in.

    If that doesn’t grab you, maybe the fact that member Amber Goodwyn runs a “pansexual smut zine” (their words, not mine) called lickety split (be forewarned…there be naughty bits there!!-18 and over please) might turn your crank. Either way, these folks are a welcome dose of offbeat from the country that gave us Anne Murray and Alan Thicke.

    You can check out their debut, “Big City E.P.” on your local digital music retailer (wait, there’s no such thing as a “local” digital music retailer…buy it on iTunes or Napster). While you’re at it, you might also want to check out their site.

    Hey! They also have a video!! Watch “Cave of the Spleen” below:

  • R.I.P. Leroi Moore: 1961-2008

    As a veteran of Dave Matthews Band concerts that now run into the double figures, I am completely shocked and saddened to hear of the passing of DMB’s saxophonist Leroi Moore, apparently from complications arising from an ATV accident that occurred in June. I’m struggling to describe what Leroi’s contribution with the band was, not because it was minimal, but because each of the band’s five members contributed so much. It’s hard to imagine the band’s sound without any of the five individual members. This is definitely a blow. My condolences go out to Moore’s family and everyone in the DMB camp.

    http://www.davematthewsband.com/

  • The Infatueighties Countdown: #94: “I Can’t Wait”

    Ummm…what to say about Nu Shooz? They were a husband and wife duo from Portland, OR…not exactly a dance music hotbed. However, their biggest hit, 1986’s “I Can’t Wait”, is one of the most memorable dance records of the decade. Makes perfect sense, right?

    The cover of Nu Shooz\'s hit single \"I Can\'t Wait\"

    I don’t know how you can listen to this song and not feel good. The bassline is made for bopping your head (or doing the wop), Valerie Day’s vocal is playful, and then you’ve got the silly synthesized…thingies…I don’t know what they’re called but you know what I’m talking about.

    Despite the fact that they are best known for “I Can’t Wait” (which was popular around the same time Stevie Nicks had a hit song with the same title), Nu Shooz had two pretty good follow-up singles. “Point of No Return” (which was almost as catchy as its’ predecessor…and was popular around the same time Expose had a hit song with the same title…) and the moody ballad “Should I Say Yes” (which did NOT have a competing song with the same title).

    So, what’s my point?? Hell if I remember. Just watch the damn video.