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Pop Rock Nation

Author: Money Mike

  • Chart Chat 6/10/09: The GrooGrux King is On the Throne

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    It’s a good week to be Dave Matthews. His band’s album “Big Whiskey & the GrooGrux King” makes a grand entrance at the top of the Billboard charts this week. DMB scores the 3rd biggest first week of the year (behind Eminem and U2), with over 424,000 folks picking the album up last week. It’s DMB’s fifth consecutive album to debut at #1 on the charts. Interesting to note that the three biggest sales weeks of the year have come from veterans, all with over 10 years in the industry. Are newer artists just not coming with good music, or is there just a different concept of fan loyalty with the newer generation?

    It’s a pretty big week for debuts, with 311’s new “Uplifter” coming in at #3, the supergroup Chickenfoot at #6, and the new one from Taking Back Sunday right behind at #7. Rancid’s return to the indie label world nets them a #11 debut, Elvis Costello pops in at #13, and Mitchel Musso (I don’t know who he is, but I guess I’ll find out) enters at #19.

    At this time last year, only one album had crossed the million-selling threshold (Jack Johnson’s “Sleep Through the Static”). In what must be good news for the ailing indistry, two albums have passed the million mark so far (Taylor Swift & the “Hannah Montana” movie soundtrack), and Eminem will jump past the million-sold mark next week.

    Speaking of Slim Shady, his much discussed incident with Sasha Baron Cohen wasn’t the only highlight of the MTV Movie Awards. Kings of Leon’s performance catapults them from #15 to #12 on a 50% increase in sales. This is the highest chart position yet for “Only by the Night”, which is already the band’s best selling album. Multiple award winner “Twilight”‘s soundtrack also shows some life, jumping two places to #15 on a 19% increase.

    Kings of Leon have the third biggest increase of the week, following singer-songwriter Matt Nathanson (with a 69% increase) and British soul singer James Morrison, whose sales jump a whopping 232% to send him back onto the chart for the first time in a couple of months.

    Is it too early to consider Green Day’s “21st Century Breakdown” a flop? I mean, in this day and age any album that crosses Gold territory in four weeks can’t be a total failure, but I think the general consensus is that better sales out of the gate were expected following the success of “American Idiot”. New single “21 Guns” is right in the pocket of pop and rock radio, so I wouldn’t count these guys out yet.

  • The Top 100 Singles of the 00s #93: “A-Punk”

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    Vampire Weekend’s debut album represented a rare thing in indie-world…an album living up to its’ hype. The four Columbia University alumni who made up the band had been rhapsodized so much in the blogosphere prior to the release of their self-titled debut that some folks hated it out of spite. Too bad for them, because I still think “Vampire Weekend”, track for track, is the most enjoyable album of 2008. “A-Punk” is one of it’s best songs. African guitar meets a pogo-punk tempo? Awesome. And it’s only 2 1/2 minutes long…the perfect amount of time for a song to get stuck in your head without overstaying it’s welcome.

    If you haven’t heard these guys before, take a listen and try not to dance. Pretty sweet video, too.

  • New Release of the Week 6/9/09: Teena Marie

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    Former protege of Rick James, vanilla soul sister, the one and only Lady T. Whatever you call her, Teena Marie is back with her first album in four years, “Congo Square”. The first single, “Can’t Last a Day” has already made noise at urban radio, and with a guest lineup including MC Lyte, Howard Hewett and Faith Evans, it’s sure to spawn even more hits. The R&B scene has been extra-weak so far this year, so here’s hoping Teena’s new album is the kickoff for a good second half of the year on the soul music front.

    Here’s what else comes out tomorrow:

    Mos Def The Ecstatic– After wowing us ten years ago with “Black on Both Sides”, Mos confused us with the overreaching “The New Danger” and then completely threw us off with a deliberate throwaway album in “Tru3 Magic”, an album so lazily put together it didn’t even have a cover. Now off the Geffen label and on Downtown Records (home of Gnarls Barkley, among others), Mighty Mos is back with an album that will hopefully knock the bad taste of the last couple of records out of listener’s mouths. Early reviews are promising.

    Black Eyed Peas The E.N.D.– On the other side of the hip-hop coin are the Black Eyed Peas. My distaste for them is legendary, but what I find more striking is the fact that their new song “Boom Boom Pow” has been the #1 song in the country for the past eight weeks and I have not heard the song ONCE. I’m sure the BEP will sell kajillions of records without my support anyway.

    Sonic Youth The Eternal– After nearly two decades in the MCA/Geffen family, New York alternative legends Sonic Youth are back on an indie label for “The Eternal”. These guys (and girl) have a pretty strong cult following, and since they’re not gonna make a pop breakthrough anytime soon, I don’t think it matters *what* label they’re on. They’re gonna sell what they’re gonna sell anyway.

    Pleasure P. The Introduction of Marcus Cooper– Pleasure P is the former lead voice of raunchy R&B outfit Pretty Ricky, and this is his solo debut. “Boyfriend #2” has already hit the Top 5 on the R&B charts, and the big production guns were definitely brought out for this release, including Cool & Dre, Ne-Yo and Keith Sweat. You’d think that a lot of these groups would stay together longer. It’s not like anyone’s leaving an R&B group these days to have an awesome solo career. Anyone seen Slim from 112 lately? How about Sisqo?

    A full list of this week’s new releases can be found here.