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Author: Paul Lorentz

  • New Single! Bruce Springsteen “We Take Care of Our Own”

    New Single! Bruce Springsteen “We Take Care of Our Own”

    Bruce Springsteen’s latest single is called “We Take Care of Our Own”. The first single from his forthcoming album Wrecking Ball (due out March 6), it’s been out for about a month now, but it got a boost earlier this week when Springsteen and the E Street Band opened the Grammy Awards broadcast with a rousing performance of it – I believe (could be wrong here), the first televised appearance by the band since the death of saxophonist (and spiritual leader) Clarence Clemons last spring. Their performance was loud and triumphant, and the song itself harkens back to the band’s anthemic stadium rockers of the 80s – songs like “Hungry Heart” and “Glory Days” and, of course, “Born in the U.S.A.”

    I’ve always been more a reluctant Springsteen fan than a true believer. As much as I loved hearing those songs from the Born in the U.S.A. album on the radio, I never actually bought the album – which, having generated no fewer than seven Top 10 singles, was virtually a greatest hits comp – until much later. Even when I did, I rarely listened to it.

    Wherever This Flag's Flown…
    I have a theory about this. Springsteen has certainly put out some intimate, personal, quiet records, but his most popular ones – specifically Born in the U.S.A. – almost require a communal experience in order to work. You can’t – well, I know I can’t – plop Born in the U.S.A. on the turntable and sit down by myself and just listen. It’s a sound that needs some kind of public space and some kind of crowd to really get across and be heard properly, whether that space is a packed arena and a fist-pumping audience, or the virtual space of a broadcast for a crowd of TV viewers or rush hour commuters, preferably with the volume turned up and the windows rolled down. (I just checked, and it appears that at some point, I got rid of my Born in the U.S.A. CD. I’ve never missed it. After all, its songs still get play on the radio.)

    This might also explain why a politician might gravitate to Springsteen’s songs. They sound great at rallies! They’re the audio equivalent of blue jeans and rolled up sleeves. It’s music that brings the people – both bourgeoisie and rebel – together. Hearing the E Street Band, still recovering from their own personal loss, playing “We Take Care of Our Own” to a crowd still reeling from the sudden death of an industry icon; listening to the song’s determined stomp, its optimistic chimes, and its purposeful titular declaration, a thought occurred to me: how long before a Republican presidential candidate uses “We Take Care of Our Own” at a campaign event, totally missing the irony?

    Like many of Bruce Springsteen’s most popular songs, “We Take Care of Our Own” is like a Southern Baptist sermon delivered in Arabic

    It wouldn’t be the first time this year. Mitt Romney’s already run afoul of rapper K’Naan by using the song “Wavin’ Flag” during his Florida primary victory speech. (K’Naan, a Canadian Muslim who was born in wartorn Mogadishu, Somalia, was understandably upset to hear the message of his song co-opted by an overprivileged white American corporatist who proudly claimed to be not concerned with the very poor.) Nor would it really be the first time conservatives have embraced Springsteen. Born in the U.S.A. was released right into the ’84 election season (y’know, the one that brought us the 49-state landslide victory for St. Ronald), and Reagan and his backers boldly appropriated the patriotic sound of Bruce’s message while missing the message itself entirely.

    One could almost have forgiven them their cluelessness back in the 80s. The sound of Born in the U.S.A. is Republican catnip. and whatever political implications one might have drawn from his songs, Springsteen himself largely kept out of politics (until 2004, when he joined John Kerry at some campaign events – in 2008, he publicly endorsed Barack Obama). Like Southern Baptist sermons preached in Arabic, his songs expressed liberal (particularly unionist) sentiments using conservatives’ language: they are crowd songs, they have a patriotic, anthemic feeling; you can wave the American flag to them; you can sing along with them the first time you hear them. His latest is just one more example of that. As triumphant (and triumphalist) as it may sound, “We Take Care of Our Own” is not a song about how we as a country actually “take care our own.” It’s about how we’ve failed to.

    So, note to Ron Paul: when you’re giving that victory speech in Maine this weekend to those die-hard supporters who admire the purist libertarian stance you champion: step away from the Springsteen. Try some Kelly Clarkson instead. Her songs also sound pretty good in crowds, and (bonus!) she knows a thing or two about winning votes.

  • Eurovision 2012 Update: Denmark! “Should’ve Known Better”

    Eurovision 2012 Update: Denmark! “Should’ve Known Better”

    Denmark, Represent!
    Another day, another Eurovision entry! This week, the good people of Denmark delivered their final answer on who will represent them in this year’s Eurovision Song Contest in Baku, Azerbaijan. Meet Soluna Samay, and listen to her winning song, “Should’ve Known Better”:

    Aside from the requisite tailed military jacket (Eurovision visuals often tend to totalitarian homage), this is a totally credible pop song. I can easily imagine this getting play on the radio between Colbie Caillat and Kelly Clarkson.

    About Samay: She’s 21, the daughter of a German musician, and fluent in four languages, having been born and raised in Guatemala and educated in the U.S. Soluna Samay was virtually a musician at birth; she started learning instruments, singing and writing songs as a very small child, and while still a middle-schooler, she released a single called “I Wish I Was a Seagull.” Did I mention that Soluna’s first name is a mash-up of the Spanish words for “sun” and “moon”? Seriously, you need to watch this:

    “I Wish I Was a Seagull” (2003)

    Almost makes Rebecca Black look like Mariah friggin’ Carey. Clearly Soluna’s gotten better as she’s grown up. Let that be a lesson to the Rebecca Black haters.

    In the years since “Seagull”, Samay’s recorded numerous albums with her father, Gee Gee Kettel. Last fall, she put out a solo album (which is available commercially for download here in the U.S.) called Sing Out Loud. It’s recommended listening for those of us who miss the old Jewel. Actually, I don’t really miss the old Jewel, but her influence is evident in Samay’s music, and I really like Samay. She’s got a similar coffeehouse-folkie twang in her singing (in 2008, she and Kettel put out an album of covers including songs by CCR and The Band), and the same diary entry lyrical style. There have already been three singles released from Sing Out Loud, but the first one is my favorite:

    “Two Seconds Ago” (2011)

  • New Single! Bonnie Raitt “Right Down the Line”

    New Single! Bonnie Raitt “Right Down the Line”

    Bonnie Raitt's New SingleAs we saw on Sunday night at the Grammys, when she did a duet with Alicia Keys in tribute to the late Etta James, Bonnie Raitt‘s just got one of those ageless, unchanging voices – it’s comfort food for the ears: homey, understated, and warm. But it wasn’t just a wonderfully random thing that she showed up to perform on the industry’s biggest night. Bonnie’s got a new album coming out, set for release on April 10 – her first new studio album in seven years. It’s called Slipstream, and the first single from the album was released for downloads last week. The song is a cover of “Right Down the Line”, the 1978 hit by Gerry Rafferty, who passed away last year at the age of 63.

    The song’s a personal favorite of mine from Rafferty’s classic album City to City (which also featured his signature solo hit “Baker Street”) – a song expressing steadfast love and appreciation: “I just want to say: this is my way of telling you everything I could never say before. This is my way of telling you that every day I’m loving you so much more.” Raitt’s voice, with its matter-of-fact strength and earthy candor, is uniquely well-suited to such a sentiment, and she gives the song a light ska-flavored rhythm. Listen here:

    And here’s the Gerry Rafferty original: