web analytics

Author: Pop Rock Nation

  • New Releases 4/15/08: The Emancipation of Mimi’s New Album

    Yep, it’s April 15th. Hope your taxes are done! With freshly received refunds in hand (hopefully), let’s mosey on down to the record store, shall we? Here’s what’s new this week.
    Mariah Carey-E=MC2: The most highly anticipated release of the year thus far has finally arrived, and I’m sure Mariah is having a good laugh thinking about the fact that five years ago, her career was considered dead. At any rate, her 10th studio album features Mariah’s usual mix of hip-hop influenced club bangers and emotional ballads. Guests include Young Jeezy (ugh), T-Pain (ugh) and Jermaine Dupri (ugh). It’s still my contention that Mariah has yet to make a definitive album, and that the best album she’s released to date has been her first, but I must say that I’m fairly intrigued here.
    The Naked Brothers Band-I Don’t Want To Go To School: Is it me, or is The Naked Brothers Band the most inappropriate band name for a bunch of pre-teens in recorded music history? That’s just inviting the pedophiles to come on board. Anyway, from the little I know about these kids, they’re Nickelodeon-endorsed, and they’re sort of like a more garage-y, less talented version of “Mmmbop”-era Hanson. The little girls will go apeshit for this, I’m sure.
    Apocalyptica-Worlds Collide: I thought these guys were just a vaguely classical Metallica tribute banc, but they’re so much more! Well, the cellos are still there, but this album from the Finnish (I believe) metal album contains all original material, and also features guest appearances from Slipknot/Stone Sour’s Corey Taylor as well as the lead singers from Three Days Grace and Lacuna Coil, making this sort of a new-metal (as opposed to nu-metal) all-star album.
    Everclear-The Vegas Years: At least five if not ten years past his sell-by date, Art Alexakis and his rotating group of bandmembers are back on a major label (after a one-album detour into indieville) and they’re releasing that old standby-a covers album! It looks like the thrust here is pop/rock of the Seventies and Eighties, with Thin Lizzy, The Go-Gos and Hall & Oates among the artists/bands covered.
    Also in stores this week: a new one from WB-endorsed rockers Phantom Planet, new country act Lady Antebellum (whose name makes them sound like the latest U.K. rap phenomenon), a new album from jazz vocalist Dianne Reeves, the debut album from Jordan Zevon (son of the late, legendary Warren Zevon), a new album from William Shatner (which finds him reading the book of Exodus!), and the long-awaited, much-anticipated return of White Lion (remember them? This might jog your memory: http://youtube.com/watch?v=oUR86bnKLaI)!!!
    Happy shopping, people.
    Oh, and get a full list of this week’s releases here: http://www.pauseandplay.com/cdfront.htm
  • Dear Alicia: Are Those Keys Wound A Little Too Tight?

    Probably Alecia Keys

    So, folks are buzzing about some comments made by Alicia Keys in her interview featured in the latest issue of “Blender” magazine.

    (You can find a portion of the interview here:http://www.blender.com/AliciaKeysUnlocked/articles/22761.aspx)

    At any rate, here are a couple of Alicia’s quotes:

    “Gangsta rap was a ploy to convince black people to kill each other”.

    She also says that the East Coast/West Coast rivalry that eventually claimed the lives of The Notorious B.I.G and 2Pac was perpetuated by the government and the media “to stop another black leader from existing”.

    http://www.foxnews.com/story/0,2933,350916,00.html

    While it might be easy to dismiss her remarks out of hand, there are truths hidden in each of her statements.

    Gangsta rap (as with hip-hop in general) initially gave a much-needed public voice to disenfranchised black youth. Once artists like N.W.A. started seeing dollar signs, they went from being the disenfranchised black youth to exploiting disenfranchised black youth. Compare “Straight Outta Compton” with “Niggaz4life”. Both are based on reality, but the two realities are completely different. One is the viewpoint of the kid on the street trying to make people listen, the latter is the viewpoint of a superstar entertainer whose removed himself from that street and is now revelling in his spoils. As my friend Bryan (who I don’t always agree with, but usually makes valid points) has stated (and I paraphrase here), at some point it went from education to exploitation. And the majority of it is willful self-exploitation. Gangsta rappers are selling out their own. Soulless artists like 50 Cent, Fat Joe, Rick Ross, Lil’ Wayne and others promote violence, drug addiction and even gang ties (in how many interviews has Wayne admitted to being Blood-affiliated?), and something tells me that there’s no all-seeing “The Man”-type person behind the scenes pushing them to say what they say. And even if we’re gonna blame the suits behind the record companies for promoting this stuff, L.A. Reid is just as guilty as Jimmy Iovine, you know what I’m saying? At any rate, gangsta rap might not be an actually thought-out ploy to say “Hey, let’s release this music and watch the niggers shoot each other silly”, the artists are definitely complicit in the acts of violence that threaten urban communities, and the “cool” factor of selling drugs, violence, etc.

    The second statement is a little less easy to explain away. While she gains points right away for suggesting the obvious (that the Big/Pac donnybrook was media-perpetuated), she loses major points by using the phrases “Notorious B.I.G” and “black leader” in the same sentence. While Tupac was undoubtedly charismatic, political and intelligent (before he became Suge Knight’s bitch), Biggie had no political opinions or aspirations whatsoever. While it’s tempting to say that Tupac would have matured into a black leader (he certainly had the skill set to), I think lumping Biggie in there is a bit laughable (hey, I love the man’s rhymes, but I didn’t listen to them to gain any profound social or political insight).

    I think Alicia’s a little misguided (and certainly stands at risk of losing a substantial amount of her fan base), but I wouldn’t say her comments are entirely off-base. There’s a little bit of truth in every wacky statement, isn’t there?

  • Chart Chat: Radiohead, Van Morrison and More!

    Hey kids, courtesy of the good folks at Billboard magazine, here’s this week’s Top 20 singles and albums!!
    Top 20 Albums:
    1) Troubadour-George Strait
    2) Accelerate-R.E.M.
    3) Now That’s What I Call Music 27-Various Artists
    4) Day26-Day26
    5) Alvin & The Chipmunks-Soundtrack
    6) Still Da Baddest-Trina
    7) Welcome To The Dollhouse-Danity Kane
    8) Saturday Nights & Sunday Mornings-Counting Crows
    9) Trilla-Rick Ross
    10) Keep it Simple-Van Morrison
    11) Shine a Light (soundtrack)-The Rolling Stones
    12) Pretty. Odd.-Panic at the Disco
    13) Sleep Through the Static-Jack Johnson
    14) Attack & Release-The Black Keys
    15) Mail on Sunday-Flo Rida
    16) Taylor Swift-Taylor Swift
    17) Little Voice-Sara Bareilles
    18) Consolers of the Lonely-The Raconteurs
    19) Vol. 7: Hope & Sorrow-Sevendust
    20) Good Time-Alan Jackson
    Top 20 Singles:
    1) Touch My Body-Mariah Carey
    2) Bleeding Love-Leona Lewis
    3) 4 Minutes-Madonna feat. Justin Timberlake
    4) Lollipop-Lil’ Wayne feat. Static Major
    5) Love in this Club-Usher feat. Young Jeezy
    6) Sexy Can I-Ray J feat. Yung Berg
    7) No Air-Jordin Sparks & Chris Brown
    8) With You-Chris Brown
    9) Love Song-Sara Bareilles
    10) Low-Flo Rida feat. T-Pain
    11) Don’t Stop The Music-Rihanna
    12) See You Again-Miley Cyrus
    13) Stop & Stare-OneRepublic
    14) Apologize-Timbaland feat. OneRepublic
    15) You’re Gonna Miss This-Trace Adkins
    16) Superstar-Lupe Fiasco feat. Matthew Santos
    17) Independent-Webbie, Lil’ Boosie & Lil’ Phat
    18) No One-Alicia Keys
    19) Beat It-Fall Out Boy feat. John Mayer
    20) Sorry-Buckcherry
    It’s a good time to be a Rock ‘n Roll Hall of Famer on the album charts this week: R.E.M. debut at #2 and score their highest charting week and biggest sales week since 1996’s “New Adventures in Hi-Fi”. Meanwhile, Irish troubadour Van Morrison scores the highest chart position of his 40-year career with “Keep it Simple”.
    On the singles chart, it’s worth mentioning that “Nude”, at #37, is Radiohead’s first Top 40 single since “Creep”, their debut single back in 1993!!
    The TV was on while I was doing chores yesterday, and I swear that between VH1-Soul, MTV Hits, MTV Jams and VH-1 proper, I saw the videos for “No Air” and “Love in This Club” a grand total of 1,000 times.
    Here’s the American Idol performance of “No Air”. Back when Chris first came out, I was unsure if he had staying power, but this kid is the real deal. I’m not sure why they felt the need to lip-sync only the pre-chorus though.
    …and the video for “Love in this Club”, which looks remarkably similar to the video for “Yeah!”. I love this song (even though I can definitely do without Young Jeezy). However, given the box office receipts for “In The Mix” and “Light it Up”, should someone send Ush the message that he should maybe stop acting?
    Elsewhere, “Beat It” enters the Top 20 via Fall Out Boy, marking the third cover/major sample of a “Thriller” song to hit the Top 20 this year, following Rihanna’s “Don’t Stop The Music” and Kanye West’s “Good Life”. For those playing at home, if the year was to end today, “Thriller” would be 2008’s 6th best selling album.
    Hmmm…maybe Panic at the Disco (who plummet 2-12) should have changed their album title to Pretty. Over.
    Next week, there’s a good chance Brit Leona Lewis will debut at #1 on the album charts as well as re-planting herself at #1 on the singles chart, making her the first British female ever to score a #1 album! Stay tuned…