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Pop Rock Nation

Author: Pop Rock Nation

  • A Mocha Latte And A Case of You

    Paul mcCartney on stage

    I guess these two interesting things are sort of related…
    Well, folks, in a lead up to iTunes’ most popular holdouts-The Beatles-finally allowing their music to appear for purchase on the site (my spidey sense tells me that it’ll happen right before the lucrative holiday season), John Lennon’s solo work is now available. This follows Paul McCartney’s Apple/Capitol work being made available earlier this summer. The countdown to being able to download “Hey Jude” (and make Paul, Ringo, Olivia Harrison, Yoko Ono and Michael Jackson a LOT more money) begins now…

    Joni Mitchell

    Speaking of Paul, there was quite a hubbub earlier this year when Paul jumped from Capitol, which had (aside from a stint with Columbia in the early/mid Eighties) been his recording home for 40+ years to Starbucks’ Hear Music imprint. It proved to be a smart move for Macca, as his latest album, “Memory Almost Full” has, in about 10 weeks, almost outsold what his previous albvum, “Chaos & Creation in the Backyard” has sold in two years. Of course, where one starts, others follow, and fellow legendary artists Joni Mitchell and James Taylor are now both signed to Hear Music, after lengthy stays with Warner/Reprise and Columbia, respectively. This should be an interesting litmus test, especially with a notoriously prickly artist like Joni (it strikes me as kind of strange that she would align herself with a company like Starbucks, but then again, despite her grande dame singer/songwriter status, she has complained long and hard about her treatment in the record industry). At any rate, while JT could probably sign to any label in existence and sell hundreds of thousands of albums to his fervent (and record-buying) fan base (which includes me), I scratch my head wondering whether Joni will do the promotional work that would be needed to make her album a success.
    These three career artists jumping ship (along with the rumor that Madonna will be parting with Warner Brothers after a quarter century) makes me wonder who the next artist to move to Starbucks will be. And with McCartney’s success still fresh, will other companies follow suit? Is it too farfetched to think of McDonald’s or Radio Shack forming record companies and selling CDs? Who knows??

  • The Year Of The Comeback (With More To Come)

    2007 has been chock full of comebacks and reunions (The Police?? Genesis?? The Spice Girls!!). Now, it looks like two more are headed towards us this fall.

    New Kids On The Block

    The Backstreet Boys (remember them?) have a new single hitting radio at the end of the month. It’s pretty ballsy of BSB to return at a time when they’re essentially the last boy band standing. Also hard to believe that it’s been a decade since they exploded onto American airwaves with “Quit Playing Games With My Heart” and “As Long As You Love Me”. Not sure where they fit in today’s pop environment, not sure how they’ll do as a quartet (Kevin Richardson has split from the band), and REALLY not sure, based on one publicity photo I’ve seen, how their imagery is gonna work. Do the little girls who bought their alGarth Brooksbum ten years ago and are now young women still care? I guess we’ll see!!

    More interesting, in my opinion, is a series of rumors that suggests that Garth Brooks will officially be returning to the scene after a five-year hiatus. A new Garth release is sure to breathe some new life into the music industry-after all, he was the biggest selling artist of the Nineties. I’m sure country radio will welcome him back with open arms, as will any label he decides to sign to…if he chooses to go that route. A couple years back, Garth released a set of B-sides and unreleased tracks via a deal with Wal-Mart, and there are rumors that Garth might be distributing this one himself. Hell, it’s not like he needs the money, right?
    Makes me wonder what other reunions or comebacks could be in the offing…

  • This Year-The Moonmen Bring Sexy Back

    The MTV Video Music Awards are pretty formulaic. To the surprise of no one, Justin Timberlake and Beyonce walked away with the lion’s share of nominations, with seven apiece. Not to say Justin didn’t deserve his…”What Goes Around…” was a pretty damn good video! But nothing about any of the videos B made in the past year really turned my crank, unless you count that “Beautiful Liar” video with Shakira, which was just as good with the sound off, if you catch what I’m throwin’ atcha.

    Last year presented a few surprises because the awards were wholly voted on by the fans, which meant that bands like My Chemical Romance and Avenged Sevenfold got face time they may not have gotten otherwise. This year is also fan-voted, so let’s hope that they get creative this year as well. It would be nice to see the multi-nominated Amy Winehouse win some awards, not only because she’s excellent, but because I imagine her salty acceptance speeches would enliven up the show a bit. Hell, Kanye’s good for unpredictability, and while I’m not sure why he’s nominated (didn’t “Stronger” just come out, like, a couple weeks ago?)…I anticipate his performance, and hopeful acceptance speech.

    Looks like they’ve eliminated the genre-specific categories this time around (guess that makes it easier, considering how little videos MTV actually plays nowadays), but if you’re going for a little bit of not-as-mainstream love, there are still some bubbling under acts that got some MTV love (hey, the station still wants to be known as being at least a little edgy amid all the “Laguna Beach” marathons). French band Justice is nominated for their clip “D.A.N.C.E.”, which won the Vid of the Year award at the MTV Europe awards and caused a drunken Kanye to go on an ODB-style tirade. Swedish newcomers Peter Bjorn & John are nominated for Best New Artist for “The Young Folks”. Hey, even Best Group nominees Gym Class Heroes could be considered underdogs.

    Anyway, find the full list of nominees at www.mtv.com.